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In the second edition of Designer Drafting and Visualization for the Entertainment World, Patricia Woodbridge, a highly experienced art director of feature films and a long time teacher of scenic drafting and set design at the graduate level teams up with nationally-renowned scenic designer and SCAD professor Hal Tine to give you a dynamic glimpse into the world of designing for mainstream entertainment including theatre, film, tv, and corporate events. Drawing on designs from real Hollywood and Broadway blockbusters, this book provides you with the basic tools and principles of scenic drafting and rendering, beginning with pencil drafting and culminating with the latest information on CAD drafting, digital 3D modelling, digital and hand/digital rendering, and digital graphics for sets. Full of examples from all areas of entertainment, this book not only builds on basic principles of designer drafting to give you the most comprehensive knowledge on the subject, but also illuminates scenic career paths with insights from professional set design artists who discuss their education and varied career progressions.New to this edition:• Updated chapters on the basics of scenic pencil drafting, including examples of sketch drafting or “thinking with a pencil”• Drafting from Hollywood and TV hits like True Grit, I Am Legend, Sherlock Holmes, Mr. Popper’s Penguins, Never Let Me Go, Gossip Girl and more• New chapters include Period Shapes and Scenic Details, Computer Drafting and Illustration, Scenery Graphics, and Virtual Scenery
Format: CONTRIBUTORS: Patricia WoodbridgeEAN: 9780240818917COUNTRY: United KingdomPAGES: WEIGHT: 1220 gHEIGHT: 280 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2013-04-23CITY: GENRE: PERFORMING ARTS / Theater / GeneralWIDTH: 210 cmSPINE:
Book Themes:
The arts: general topics, Theatre studies
"I have been looking for a book that not only focuses on the technical aspects of theater drafting, but also on why we choose to draft the way we do and how it relates to sketchings and renderings. This book covers that ground exceptionally well."-Michael O'Nele, Univ. of Memphis"Very good comprehensive view of drafting applied to all areas of the entertainment industry."-Eric Olson, Samford University"Tells not only what to do, but why. The most complete book on entertainment drafting yet."-Charles E. Williams, University of Toledo"most thorough and best drafting book on the market...the examples in particular are informative.""an excellent reference book to be used during a course...", "In Designer Drafting for the Entertainment World, Patricia Woodbridge has created both a thorough primer on designer drafting for all the entertainment industry and a rich inspirational album of the very best of current designer draftings." - Steve Nelson, Dramatics, April 2001"Good scenic design and drafting is expanding even into the virtual worlds and this is a great book to expose a younger draftsperson and aspiring designer to the ever-widening scope of opportunities available to those with scenic design training." - Dramatics, April 2001
Hal Tine (scenic designer) is a nationally recognized scenic designer teaching in the Production Design Department at SCAD and has designed the School of Performing Arts productions of The Station, Carousel, Oliver Twist, Lend Me a Tenor, Guys and Dolls and The Marriage of Bette and Boo. His professional work includes the designs for the Broadway productions of The Trip Back Down and Jerry's Girls as well as many assistant design positions. He was associate scenic designer for the Metropolitan Opera productions of Les Troyens, Le Prophete and Un Ballo in Maschera. In addition, he has designed more than 200 productions for off-Broadway, off-off-Broadway, regional theater, opera, and network and cable television. He has also designed exhibitions or special projects for the New York Philharmonic, the Boston Symphony Orchestra, the Smithsonian American History Museum, the Dallas Museum of Art, the Brooklyn Museum of Art and the New York Historical Society. He will design Verdi's Giovanna D'Arco for New York Grand Opera in Central Park this summer.
In the second edition of Designer Drafting and Visualization for the Entertainment World, Patricia Woodbridge, a highly experienced art director of feature films and a long time teacher of scenic drafting and set design at the graduate level teams up with nationally-renowned scenic designer and SCAD professor Hal Tine to give you a dynamic glimpse into the world of designing for mainstream entertainment including theatre, film, tv, and corporate events. Drawing on designs from real Hollywood and Broadway blockbusters, this book provides you with the basic tools and principles of scenic drafting and rendering, beginning with pencil drafting and culminating with the latest information on CAD drafting, digital 3D modelling, digital and hand/digital rendering, and digital graphics for sets. Full of examples from all areas of entertainment, this book not only builds on basic principles of designer drafting to give you the most comprehensive knowledge on the subject, but also illuminates scenic career paths with insights from professional set design artists who discuss their education and varied career progressions.New to this edition:• Updated chapters on the basics of scenic pencil drafting, including examples of sketch drafting or “thinking with a pencil”• Drafting from Hollywood and TV hits like True Grit, I Am Legend, Sherlock Holmes, Mr. Popper’s Penguins, Never Let Me Go, Gossip Girl and more• New chapters include Period Shapes and Scenic Details, Computer Drafting and Illustration, Scenery Graphics, and Virtual Scenery
Format: CONTRIBUTORS: Patricia WoodbridgeEAN: 9780240818917COUNTRY: United KingdomPAGES: WEIGHT: 1220 gHEIGHT: 280 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2013-04-23CITY: GENRE: PERFORMING ARTS / Theater / GeneralWIDTH: 210 cmSPINE:
Hal Tine (scenic designer) is a nationally recognized scenic designer teaching in the Production Design Department at SCAD and has designed the School of Performing Arts productions of The Station, Carousel, Oliver Twist, Lend Me a Tenor, Guys and Dolls and The Marriage of Bette and Boo. His professional work includes the designs for the Broadway productions of The Trip Back Down and Jerry's Girls as well as many assistant design positions. He was associate scenic designer for the Metropolitan Opera productions of Les Troyens, Le Prophete and Un Ballo in Maschera. In addition, he has designed more than 200 productions for off-Broadway, off-off-Broadway, regional theater, opera, and network and cable television. He has also designed exhibitions or special projects for the New York Philharmonic, the Boston Symphony Orchestra, the Smithsonian American History Museum, the Dallas Museum of Art, the Brooklyn Museum of Art and the New York Historical Society. He will design Verdi's Giovanna D'Arco for New York Grand Opera in Central Park this summer.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
