The global political economy is inescapably cultural. Whether we talk about the economic dimensions of the "war on terror", the sub-prime crisis and its aftermath, or the ways in which new information technology has altered practices of production and consumption, it has become increasingly clear that these processes cannot be fully captured by the hyper-rational analysis of economists or the slogans of class conflict. This book argues that culture is a concept that can be used to develop more subtle and fruitful analyses of the dynamics and problems of the global political economy.Rediscovering the unacknowledged role of culture in the writings of classical political economists, the contributors to this volume reveal its central place in the historical evolution of post-war capitalism, exploring its continued role in contemporary economic processes that range from the commercialization of security practices to the development of ethical tourism. The book shows that culture plays a role in both constituting different forms of economic life and in shaping the diverse ways that capitalism has developed historically – from its earliest moments to its most recent challenges.Providing valuable insights to a wide range of disciplines, this volume will be of vital interest to students and scholars of International Political Economy, Cultural and Economic Geography and Sociology, and International Relations.
Format: CONTRIBUTORS: Jacqueline Best, Matthew PatersonEAN: 9780415489324COUNTRY: United KingdomPAGES: WEIGHT: 490 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2009-12-14CITY: GENRE: POLITICAL SCIENCE / General, POLITICAL SCIENCE / History & Theory, POLITICAL SCIENCE / International Relations / General, POLITICAL SCIENCE / Political Ideologies / GeneralWIDTH: 156 cmSPINE:
Book Themes:
Political economy
'Chapter by chapter, this trans-disciplinary anthology offers the very best contemporary analyses of the cultural-political economy interface available. It is an important intervention that should serve pedagogy in a wide variety of disciplines while disrupting the tendencies that have separated cultural and economic research agendas.' - Michael Shapiro, University of Hawaii at Mãnoa, USA 'The contributors to this excellent collection seek not to bury political-economy yet neither do they wish to praise it uncritically. Adding to and engaging with the various theoretical strands that make up the broad church of cultural economy, the volume’s aim is to show why injecting the ‘cultural dimension’ into analyses enriches rather than detracts from our understanding of how the political and the economic work separately and together, and what’s at stake if ‘culture’ is jettisoned at the outset. Containing theoretically informed engagements with practices as varied as ethical tourism, to the war on terror, to the rise of the ‘talent world’…through to a provocative and concluding engagement with the whole project of ‘cultural political economy’ offered by Rob Walker, this volume is an important contribution to the task of making sense of the cultural dynamics that give motion to contemporary capitalisms.' - Michael Pryke, Faculty of Social Sciences, The Open University 'This book boldly opens up an intriguing and important field of inquiry that explores the intersections, boundaries, and inseparable qualities of culture, politics and the economy. It acknowledges, criticizes and reinterprets past efforts to conceptualize the relationships between these three categories but it is also filled with exciting new theoretical insights and novel analyses of particular historical and contemporary transnational practices. The chapters are consistently high quality, wide ranging in their themes, while working together to illuminate the value of cultural political economy as a field of inquiry. After reading this book some of the most familiar concepts and assumptions that we use in thinking about culture, politics and the economy do not look the same anymore.' - Tony Porter, McMaster University, Canada
Jacqueline Best is a Professor in the School of Political Studies at the University of Ottawa. Her work combines an interest in international political economy, international relations and political theory, with an empirical focus on international economic governance issues. Her first book, The Limits of Transparency: Ambiguity and the History of International Finance, was published by Cornell University Press in 2005. Her current research focuses on the shifting legitimizing strategies of international economic organizations.Matthew Paterson is Professor of Political Science at the University of Ottawa. His research focuses on the intersection of International Political Economy and Global Environmental Politics. His most recent book is Automobile Politics: Ecology and Cultural Political Economy (Cambridge, 2007), and his current work focuses on the emergence of "climate capitalism." He has significant editing experience. He has co-edited two volumes (Direct Action in British Environmentalism, 2000, with Brian Doherty and Benjamin Seel, and Against Automobility, 2006, with Steffen Böhm, Campbell Jones and Chris Land) and one special issue of a journal (Global Environmental Politics, 3, 2, 2003, with David Humphreys and Lloyd Pettiford). He is also series editor of the Environmental Politics series for Routledge and, as of the 2008 issues, co-editor (with Jennifer Clapp) of Global Environmental Politics.
The global political economy is inescapably cultural. Whether we talk about the economic dimensions of the "war on terror", the sub-prime crisis and its aftermath, or the ways in which new information technology has altered practices of production and consumption, it has become increasingly clear that these processes cannot be fully captured by the hyper-rational analysis of economists or the slogans of class conflict. This book argues that culture is a concept that can be used to develop more subtle and fruitful analyses of the dynamics and problems of the global political economy.Rediscovering the unacknowledged role of culture in the writings of classical political economists, the contributors to this volume reveal its central place in the historical evolution of post-war capitalism, exploring its continued role in contemporary economic processes that range from the commercialization of security practices to the development of ethical tourism. The book shows that culture plays a role in both constituting different forms of economic life and in shaping the diverse ways that capitalism has developed historically – from its earliest moments to its most recent challenges.Providing valuable insights to a wide range of disciplines, this volume will be of vital interest to students and scholars of International Political Economy, Cultural and Economic Geography and Sociology, and International Relations.
Format: CONTRIBUTORS: Jacqueline Best, Matthew PatersonEAN: 9780415489324COUNTRY: United KingdomPAGES: WEIGHT: 490 gHEIGHT: 234 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2009-12-14CITY: GENRE: POLITICAL SCIENCE / General, POLITICAL SCIENCE / History & Theory, POLITICAL SCIENCE / International Relations / General, POLITICAL SCIENCE / Political Ideologies / GeneralWIDTH: 156 cmSPINE:
Jacqueline Best is a Professor in the School of Political Studies at the University of Ottawa. Her work combines an interest in international political economy, international relations and political theory, with an empirical focus on international economic governance issues. Her first book, The Limits of Transparency: Ambiguity and the History of International Finance, was published by Cornell University Press in 2005. Her current research focuses on the shifting legitimizing strategies of international economic organizations.Matthew Paterson is Professor of Political Science at the University of Ottawa. His research focuses on the intersection of International Political Economy and Global Environmental Politics. His most recent book is Automobile Politics: Ecology and Cultural Political Economy (Cambridge, 2007), and his current work focuses on the emergence of "climate capitalism." He has significant editing experience. He has co-edited two volumes (Direct Action in British Environmentalism, 2000, with Brian Doherty and Benjamin Seel, and Against Automobility, 2006, with Steffen Böhm, Campbell Jones and Chris Land) and one special issue of a journal (Global Environmental Politics, 3, 2, 2003, with David Humphreys and Lloyd Pettiford). He is also series editor of the Environmental Politics series for Routledge and, as of the 2008 issues, co-editor (with Jennifer Clapp) of Global Environmental Politics.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.