Vocational occupations are attractive not so much for their material rewards as for the prestige and self-fulfillment they confer. They require a strong personal commitment, which can be subjectively experienced in terms of passion and selflessness. The choice of a career in the cultural sector provides a good example of this. What are the terms of this calling? What predisposes individuals to answer it? What are the meanings of such a choice? To answer these questions, this book focuses on would-be cultural managers. By identifying their social patterns, by revealing the resources, expectations and visions of the world they invest in their choice, it sheds new light on these occupations. In these intermediary and indeterminate social positions, family heritages intersect with educational strategies, aspirations of upward mobility with tactics against downward mobility, and social critique with adjustment strategies. Ultimately the study of career choices in cultural management suggests a new take on the analysis of social reproduction and on the embodiment of the new spirit of capitalism. The empirical findings of this research conducted in France are set in a broader comparative perspective, at the European level and with the USA.
Format: CONTRIBUTORS: Vincent DuboisEAN: 9780367870584COUNTRY: United KingdomPAGES: WEIGHT: 453 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2019-12-12CITY: GENRE: SOCIAL SCIENCE / General, SOCIAL SCIENCE / Sociology / GeneralWIDTH: 156 cmSPINE:
Book Themes:
Education
'Every year, thousands of talented young people aspire to careers in the arts. Vincent Dubois's brilliant sociological analysis of French careers in cultural management reveals the challenges - and often disappointments - which lie in their way. This book will be essential reading across the globe for those interested in how career patterns in the cultural sector are changing'. - Pr. Mike Savage, Head of Sociology Department and Chair, London School of Economics'Many have wondered: what is arts management? Few answers truly satisfy. Vincent Dubois poses a set of fresh questions and manages to answer this and far more in his well-researched, highly readable volume. It should be required reading in our field.' - Pr. Constance DeVereaux, Director, LEAP Institute for the Arts, Colorado State University, USA'Culture as a Vocation focuses on the social space of cultural managers, who play a crucial role in the contemporary cultural world. Superbly researched in a bourdieusian framework, this book provides an insightful view on this occupational universe. Thanks to the nuanced analysis of this strategic case, he sheds light on the changing social settings of culture in contemporary societies.' - Arturo Rodríguez Morató, Professor of Sociology, University of Barcelona, Spain.'This persuasive and challenging analysis of changing realities in cultural professions, offers insightful understanding of the aspirations and motivations of professionals engaged in arts and culture. Dubois’s book is a must read for all those involved in education and training of cultural professionals, whether in academia or in centres for lifelong learning.' - Professor Milena Dragicevic Sesic, UNESCO Chair in cultural policy and management, University of Arts, Belgrade'Serious researches on management in the cultural field are rare and still rarer are conceptually sophisticated ones. With his usual mastery Vincent Dubois manages to match in this unique book the seriousness of a solid empirical study on would-be cultural managers with the imaginative insightfulness of the best social theory to provide a must reference for future research and a valuable reading for aspiring as well as practicing professionals in the culture sector.' - Marco Santoro, Professor of Sociology, Università di Bologna, Italy
Vincent Dubois, sociologist and political scientist, is currently Professor at the Institute for Political Studies in Strasbourg (France). His research fields include cultural sociology and policy, language policy, poverty and welfare. He belongs to the SAGE research unit and to the University of Strasbourg Institute for Advanced Study, and is associate member of the Centre for European Sociology founded by Pierre Bourdieu in Paris. He is a former member of the Institute for Advanced Study in Princeton, NJ, USA, school of social science (2012-3) and of the Institut Universitaire de France (2007-12). He has published 8 books, 2 of which have been published in English translation (The Bureaucrat and the Poor, Ashgate, 2010; The Sociology of Wind Bands, Ashgate, 2013). He has published around 80 scientific contributions in edited volumes and journals including International Journal of Cultural Policy, Cultural Sociology, Poetics, Social Analysis, Current Anthropology, Critical Policy Studies, Actes de la recherche en sciences sociales.
Vocational occupations are attractive not so much for their material rewards as for the prestige and self-fulfillment they confer. They require a strong personal commitment, which can be subjectively experienced in terms of passion and selflessness. The choice of a career in the cultural sector provides a good example of this. What are the terms of this calling? What predisposes individuals to answer it? What are the meanings of such a choice? To answer these questions, this book focuses on would-be cultural managers. By identifying their social patterns, by revealing the resources, expectations and visions of the world they invest in their choice, it sheds new light on these occupations. In these intermediary and indeterminate social positions, family heritages intersect with educational strategies, aspirations of upward mobility with tactics against downward mobility, and social critique with adjustment strategies. Ultimately the study of career choices in cultural management suggests a new take on the analysis of social reproduction and on the embodiment of the new spirit of capitalism. The empirical findings of this research conducted in France are set in a broader comparative perspective, at the European level and with the USA.
Format: CONTRIBUTORS: Vincent DuboisEAN: 9780367870584COUNTRY: United KingdomPAGES: WEIGHT: 453 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2019-12-12CITY: GENRE: SOCIAL SCIENCE / General, SOCIAL SCIENCE / Sociology / GeneralWIDTH: 156 cmSPINE:
Vincent Dubois, sociologist and political scientist, is currently Professor at the Institute for Political Studies in Strasbourg (France). His research fields include cultural sociology and policy, language policy, poverty and welfare. He belongs to the SAGE research unit and to the University of Strasbourg Institute for Advanced Study, and is associate member of the Centre for European Sociology founded by Pierre Bourdieu in Paris. He is a former member of the Institute for Advanced Study in Princeton, NJ, USA, school of social science (2012-3) and of the Institut Universitaire de France (2007-12). He has published 8 books, 2 of which have been published in English translation (The Bureaucrat and the Poor, Ashgate, 2010; The Sociology of Wind Bands, Ashgate, 2013). He has published around 80 scientific contributions in edited volumes and journals including International Journal of Cultural Policy, Cultural Sociology, Poetics, Social Analysis, Current Anthropology, Critical Policy Studies, Actes de la recherche en sciences sociales.
