Virginia Woolf’s Afterlives

This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century

Monica Latham is a Professor of British literature at the English Department of the Université de Lorraine in Nancy, France, and a specialist of Virginia Woolf and genetic criticism. She obtained a PhD in 2003 from Université de Nancy, France. Her thesis analysed the genesis of Woolf’s first novel, The Voyage Out, and was entitled ‘De Melymbrosia (1908) à The Voyage Out (1915): l’invention allotropique du projet woolfien d’écriture’. Since then, Latham has published over sixty articles on modernist and postmodernist authors in many international journals and academic publications. She is the author of A Poetics of Postmodernism and Neomodernism: Rewriting Mrs Dalloway (2015). She is the co-editor of the series ‘Book Practices and Textual Itineraries’, ‘Biofiction Studies’ and ‘Virginia Woolf’s Reading Notebooks’.