'One of the greatest European prose writers' Philip RothIn the autumn of 1965, Bohumil Hrabal bought a weekend cottage in the countryside east of Prague. There, until his death, he tended to an ever-growing, unruly community of cats. This is his confessional, tender and shocking meditation on the joys and torments of his life with them; how he became increasingly overwhelmed by the demands of the things he loved, even to the brink of madness.'Dark and strange ... It begins with warmth and fluffiness, but soon descends into Dostoevskian horror' Daily Telegraph'The Czech master exposed the animal within us' New Yorker
Format: CONTRIBUTORS: Bohumil HrabalEAN: 9780241422199COUNTRY: United KingdomPAGES: WEIGHT: 78 gHEIGHT: 198 cm
Modern and contemporary fiction: general and literary, Cats as pets
One of the great prose stylists of the 20th century; the scourge of state censors; the gregarious bar hound and lover of gossip, beer, cats and women, Hrabal, to my mind, is one of the greatest European prose writers, Hrabal was, for all his eccentricity, a major figure in 20th-century world literature, The very best writer, A most sophisticated novelist, with a gusting humor and a hushed tenderness of detail
Bohumil Hrabal was one of the most important and admired Czech writers of the twentieth century. He was born and raised in Brno in what was then the Austro-Hungarian Empire in 1914. After working as a railway labourer, insurance agent, travelling salesman, manual labourer, paper-packer and stagehand, he published a collection of poetry that was quickly withdrawn by the communist regime. His best-known books include I Served the King of England, Closely Watched Trains (made into an Academy Award-winning film directed by Jiri Menzel) and Too Loud a Solitude. In 1997, he fell to his death from the fifth floor of a Prague hospital, apparently trying to feed the pigeons.
'One of the greatest European prose writers' Philip RothIn the autumn of 1965, Bohumil Hrabal bought a weekend cottage in the countryside east of Prague. There, until his death, he tended to an ever-growing, unruly community of cats. This is his confessional, tender and shocking meditation on the joys and torments of his life with them; how he became increasingly overwhelmed by the demands of the things he loved, even to the brink of madness.'Dark and strange ... It begins with warmth and fluffiness, but soon descends into Dostoevskian horror' Daily Telegraph'The Czech master exposed the animal within us' New Yorker
Format: CONTRIBUTORS: Bohumil HrabalEAN: 9780241422199COUNTRY: United KingdomPAGES: WEIGHT: 78 gHEIGHT: 198 cm
Bohumil Hrabal was one of the most important and admired Czech writers of the twentieth century. He was born and raised in Brno in what was then the Austro-Hungarian Empire in 1914. After working as a railway labourer, insurance agent, travelling salesman, manual labourer, paper-packer and stagehand, he published a collection of poetry that was quickly withdrawn by the communist regime. His best-known books include I Served the King of England, Closely Watched Trains (made into an Academy Award-winning film directed by Jiri Menzel) and Too Loud a Solitude. In 1997, he fell to his death from the fifth floor of a Prague hospital, apparently trying to feed the pigeons.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
