The Senses in Self, Society, and Culture is the definitive guide to the sociological and anthropological study of the senses. Vannini, Waskul, and Gottschalk provide a comprehensive map of the social and cultural significance of the senses that is woven in a thorough analytical review of classical, recent, and emerging scholarship and grounded in original empirical data that deepens the review and analysis. By bridging cultural/qualitative sociology and cultural/humanistic anthropology, The Senses in Self, Society, and Culture explicitly blurs boundaries that are particularly weak in this field due to the ethnographic scope of much research. Serving both the sociological and anthropological constituencies at once means bridging ethnographic traditions, cultural foci, and socioecological approaches to embodiment and sensuousness. The Senses in Self,Society, and Culture is intended to be a milestone in the social sciences’ somatic turn.
Format: CONTRIBUTORS: Phillip Vannini, Dennis Waskul, Simon GottschalkEAN: 9780415731041COUNTRY: United KingdomPAGES: WEIGHT: 294 gHEIGHT: 229 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2013-10-10CITY: GENRE: SOCIAL SCIENCE / Sociology / GeneralWIDTH: 152 cmSPINE:
Book Themes:
Sociology, Anthropology
"An outstanding guide to the social study of the senses and an authoritative text for teaching the new and important turn to the body in the social sciences."—E. Doyle McCarthy, Sociology, Fordham University "Wielding a fine balance between theory, method and empirical analyses, this book is a timely contribution to the field of sensory studies and an asset to sensory syllabi for instructors. Elegantly cutting across the various disciplines of sociology, anthropology, geography and other sciences, The Senses in Self, Society, and Culture offers a fascinating array of ethnographic case studies that furnish us with sophisticated and intelligible insights into the manner in which the senses operate in social life."—Kelvin Yow, Sociology, National University of Singapore "Vannini, Waskul and Gottschalk take the study of the senses and sensation out of the psychology laboratory and into the streets, the wine festival, the bedroom, the kitchen. The authors clearly revel in their senses while studying them, and invite the student to do likewise. More than a textbook, this volume is an inspiring manifesto for a sociology of the senses."—David Howes, Anthropology, Concordia University , "Vannini (communication and culture, Royal Roads Univ., Canada), Waskul (sociology, Minnesota State Univ.), and Gottschalk (sociology, Univ. of Nevada, Las Vegas) have produced a marvelous slim book outlining a sociology of the senses....Richly and evocatively written, this book will interest interdisciplinary scholars concerned with the body and somatics, senses, and sensuality. Summing Up: Highly recommended." —CHOICE, J. L. Croissant, University of Arizona
Phillip Vannini is Professor in the School of Communication and Culture at Royal Roads University, Victoria, Canada, and Canada Research Chair in Innovative Learning and Public Ethnography. He is author and editor of eight books, including Understanding Society through Popular Music (with Joe Kotarba, 2006, Routledge), and Ferry Tales: An Ethnography of Mobilities, Place,and Time on Canada’s West Coast (2011, Routledge).Dennis Waskul is Professor of sociology at Minnesota State University, Mankato. He is author of Self-Games and Body-Play (2003, Peter Lang), production editor for Symbolic Interaction, editor of net.seXXX (2004, Peter Lang), and co-editor of Body/Embodiment (2006, Ashgate). He has published numerous studies on the sociology of the body, senses, sexualities, and computer-mediated communications.Simon Gottschalk is Associate Professor of sociology at the University of Nevada, Las Vegas. He was editor of Symbolic Interaction (2003–2007), and is the author of numerous articles and book chapters on self-environment relations, postmodern culture, social psychology, qualitative research, the mass media, and interaction in virtual environments.
The Senses in Self, Society, and Culture is the definitive guide to the sociological and anthropological study of the senses. Vannini, Waskul, and Gottschalk provide a comprehensive map of the social and cultural significance of the senses that is woven in a thorough analytical review of classical, recent, and emerging scholarship and grounded in original empirical data that deepens the review and analysis. By bridging cultural/qualitative sociology and cultural/humanistic anthropology, The Senses in Self, Society, and Culture explicitly blurs boundaries that are particularly weak in this field due to the ethnographic scope of much research. Serving both the sociological and anthropological constituencies at once means bridging ethnographic traditions, cultural foci, and socioecological approaches to embodiment and sensuousness. The Senses in Self,Society, and Culture is intended to be a milestone in the social sciences’ somatic turn.
Format: CONTRIBUTORS: Phillip Vannini, Dennis Waskul, Simon GottschalkEAN: 9780415731041COUNTRY: United KingdomPAGES: WEIGHT: 294 gHEIGHT: 229 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2013-10-10CITY: GENRE: SOCIAL SCIENCE / Sociology / GeneralWIDTH: 152 cmSPINE:
Phillip Vannini is Professor in the School of Communication and Culture at Royal Roads University, Victoria, Canada, and Canada Research Chair in Innovative Learning and Public Ethnography. He is author and editor of eight books, including Understanding Society through Popular Music (with Joe Kotarba, 2006, Routledge), and Ferry Tales: An Ethnography of Mobilities, Place,and Time on Canada’s West Coast (2011, Routledge).Dennis Waskul is Professor of sociology at Minnesota State University, Mankato. He is author of Self-Games and Body-Play (2003, Peter Lang), production editor for Symbolic Interaction, editor of net.seXXX (2004, Peter Lang), and co-editor of Body/Embodiment (2006, Ashgate). He has published numerous studies on the sociology of the body, senses, sexualities, and computer-mediated communications.Simon Gottschalk is Associate Professor of sociology at the University of Nevada, Las Vegas. He was editor of Symbolic Interaction (2003–2007), and is the author of numerous articles and book chapters on self-environment relations, postmodern culture, social psychology, qualitative research, the mass media, and interaction in virtual environments.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.