Sweet Thing

In this epic standalone from David Swinson "one of the best dialogue hounds in the business" (NYTBR), Homicide Detective Alex Blum must answer a terrible question: 'how far would you go to love the wrong woman?'In a red brick house on a tree-lined street, DC homicide detective Alex Blum stares at the bullet-pocked body of Chris Doyle. As he roots around for evidence, he finds an old polaroid: the decedent, arm in arm with Arthur Holland, Blum's informant from years ago when he worked at the Narcotics branch.But Arthur has been missing for days. Blum's only source: Arthur's girl, Celeste-beautiful, seductive, and tragic-whom he can't get out of his head. Blum is drawn to her and feels compelled to save her from Arthur's underworld. As the investigation ticks on and dead bodies domino, Blum, unearths clues with damning implications for Celeste. Swallowed by desire, Blum's single misstep sends him tunnelling down a rabbit hole of transgression. He may soon find the only way out is down below.Set in 1999, Swinson, a former DC cop, offers a look back at a rougher, grittier, bygone DC replete with seedy strip clubs, pagers beeping, and Y2K anxiety. It's here we're taken inside sting operations, fluorescent-tinged interrogation chambers, and rooms that have seen irreversible mistakes. At once authentic, gritty, tragic, and profound, SWEET THING asks how far can you fall when the world teeters on the edge?

"Sweet Thing is fast, dark, and flat-out wonderful. The dialogue cuts like a scalpel and the action would outpace a greyhound. This thing smells like burnt coffee, cigarette smoke, and the pure, unfiltered authenticity only a retired detective who's seen it all could tattoo on the page. Don't miss it."--Gabino Iglesias, Stoker Award-winning author of The Devil Takes You Home, "Drawing on his experience as a D.C. cop and writing in clipped, terse prose, Swinson transforms the turn of the millennium into a distant noir-tinged era that feels both tougher and simpler than the present. This is sure to please fans of George Pelecanos and Richard Price." --Publishers Weekly, Starred Review, "Brisk, punchy chapters, dead-on dialogue, and an insider knowledge of law enforcement elevate Sweet Thing into a higher realm of fiction, a space where genres blur and the line between good and evil spins like a siren in the night. Swinson is a modern master of lean, no-frills, throwback noir."--Eli Cranor, Edgar Award-winning author of Don't Know Tough and Ozark Dogs, "They're going to have to find a new spot on the color wheel for Sweet Thing. Because there's dark, there's noir, and then there's David Swinson. His new book is the real deal: tough, terse, rocket-paced and authentic. If you're reader enough to handle the strong stuff off the top shelf, this is for you."--Peter Blauner, Edgar-winning, New York Times bestselling author of Picture in the Sand, "The writing is crisp and well hewn, the dialogue spare and punchy. The characters feel real, and their inner lives vivid. Transgression is the theme of Swinson's tale. The seedy, pre-Y2K world of the book feels tailor-made for this story and a cop who needs to think on his feet. But (maybe) misjudges the cost."--James McCrone, author of the Faithless Elector series

David Swinson is a retired police detective from the Metropolitan Police Department in Washington, DC, having been assigned to Major Crimes. Swinson is the author of the critically acclaimed Frank Marr Trilogy - The Second Girl, Crime Song and Trigger, and the standalone City on the Edge. He lives in Northern Virginia.