One of the BBC's '100 Novels that Shaped the World'Jean Rhys's spell-binding novel Wide Sargasso Sea, inspired by Jane Eyre and winner the Royal Society of Literature Award is beautifully repackaged as part of the Penguin Essentials range.'There is no looking glass here and I don't know what I am like now... Now they have taken everything away. What am I doing in this place and who am I?'If Antoinette Cosway, a spirited Creole heiress, could have foreseen the terrible future that awaited her, she would not have married the young Englishman. Initially drawn to her beauty and sensuality, he becomes increasingly frustrated by his inability to reach into her soul. He forces Antoinette to conform to his rigid Victorian ideals, unaware that in taking away her identity he is destroying a part of himself as well as pushing her towards madness.Set against the lush backdrop of 1830s Jamaica, Jean Rhys's powerful, haunting masterpiece was inspired by her fascination with the first Mrs Rochester, the mad wife in Charlotte Brontë's Jane Eyre.'Compelling, painful and exquisite' Guardian'Brilliant. A tale of dislocation and dispossession, which Rhys writes with a kind of romantic cynicism, desperate and pungent' The Times'Rhys turns a menacing cipher into a grieving, plausible young woman, and one whose story says whole worlds about global mixtures, about the misunderstandings between the colonized, the colonizers and the people who can't easily say which they are' TimeJean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.
Format: CONTRIBUTORS: Jean RhysEAN: 9780241951552COUNTRY: United KingdomPAGES: WEIGHT: 94 gHEIGHT: 182 cm
Compelling, painful and exquisite, Brilliant. A tale of dislocation and dispossession, which Rhys writes with a kind of romantic cynicism, desperate and pungent, Rhys turns a menacing cipher into a grieving, plausible young woman, and one whose story says whole worlds about global mixtures, about the misunderstandings between the colonized, the colonizers and the people who can't easily say which they are
Jean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.
One of the BBC's '100 Novels that Shaped the World'Jean Rhys's spell-binding novel Wide Sargasso Sea, inspired by Jane Eyre and winner the Royal Society of Literature Award is beautifully repackaged as part of the Penguin Essentials range.'There is no looking glass here and I don't know what I am like now... Now they have taken everything away. What am I doing in this place and who am I?'If Antoinette Cosway, a spirited Creole heiress, could have foreseen the terrible future that awaited her, she would not have married the young Englishman. Initially drawn to her beauty and sensuality, he becomes increasingly frustrated by his inability to reach into her soul. He forces Antoinette to conform to his rigid Victorian ideals, unaware that in taking away her identity he is destroying a part of himself as well as pushing her towards madness.Set against the lush backdrop of 1830s Jamaica, Jean Rhys's powerful, haunting masterpiece was inspired by her fascination with the first Mrs Rochester, the mad wife in Charlotte Brontë's Jane Eyre.'Compelling, painful and exquisite' Guardian'Brilliant. A tale of dislocation and dispossession, which Rhys writes with a kind of romantic cynicism, desperate and pungent' The Times'Rhys turns a menacing cipher into a grieving, plausible young woman, and one whose story says whole worlds about global mixtures, about the misunderstandings between the colonized, the colonizers and the people who can't easily say which they are' TimeJean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.
Format: CONTRIBUTORS: Jean RhysEAN: 9780241951552COUNTRY: United KingdomPAGES: WEIGHT: 94 gHEIGHT: 182 cm
Jean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
