The Senses in Self, Society, and Culture is the definitive guide to the sociological and anthropological study of the senses. Vannini, Waskul, and Gottschalk provide a comprehensive map of the social and cultural significance of the senses that is woven in a thorough analytical review of classical, recent, and emerging scholarship and grounded in original empirical data that deepens the review and analysis. By bridging cultural/qualitative sociology and cultural/humanistic anthropology, The Senses in Self, Society, and Culture explicitly blurs boundaries that are particularly weak in this field due to the ethnographic scope of much research. Serving both the sociological and anthropological constituencies at once means bridging ethnographic traditions, cultural foci, and socioecological approaches to embodiment and sensuousness. The Senses in Self,Society, and Culture is intended to be a milestone in the social sciences’ somatic turn.
Format: CONTRIBUTORS: Phillip Vannini, Dennis Waskul, Simon GottschalkEAN: 9780415879910COUNTRY: United KingdomPAGES: WEIGHT: 530 gHEIGHT: 229 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2011-08-08CITY: GENRE: SOCIAL SCIENCE / Sociology / GeneralWIDTH: 152 cmSPINE:
Book Themes:
Society and culture: general, Sociology, Social and cultural anthropology, Medical sociology
"An outstanding guide to the social study of the senses and an authoritative text for teaching the new and important turn to the body in the social sciences."—E. Doyle McCarthy, Sociology, Fordham University "Wielding a fine balance between theory, method and empirical analyses, this book is a timely contribution to the field of sensory studies and an asset to sensory syllabi for instructors. Elegantly cutting across the various disciplines of sociology, anthropology, geography and other sciences, The Senses in Self, Society, and Culture offers a fascinating array of ethnographic case studies that furnish us with sophisticated and intelligible insights into the manner in which the senses operate in social life."—Kelvin Yow, Sociology, National University of Singapore "Vannini, Waskul and Gottschalk take the study of the senses and sensation out of the psychology laboratory and into the streets, the wine festival, the bedroom, the kitchen. The authors clearly revel in their senses while studying them, and invite the student to do likewise. More than a textbook, this volume is an inspiring manifesto for a sociology of the senses."—David Howes, Anthropology, Concordia University , "Vannini (communication and culture, Royal Roads Univ., Canada), Waskul (sociology, Minnesota State Univ.), and Gottschalk (sociology, Univ. of Nevada, Las Vegas) have produced a marvelous slim book outlining a sociology of the senses....Richly and evocatively written, this book will interest interdisciplinary scholars concerned with the body and somatics, senses, and sensuality. Summing Up: Highly recommended." —CHOICE, J. L. Croissant, University of Arizona
Phillip Vannini is Professor in the School of Communication and Culture at Royal Roads University, Victoria, Canada, and Canada Research Chair in Innovative Learning and Public Ethnography. He is author and editor of eight books, including Understanding Society through Popular Music (with Joe Kotarba, 2006, Routledge), and Ferry Tales: An Ethnography of Mobilities, Place,and Time on Canada’s West Coast (2011, Routledge).Dennis Waskul is Professor of sociology at Minnesota State University, Mankato. He is author of Self-Games and Body-Play (2003, Peter Lang), production editor for Symbolic Interaction, editor of net.seXXX (2004, Peter Lang), and co-editor of Body/Embodiment (2006, Ashgate). He has published numerous studies on the sociology of the body, senses, sexualities, and computer-mediated communications.Simon Gottschalk is Associate Professor of sociology at the University of Nevada, Las Vegas. He was editor of Symbolic Interaction (2003–2007), and is the author of numerous articles and book chapters on self-environment relations, postmodern culture, social psychology, qualitative research, the mass media, and interaction in virtual environments.
The Senses in Self, Society, and Culture is the definitive guide to the sociological and anthropological study of the senses. Vannini, Waskul, and Gottschalk provide a comprehensive map of the social and cultural significance of the senses that is woven in a thorough analytical review of classical, recent, and emerging scholarship and grounded in original empirical data that deepens the review and analysis. By bridging cultural/qualitative sociology and cultural/humanistic anthropology, The Senses in Self, Society, and Culture explicitly blurs boundaries that are particularly weak in this field due to the ethnographic scope of much research. Serving both the sociological and anthropological constituencies at once means bridging ethnographic traditions, cultural foci, and socioecological approaches to embodiment and sensuousness. The Senses in Self,Society, and Culture is intended to be a milestone in the social sciences’ somatic turn.
Format: CONTRIBUTORS: Phillip Vannini, Dennis Waskul, Simon GottschalkEAN: 9780415879910COUNTRY: United KingdomPAGES: WEIGHT: 530 gHEIGHT: 229 cm
PUBLISHED BY: Taylor & Francis LtdDATE PUBLISHED: 2011-08-08CITY: GENRE: SOCIAL SCIENCE / Sociology / GeneralWIDTH: 152 cmSPINE:
Book Themes:
Society and culture: general, Sociology, Social and cultural anthropology, Medical sociology
Phillip Vannini is Professor in the School of Communication and Culture at Royal Roads University, Victoria, Canada, and Canada Research Chair in Innovative Learning and Public Ethnography. He is author and editor of eight books, including Understanding Society through Popular Music (with Joe Kotarba, 2006, Routledge), and Ferry Tales: An Ethnography of Mobilities, Place,and Time on Canada’s West Coast (2011, Routledge).Dennis Waskul is Professor of sociology at Minnesota State University, Mankato. He is author of Self-Games and Body-Play (2003, Peter Lang), production editor for Symbolic Interaction, editor of net.seXXX (2004, Peter Lang), and co-editor of Body/Embodiment (2006, Ashgate). He has published numerous studies on the sociology of the body, senses, sexualities, and computer-mediated communications.Simon Gottschalk is Associate Professor of sociology at the University of Nevada, Las Vegas. He was editor of Symbolic Interaction (2003–2007), and is the author of numerous articles and book chapters on self-environment relations, postmodern culture, social psychology, qualitative research, the mass media, and interaction in virtual environments.
