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Postcommunist Film - Russia, Eastern Europe and World Culture

Lars Kristensen
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      A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
      Format: CONTRIBUTORS: Lars Kristensen EAN: 9780415671644 COUNTRY: United Kingdom PAGES: WEIGHT: 570 g HEIGHT: 234 cm
      PUBLISHED BY: Taylor & Francis Ltd DATE PUBLISHED: 2012-03-26 CITY: GENRE: PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / General, SOCIAL SCIENCE / Ethnic Studies / General, SOCIAL SCIENCE / Regional Studies WIDTH: 156 cm SPINE:

      Book Themes:

      Films, cinema, Regional / International studies, Cultural studies, Media studies, Politics and government, History, Regional geography

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      Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.
      A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
      Format: CONTRIBUTORS: Lars Kristensen EAN: 9780415671644 COUNTRY: United Kingdom PAGES: WEIGHT: 570 g HEIGHT: 234 cm
      PUBLISHED BY: Taylor & Francis Ltd DATE PUBLISHED: 2012-03-26 CITY: GENRE: PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / General, SOCIAL SCIENCE / Ethnic Studies / General, SOCIAL SCIENCE / Regional Studies WIDTH: 156 cm SPINE:

      Book Themes:

      Films, cinema, Regional / International studies, Cultural studies, Media studies, Politics and government, History, Regional geography

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      Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.

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