Edinburgh History of Scottish Literature

The Edinburgh History of Scottish Literature General Editor: Ian Brown Co-editors: Thomas Owen Clancy, Susan Manning and Murray Pittock The Edinburgh History of Scottish Literature offers a major reinterpretation, re-evaluation and repositioning of the scope, nature and importance of Scottish Literature, arguably Scotland's most important and influential contribution to world culture. Drawing on the very best of recent scholarship, the History contributes a wide range of new and exciting insights. It takes full account of modern theory, but refuses to be in thrall to critical fashion. It is important not only for literary scholars, but because it changes the very way we think about what Scottishness is. The Edinburgh History of Scottish Literature, Volume 2: Enlightenment, Britain and Empire (1707-1918) Period Editor: Susan Manning General Editor: Ian Brown Co-editors: Thomas Owen Clancy and Murray Pittock Between 1707 and 1918, Scotland underwent arguably the most dramatic upheavals in its political, economic and social history.The Union with England, industrialisation and Scotland's subsequent defining contributions throughout the eighteenth and nineteenth centuries to the culture of Britain and Empire are reflected in the transformative energies of Scottish literature and literary institutions in the period. New genres, new concerns and whole new areas of interest opened under the creative scrutiny of sceptical minds. This second volume of the History reveals the major contribution made by Scottish writers and Scottish writing to the shape of modernity in Britain, Europe and the world. The other volumes in the History are: The Edinburgh History of Scottish Literature, Volume 1: From Columba to the Union (until 1707) The Edinburgh History of Scottish Literature, Volume 3: Modern Transformations: New Identities (from 1918) Key Features * Original - presents new approaches to what is literature and what is Scottishness. * Inclusive - Gaelic and diasporic writing, Latin writing, theological writing, legal writing, and context chapters. * Comprehensive - provides the fullest coverage of Scottish literature ever and the first survey for almost 20 years. * Distinguished contributors from many countries.* Influences the agenda for critical debate on Scottish writing in the twenty-first century.

compulsively readable Scottish Studies Review compulsively readable

Ian Brown is Professor in Drama at Kingston University. He is General Editor of The Edinburgh History of Scottish Literature (EUP: 2007) and Series Editor of The Edinburgh Companions to Scottish Literature, co-editing the volume on the twentieth century (2009) and on drama (due out in 2011). Thomas Clancy is Lecturer in the Department of Celtic at the University of Glasgow. Susan Manning is Grierson Professor of English Literature, and Director of the Institute for Advanced Studies in the Humanities at the University of Edinburgh. She is the author of Fragments of Union: Making Connections in Scottish and American Writing (2002) and The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century (1990). Murray Pittock is Bradley Professor of English Literature at the University of Glasgow, Head of the College of Arts and Vice-Principal. He has formerly held chairs and other senior appointments at Strathclyde, Edinburgh and Manchester universities. His recent work includes Scottish and Irish Romanticism (2008), The Reception of Sir Walter Scott in Europe (2007) and James Boswell (2007). Forthcoming work includes collections on Robert Burns in Global Culture, the Reception of Robert Burns in Europe and the textual edition of the Scottish Musical Museum for the Oxford Burns. He is currently PI of the AHRC Beyond Text project, 'Robert Burns, 1796-1909: Inventing Tradition and Securing Memory'.