'n Erfplaas met 'n befoeterde bestuurder is 'n uitdaging
Ek kom soms aan die einde van ’n boek sonder om die titel werklik te verstaan binne die konteks van die storielyn. Die teenoorgestelde is waar van Zinèt Oosthuizen se nuutste Romanza. Reeds op bladsy 16 lees ek van Karoo-koors, “die Karoomense se vriendelikheid, die liefde vir die area en hulle bereidwilligheid om te help.”
Dariyah verloor haar geliefde oom en haar ma tesame in ’n voertuigongeluk. Sy erf die plaas, Addersholte, in die Noord-Kaap. Daar loop sy haar vas in ’n ongeskikte plaasbestuurder wat ’n vyfjaarkontrak het en geen vriendelikheid teenoor haar openbaar nie. Sou ek een van die elemente van romanses, naamlik konflik, in isolasie moes beoordeel, sou hierdie twee karakters beslis volpunte kry.
Tekens van jaloesie by beide partye, en ’n soen in ’n welkome reënbui, is aanduidend van gevoelens wat vir hulle nuut is. Dit gee ook die versekering dat die konflik uiteindelik bygelê gaan word en die liefde gaan seëvier.
Karoo-koors is in Augustus vanjaar deur Lapa Uitgewers gepubliseer
Daar word dikwels bespiegel oor treffende openingsinne, maar hier lees ek nou vandag ’n slotsin wat vir my besonder treffend is en goeie lig werp op die pad waarlangs die heldin moes loop om heling en liefde te vind. “En vir die eerste keer glo sy werklik dat haar toekoms sterker as haar verlede is.” (p.187)
Isobel Raadt het ’n stem soos die spreekwoordelike engel, en ’n ewe mooi geaardheid, ’n traumatiese gebeurtenis ten spyt. Musiekvervaardiger, Markus Meyer, worstel om te aanvaar dat daar meer steek in sy belangstelling in Isobel as net ’n potensiële kontrak om te skryf en ’n nuwe sanger om te bestuur.
Wanneer jy sing is ’n Romanza in die Inspirasie subgenre. Die uitstaande geestelike boodskap is dat alles wat gebeur deel uitmaak van God se perfekte plan, hoe moeilik dit ook al mag wees. Ook dat dit nodig is om te vergewe en die verlede agter te laat.
Wat ook beïndruk het is hoe skrywer, Louise van der Merwe, die verhoog aan die karakters en hulle gevoelens, eerder as byvoorbeeld die omgewing, oorlaat. Die storie pas gemaklik in die gleuf van geestelike fiksie, hoewel dit natuurlik meer bondig is as ’n vollengte roman.
Emily knows how to capture her audience. Her writing style is a bit different but you enjoy it as you read along further. I do wish there was more to read about Miles’ and Daphne’s love story but I understand that the premise of the book was the story of how they met.
Overall, it was a great book.
'n Erflating neem die vier Calitz-vroue na Maanschijnbaai
Daar is ’n hele rits baie geldige redes waarom ek gesukkel het om my tande te kry in Jo & Sue, en daarna aanvanklik gespook het om ’n duik te begin maak in 635 bladsye. Chanette Paul se vermoë boeiend te skryf is allermins een van daardie redes. Dink eerder: fisio-assistent speel, voltydse versorger, onderbreekte slaap, en algemene onvermoë om te konsentreer. Die Calitz-slette met hulle kru taalgebruik was ook nie ’n goeie aanmoediging nie onder sulke omstandighede nie.
Enkele dae gelede was daar egter ’n deurbraak en daarná was daar nie keer aan nie. Vier uiteenlopende vroue, twee met losse sedes, ’n matriarg wat die spulletjie aanmekaar moet hou, die jongste so lelieblank (letterlik) dat sy ten prooi val van ’n gevaarlike sekte. Dan is daar die manne wat elkeen op sy beurt ’n belangrike rol te spele het in die storielyn.
Casper Calitz, die familiehoof, is vir jare vervreemd van sy nasate, maar laat sy boedel na aan die vier vroue. Dit klink op die oog af na uitkoms vir Jo, wat in groot finansiële verknorsing is, en vir Nan, wat gevra is om voortydig met pensioen te gaan. Totdat hulle Maanschijnbaai toe gaan en die erfposie gade slaan. “’n Kasarm. Uitgestrek. Grotesk. Verwaarloos. En verskriklik turkoois. Dis nou behalwe vir die pers en pienk en lemmetjiegroen deure en vensterrame.” (p.51)
Voeg daarby ’n pienk Cadillac, Hiërofant, Casper se winkel wat kristalle verkoop, ’n uitgebreide boekery en ’n drie-jaar klousule in die testament, en die intrige is groot. Selfs die eksentrieke Gaudi-boustyl word bygesleep om nog verdere kleur te gee. Daar is soveel elemente aan die verhaal, onder andere liefde, erfskandes, bedrog, geweld, en godsdienstige verleiding,
Die Maanschijnbaai-tweeluik is vyftien jaar gelede geskryf en nou hersien. Die nuwe buiteblaaie is besonder treffend en ’n waardevolle toevoeging tot my groeiende versameling van Chanette Paul se boeke.