'n Erfplaas met 'n befoeterde bestuurder is 'n uitdaging
Ek kom soms aan die einde van ’n boek sonder om die titel werklik te verstaan binne die konteks van die storielyn. Die teenoorgestelde is waar van Zinèt Oosthuizen se nuutste Romanza. Reeds op bladsy 16 lees ek van Karoo-koors, “die Karoomense se vriendelikheid, die liefde vir die area en hulle bereidwilligheid om te help.”
Dariyah verloor haar geliefde oom en haar ma tesame in ’n voertuigongeluk. Sy erf die plaas, Addersholte, in die Noord-Kaap. Daar loop sy haar vas in ’n ongeskikte plaasbestuurder wat ’n vyfjaarkontrak het en geen vriendelikheid teenoor haar openbaar nie. Sou ek een van die elemente van romanses, naamlik konflik, in isolasie moes beoordeel, sou hierdie twee karakters beslis volpunte kry.
Tekens van jaloesie by beide partye, en ’n soen in ’n welkome reënbui, is aanduidend van gevoelens wat vir hulle nuut is. Dit gee ook die versekering dat die konflik uiteindelik bygelê gaan word en die liefde gaan seëvier.
Karoo-koors is in Augustus vanjaar deur Lapa Uitgewers gepubliseer
Daar word dikwels bespiegel oor treffende openingsinne, maar hier lees ek nou vandag ’n slotsin wat vir my besonder treffend is en goeie lig werp op die pad waarlangs die heldin moes loop om heling en liefde te vind. “En vir die eerste keer glo sy werklik dat haar toekoms sterker as haar verlede is.” (p.187)
Isobel Raadt het ’n stem soos die spreekwoordelike engel, en ’n ewe mooi geaardheid, ’n traumatiese gebeurtenis ten spyt. Musiekvervaardiger, Markus Meyer, worstel om te aanvaar dat daar meer steek in sy belangstelling in Isobel as net ’n potensiële kontrak om te skryf en ’n nuwe sanger om te bestuur.
Wanneer jy sing is ’n Romanza in die Inspirasie subgenre. Die uitstaande geestelike boodskap is dat alles wat gebeur deel uitmaak van God se perfekte plan, hoe moeilik dit ook al mag wees. Ook dat dit nodig is om te vergewe en die verlede agter te laat.
Wat ook beïndruk het is hoe skrywer, Louise van der Merwe, die verhoog aan die karakters en hulle gevoelens, eerder as byvoorbeeld die omgewing, oorlaat. Die storie pas gemaklik in die gleuf van geestelike fiksie, hoewel dit natuurlik meer bondig is as ’n vollengte roman.
Emily knows how to capture her audience. Her writing style is a bit different but you enjoy it as you read along further. I do wish there was more to read about Miles’ and Daphne’s love story but I understand that the premise of the book was the story of how they met.
Overall, it was a great book.
'n Erflating neem die vier Calitz-vroue na Maanschijnbaai
Daar is ’n hele rits baie geldige redes waarom ek gesukkel het om my tande te kry in Jo & Sue, en daarna aanvanklik gespook het om ’n duik te begin maak in 635 bladsye. Chanette Paul se vermoë boeiend te skryf is allermins een van daardie redes. Dink eerder: fisio-assistent speel, voltydse versorger, onderbreekte slaap, en algemene onvermoë om te konsentreer. Die Calitz-slette met hulle kru taalgebruik was ook nie ’n goeie aanmoediging nie onder sulke omstandighede nie.
Enkele dae gelede was daar egter ’n deurbraak en daarná was daar nie keer aan nie. Vier uiteenlopende vroue, twee met losse sedes, ’n matriarg wat die spulletjie aanmekaar moet hou, die jongste so lelieblank (letterlik) dat sy ten prooi val van ’n gevaarlike sekte. Dan is daar die manne wat elkeen op sy beurt ’n belangrike rol te spele het in die storielyn.
Casper Calitz, die familiehoof, is vir jare vervreemd van sy nasate, maar laat sy boedel na aan die vier vroue. Dit klink op die oog af na uitkoms vir Jo, wat in groot finansiële verknorsing is, en vir Nan, wat gevra is om voortydig met pensioen te gaan. Totdat hulle Maanschijnbaai toe gaan en die erfposie gade slaan. “’n Kasarm. Uitgestrek. Grotesk. Verwaarloos. En verskriklik turkoois. Dis nou behalwe vir die pers en pienk en lemmetjiegroen deure en vensterrame.” (p.51)
Voeg daarby ’n pienk Cadillac, Hiërofant, Casper se winkel wat kristalle verkoop, ’n uitgebreide boekery en ’n drie-jaar klousule in die testament, en die intrige is groot. Selfs die eksentrieke Gaudi-boustyl word bygesleep om nog verdere kleur te gee. Daar is soveel elemente aan die verhaal, onder andere liefde, erfskandes, bedrog, geweld, en godsdienstige verleiding,
Die Maanschijnbaai-tweeluik is vyftien jaar gelede geskryf en nou hersien. Die nuwe buiteblaaie is besonder treffend en ’n waardevolle toevoeging tot my groeiende versameling van Chanette Paul se boeke.