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A Financial Times Book of the Year 2022A glamorous tribute to Karl Lagerfeld’s highly influential creations for Chanel captured behind the scenes by US Vogue photographer Robert Fairer in beautiful, never-before-seen images. Casting a new light on one of the best-loved chapters in fashion history, Karl Lagerfeld Unseen: The Chanel Years illuminates key Chanel collections and creations from behind the scenes. From discreet client fittings in rue Cambon’s immaculate black-and-beige salons to previously unseen backstage moments that show models, hairdressers, stylists, make-up artists and Karl Lagerfeld himself at work, Robert Fairer’s stunning and high-energy photographs capture the elegance, glamour and spirit that defined Karl Lagerfeld’s shows for Chanel. Texts by Karl Lagerfeld’s collaborators and friends provide a fresh perspective on his creative process and reveal the stories behind the now iconic designs. A treasure trove of inspiration, this publication will be a must-have reference for fashion and photography lovers alike, and for dedicated Chanel fans the world over.
Format: CONTRIBUTORS: Robert Fairer, Sally Singer, Natasha A Fraser, Elizabeth von Thurn und TaxisEAN: 9780500024249COUNTRY: United KingdomPAGES: WEIGHT: 2720 gHEIGHT: 335 cm
'Documents the designer’s immense range with the fashion house founder’s brand codes, and demonstrates the family spirit and culture of excellence Lagerfeld inspired and nurtured' - WWD, 'Almost impossible not to float away on a wave of nostalgia' - Fashion United, 'First and foremost, it fulfils the raison d’etre of every good coffee table book: it in and of itself is a work of art' - New York Journal of Books, 'Karl Lagerfeld Unseen: The Chanel Years is a pass not only to the backstage of the shows, but also to the Paris atelier on rue Cambon. Unique photographs reveal the secrets of the work of models, make-up artists, tailors, as well as the designer himself and his closest entourage' - Vogue Poland, 'Pays tribute to a pivotal chapter in fashion history' - i Newspaper
Robert Fairer started photographing the major international womenswear collections in the mid-1990s. First commissioned by Elle and Harper’s Bazaar USA, he then became US Vogue’s exclusive backstage photographer for over a decade. His first book, Alexander McQueen: Unseen, was published by Thames & Hudson, followed by John Galliano: Unseen, Marc Jacobs: Unseen and John Galliano for Dior. Sally Singer is head of fashion direction at Amazon. Her previous roles have included creative director of American Vogue and editor-in-chief of T: The New York Times Style Magazine. Natasha A Fraser is an author, journalist and expert on Paris, luxury and lifestyle. Her books include Chanel Fashion, Monsieur Dior and After Andy: Adventures in Warhol Land. She has also taught at the American University in Paris and is the co-producer of Inside Dior, the two-part television series. Elizabeth von Thurn und Taxis is a freelance writer, columnist and editor for international publications. Formerly style editor-at-large at American Vogue, she has designed and collaborated with both fashion brands and art institutions.
A Financial Times Book of the Year 2022A glamorous tribute to Karl Lagerfeld’s highly influential creations for Chanel captured behind the scenes by US Vogue photographer Robert Fairer in beautiful, never-before-seen images. Casting a new light on one of the best-loved chapters in fashion history, Karl Lagerfeld Unseen: The Chanel Years illuminates key Chanel collections and creations from behind the scenes. From discreet client fittings in rue Cambon’s immaculate black-and-beige salons to previously unseen backstage moments that show models, hairdressers, stylists, make-up artists and Karl Lagerfeld himself at work, Robert Fairer’s stunning and high-energy photographs capture the elegance, glamour and spirit that defined Karl Lagerfeld’s shows for Chanel. Texts by Karl Lagerfeld’s collaborators and friends provide a fresh perspective on his creative process and reveal the stories behind the now iconic designs. A treasure trove of inspiration, this publication will be a must-have reference for fashion and photography lovers alike, and for dedicated Chanel fans the world over.
Format: CONTRIBUTORS: Robert Fairer, Sally Singer, Natasha A Fraser, Elizabeth von Thurn und TaxisEAN: 9780500024249COUNTRY: United KingdomPAGES: WEIGHT: 2720 gHEIGHT: 335 cm
Robert Fairer started photographing the major international womenswear collections in the mid-1990s. First commissioned by Elle and Harper’s Bazaar USA, he then became US Vogue’s exclusive backstage photographer for over a decade. His first book, Alexander McQueen: Unseen, was published by Thames & Hudson, followed by John Galliano: Unseen, Marc Jacobs: Unseen and John Galliano for Dior. Sally Singer is head of fashion direction at Amazon. Her previous roles have included creative director of American Vogue and editor-in-chief of T: The New York Times Style Magazine. Natasha A Fraser is an author, journalist and expert on Paris, luxury and lifestyle. Her books include Chanel Fashion, Monsieur Dior and After Andy: Adventures in Warhol Land. She has also taught at the American University in Paris and is the co-producer of Inside Dior, the two-part television series. Elizabeth von Thurn und Taxis is a freelance writer, columnist and editor for international publications. Formerly style editor-at-large at American Vogue, she has designed and collaborated with both fashion brands and art institutions.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
