The Paramārthasāra, or ‘Essence of Ultimate Reality’, is a work of the Kashmirian polymath Abhinavagupta (tenth–eleventh centuries). It is a brief treatise in which the author outlines the doctrine of which he is a notable exponent, namely nondualistic Śaivism, which he designates in his works as the Trika, or ‘Triad’ of three principles: Śiva, Śakti and the embodied soul (nara).The main interest of the Paramārthasāra is not only that it serves as an introduction to the established doctrine of a tradition, but also advances the notion of jiv̄anmukti, ‘liberation in this life’, as its core theme. Further, it does not confine itself to an exposition of the doctrine as such but at times hints at a second sense lying beneath the evident sense, namely esoteric techniques and practices that are at the heart of the philosophical discourse. Its commentator, Yogarāja (eleventh century), excels in detecting and clarifying those various levels of meaning. An Introduction to Tantric Philosophy presents, along with a critically revised Sanskrit text, the first annotated English translation of both Abhinavagupta’s Paramārthasāra and Yogarāja’s commentary.This book will be of interest to Indologists, as well as to specialists and students of Religion, Tantric studies and Philosophy.
Format: CONTRIBUTORS: Lyne Bansat-Boudon, Kamalesha Datta TripathiEAN: 9780415346696COUNTRY: United KingdomPAGES: WEIGHT: 1050 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2010-09-17CITY: GENRE: PHILOSOPHY / General, PHILOSOPHY / Eastern, SOCIAL SCIENCE / Ethnic Studies / General, SOCIAL SCIENCE / Ethnic Studies / American / Asian American Studies, SOCIAL SCIENCE / Regional StudiesWIDTH: 156 cmSPINE:
Book Themes:
East Asian and Indian philosophy
"Clearly, Sanskrit scholars and the growing coterie of serious students of Śaivism will profit greatly from a close study of Bansat-Boudon’s notes and other supplemental materials; yet, this volume also will be of use to those with less than a professional commitment to the study of Śaiva materials, as the clarity of the authors’ translations affords an easy access to the subject, even, perhaps especially, for those who do not read Sanskrit. Certainly, then, every college and university library worth its salt should own a copy, but I also imagine—and hope—the readership of this outstanding text will extend to a wider audience, beyond the confines of academia."John Nemec, University of VirginiaJournal of the American Oriental Society 135.2, pages 343-345 (2015) 343
Lyne Bansat-Boudon is Professor in the Section des sciences religieuses at the École Pratique des Hautes Études (EPHE) in Paris, and an Honorary Senior Member of the Institut Universitaire de France (IUF). Her main fields of research are Sanskrit Literature and Poetics, Aesthetics and the Śaiva tradition. She published in 1992 Poétique du théâtre indien. Lectures du Nâtyaçâstra, and, in 2006, as the chief editor of the volume and a translator, Théâtre de l’Inde ancienne, Gallimard (Bibliothèque de la Pléiade).Kamaleshadatta Tripathi is Emeritus Professor at the Benares Hindu University, India, where he was Dean of the Faculty of Sanskrit Learning and Theology and Head of the Department of Religious and Agamic Studies. For several years he also was the director of the Kâlidâsa Akademi in Ujjain. His research interests include Agamic Philosophy, Hindu Theology, Philosophy of Grammar, Sanskrit Literature, Poetics and Aesthetics.
The Paramārthasāra, or ‘Essence of Ultimate Reality’, is a work of the Kashmirian polymath Abhinavagupta (tenth–eleventh centuries). It is a brief treatise in which the author outlines the doctrine of which he is a notable exponent, namely nondualistic Śaivism, which he designates in his works as the Trika, or ‘Triad’ of three principles: Śiva, Śakti and the embodied soul (nara).The main interest of the Paramārthasāra is not only that it serves as an introduction to the established doctrine of a tradition, but also advances the notion of jiv̄anmukti, ‘liberation in this life’, as its core theme. Further, it does not confine itself to an exposition of the doctrine as such but at times hints at a second sense lying beneath the evident sense, namely esoteric techniques and practices that are at the heart of the philosophical discourse. Its commentator, Yogarāja (eleventh century), excels in detecting and clarifying those various levels of meaning. An Introduction to Tantric Philosophy presents, along with a critically revised Sanskrit text, the first annotated English translation of both Abhinavagupta’s Paramārthasāra and Yogarāja’s commentary.This book will be of interest to Indologists, as well as to specialists and students of Religion, Tantric studies and Philosophy.
Format: CONTRIBUTORS: Lyne Bansat-Boudon, Kamalesha Datta TripathiEAN: 9780415346696COUNTRY: United KingdomPAGES: WEIGHT: 1050 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2010-09-17CITY: GENRE: PHILOSOPHY / General, PHILOSOPHY / Eastern, SOCIAL SCIENCE / Ethnic Studies / General, SOCIAL SCIENCE / Ethnic Studies / American / Asian American Studies, SOCIAL SCIENCE / Regional StudiesWIDTH: 156 cmSPINE:
Lyne Bansat-Boudon is Professor in the Section des sciences religieuses at the École Pratique des Hautes Études (EPHE) in Paris, and an Honorary Senior Member of the Institut Universitaire de France (IUF). Her main fields of research are Sanskrit Literature and Poetics, Aesthetics and the Śaiva tradition. She published in 1992 Poétique du théâtre indien. Lectures du Nâtyaçâstra, and, in 2006, as the chief editor of the volume and a translator, Théâtre de l’Inde ancienne, Gallimard (Bibliothèque de la Pléiade).Kamaleshadatta Tripathi is Emeritus Professor at the Benares Hindu University, India, where he was Dean of the Faculty of Sanskrit Learning and Theology and Head of the Department of Religious and Agamic Studies. For several years he also was the director of the Kâlidâsa Akademi in Ujjain. His research interests include Agamic Philosophy, Hindu Theology, Philosophy of Grammar, Sanskrit Literature, Poetics and Aesthetics.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.