This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture.Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals.A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.
Format: CONTRIBUTORS: Diane Negra, Michele WhiteEAN: 9780367547028COUNTRY: United KingdomPAGES: WEIGHT: 550 gHEIGHT: 229 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2022-04-07CITY: GENRE: SOCIAL SCIENCE / Media StudiesWIDTH: 152 cmSPINE:
Book Themes:
Cultural studies, Popular culture, Media studies, Gender studies, gender groups
"Amidst the increasing visibility of online and offline misogyny, misogynoir, and anti-feminism, we are so fortunate to have this volume to help us navigate these terrains of struggle and violence. White and Negra have gathered an impressive group of scholars who approach anti-feminism from a variety of angles, from whiteness to Black feminism to embodied joy. The book is well-organized, compelling, and a crucial contribution to feminist scholarship."Sarah Banet-Weiser, Professor, Annenberg School for Communication, University of Pennsylvania, and Annenberg School for Communication and Journalism, University of Southern California, USA
Michele White is a Professor of Internet and New Media Studies in the Department of Communication at Tulane University. She is author of The Body and the Screen: Theories of Internet Spectatorship (2006), Buy It Now: Lessons from eBay (2012), Producing Women: The Internet, Traditional Femininity, Queerness, and Creativity (2015), and Producing Masculinity: The Internet, Gender, and Sexuality (2019). She co-edited the Feminist Media Histories issue on Genealogies of Feminist Media Studies and has written extensively about online cultures, including persistent digital authorizations of misogyny and hate. She is currently completing a monograph, Touch Screen Theory: Digital Devices and Feelings.Diane Negra is a Professor of Film Studies and Screen Culture at University College Dublin. A member of the Royal Irish Academy, she is the author, editor, or co-editor of twelve books including Interrogating Postfeminism: Gender and the Politics of Popular Culture (2007); What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism (2008), Gendering the Recession: Media and Culture in an Age of Austerity (2014), and Imagining "We" in the Age of "I": Romance and Social Bonding in Contemporary Culture (2021). She serves as Chair of the Irish Fulbright Commission.
This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture.Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals.A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.
Format: CONTRIBUTORS: Diane Negra, Michele WhiteEAN: 9780367547028COUNTRY: United KingdomPAGES: WEIGHT: 550 gHEIGHT: 229 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2022-04-07CITY: GENRE: SOCIAL SCIENCE / Media StudiesWIDTH: 152 cmSPINE:
Book Themes:
Cultural studies, Popular culture, Media studies, Gender studies, gender groups
Michele White is a Professor of Internet and New Media Studies in the Department of Communication at Tulane University. She is author of The Body and the Screen: Theories of Internet Spectatorship (2006), Buy It Now: Lessons from eBay (2012), Producing Women: The Internet, Traditional Femininity, Queerness, and Creativity (2015), and Producing Masculinity: The Internet, Gender, and Sexuality (2019). She co-edited the Feminist Media Histories issue on Genealogies of Feminist Media Studies and has written extensively about online cultures, including persistent digital authorizations of misogyny and hate. She is currently completing a monograph, Touch Screen Theory: Digital Devices and Feelings.Diane Negra is a Professor of Film Studies and Screen Culture at University College Dublin. A member of the Royal Irish Academy, she is the author, editor, or co-editor of twelve books including Interrogating Postfeminism: Gender and the Politics of Popular Culture (2007); What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism (2008), Gendering the Recession: Media and Culture in an Age of Austerity (2014), and Imagining "We" in the Age of "I": Romance and Social Bonding in Contemporary Culture (2021). She serves as Chair of the Irish Fulbright Commission.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
