Over six years of imprisonment in Australia’s offshore migrant detention centre, the Kurdish-Iranian journalist and writer Behrouz Boochani bore personal witness to the suffering and degradation inflicted on him and his fellow refugees, culminating eventually in his prize-winning book – No Friend but the Mountains. In the articles, essays, and poems he wrote while detained, he emerged as both a tenacious campaigner and activist, as well as a deeply humane voice which reflects the indignity and plight of the many thousands of detained migrants across the world.In this book Boochani’s collected writings are combined with essays from experts on migration, refugee rights, politics, and literature. Together, they provide a moving, creative and challenging account of not only one writer’s harrowing experience and inspiring resilience, but the wider structures of violence which hold thousands of human beings in a state of misery in migrant camps throughout Western nation-states and beyond.
Format: CONTRIBUTORS: Behrouz Boochani, Moones Mansoubi, Omid TofighianEAN: 9780755642656COUNTRY: United KingdomPAGES: WEIGHT: 0 gHEIGHT: 234 cm
PUBLISHED BY: Bloomsbury Publishing PLCDATE PUBLISHED: 2023-01-26CITY: GENRE: HISTORY / Middle East / Iran, LITERARY CRITICISM / Modern / General, SOCIAL SCIENCE / Emigration & Immigration, SOCIAL SCIENCE / RefugeesWIDTH: 156 cmSPINE:
Book Themes:
Iran, Refugees and political asylum, Migration, immigration and emigration
Behrouz Boochani’s prison writings transcend journalism to become both a cry for justice, and an anatomy of a brutal prison system designed to strip its inmates of their identity, their aspirations, their agency, and crush their spirit. His writings are urgent, eloquent, and desperately poetic. Writing from within his Manus Prison, Boochani exposes the horror and inhumanity of Australia’s offshore detention system, yet he also captures the uniqueness, comradeship, and intimate acts of resistance of his fellow inmates, and affirms their full humanity. He fulfils his mission, his “duty to history”, and ensures that this dark chapter in Australian history, and those who suffered its consequences are not forgotten. A tour de force in bearing witness., International law entitled people fleeing persecution to claim asylum. But those who seek refuge in Australia are subjected to indefinite offshore detention – a form of torture designed to sap their spirit and traumatise their minds. Behrouz Boochani survives to tell the truth about the cruelty of this policy, in a book which should open the eyes of Australians to a cruelty for which they are politically and morally responsible. These are writings of literary power and first-hand authenticity, with a message of urgent importance at a time when the siren slogan of “offshore detention” is appealing to governments in the UK and elsewhere. When will we recognise that it is both unprincipled and inhumane to punish the innocent?, No Friend But the Mountains was a classic of Australian literature; Freedom, Only Freedom is something better. It is the definitive statement on freedom from a diverse group of writers working together on familiar themes., Behrouz Boochani’s newspaper articles about the “Manus Prison” have lost none of their original immediacy. This book also showcases some of the rich conversations prompted by his writings. A must-read for anybody wondering about what might happen when governments opt for an Australian “solution” and shirk their responsibilities towards refugees., Behrouz Boochani’s work matters not merely because it bears journalistic witness to the brutality of mandatory refugee detentions but also because it distils that experience into a sophisticated theory of power and resistance. This book offers a deep engagement with a truly original writer.
Behrouz Boochani is a Kurdish-Iranian writer, journalist, scholar, cultural advocate and filmmaker. Boochani was a writer and editor for the Kurdish language magazine Werya in Iran. He is a Visiting Professor, Birkbeck Law School; Associate Professor in Social Sciences at UNSW; non-resident Visiting Scholar at the Sydney Asia Pacific Migration Centre (SAPMiC), University of Sydney; Honorary Member of PEN International; and winner of an Amnesty International Australia 2017 Media Award, the Diaspora Symposium Social Justice Award, the Liberty Victoria 2018 Empty Chair Award, and the Anna Politkovskaya award for journalism. He publishes regularly with The Guardian, and his writing also features in The Saturday Paper, Huffington Post, New Matilda, The Financial Times and The Sydney Morning Herald. Boochani is also co-director (with Arash Kamali Sarvestani) of the 2017 feature-length film Chauka, Please Tell Us The Time; and collaborator on Nazanin Sahamizadeh’s play Manus. His book, No Friend But The Mountains: Writing From Manus Prison won the 2019 Victorian Prize for Literature in addition to the Nonfiction category. He has also won the Special Award at the NSW Premier’s Literary Awards, the Australian Book Industry Award for Nonfiction Book of the Year, and the National Biography Prize. Omid Tofighian is Adjunct Lecturer in the School of the Arts and Media, University of New South Wales; and Honorary Research Fellow at Birkbeck Law, University of London. He is an award-winning lecturer, researcher and community advocate, combining philosophy with interests in citizen media, popular culture, displacement and discrimination. He is the translator of Behrouz Boochani's multi-award winning book No Friend but the Mountains: Writing From Manus Prison (2018).Moones Mansoubi is a community, arts and cultural development worker based in Sydney. Her work is dedicated mainly to supporting and collaborating with migrants and people seeking asylum in Australia. She has managed numerous community and cultural projects and the first translator of Behrouz Boochani’s work when he began writing from Manus Island. She was translation consultant for Boochani’s book No Friend but the Mountains: Writing from Manus Prison (Picador Australia 2018). Her translation of the article “An Island Off Manus” (Saturday Paper 6 May, 2017) was included in Boochani’s winning nomination for the Amnesty Media Award in 2017. Moones has a Masters Degree in International Relations and is passionate about social justice and social cohesion. She is currently coordinator of the Community Refugee Welcome Centre in Inner West Sydney and a content producer for SBS Radio, Persian program.
Over six years of imprisonment in Australia’s offshore migrant detention centre, the Kurdish-Iranian journalist and writer Behrouz Boochani bore personal witness to the suffering and degradation inflicted on him and his fellow refugees, culminating eventually in his prize-winning book – No Friend but the Mountains. In the articles, essays, and poems he wrote while detained, he emerged as both a tenacious campaigner and activist, as well as a deeply humane voice which reflects the indignity and plight of the many thousands of detained migrants across the world.In this book Boochani’s collected writings are combined with essays from experts on migration, refugee rights, politics, and literature. Together, they provide a moving, creative and challenging account of not only one writer’s harrowing experience and inspiring resilience, but the wider structures of violence which hold thousands of human beings in a state of misery in migrant camps throughout Western nation-states and beyond.
Format: CONTRIBUTORS: Behrouz Boochani, Moones Mansoubi, Omid TofighianEAN: 9780755642656COUNTRY: United KingdomPAGES: WEIGHT: 0 gHEIGHT: 234 cm
PUBLISHED BY: Bloomsbury Publishing PLCDATE PUBLISHED: 2023-01-26CITY: GENRE: HISTORY / Middle East / Iran, LITERARY CRITICISM / Modern / General, SOCIAL SCIENCE / Emigration & Immigration, SOCIAL SCIENCE / RefugeesWIDTH: 156 cmSPINE:
Book Themes:
Iran, Refugees and political asylum, Migration, immigration and emigration
Behrouz Boochani is a Kurdish-Iranian writer, journalist, scholar, cultural advocate and filmmaker. Boochani was a writer and editor for the Kurdish language magazine Werya in Iran. He is a Visiting Professor, Birkbeck Law School; Associate Professor in Social Sciences at UNSW; non-resident Visiting Scholar at the Sydney Asia Pacific Migration Centre (SAPMiC), University of Sydney; Honorary Member of PEN International; and winner of an Amnesty International Australia 2017 Media Award, the Diaspora Symposium Social Justice Award, the Liberty Victoria 2018 Empty Chair Award, and the Anna Politkovskaya award for journalism. He publishes regularly with The Guardian, and his writing also features in The Saturday Paper, Huffington Post, New Matilda, The Financial Times and The Sydney Morning Herald. Boochani is also co-director (with Arash Kamali Sarvestani) of the 2017 feature-length film Chauka, Please Tell Us The Time; and collaborator on Nazanin Sahamizadeh’s play Manus. His book, No Friend But The Mountains: Writing From Manus Prison won the 2019 Victorian Prize for Literature in addition to the Nonfiction category. He has also won the Special Award at the NSW Premier’s Literary Awards, the Australian Book Industry Award for Nonfiction Book of the Year, and the National Biography Prize. Omid Tofighian is Adjunct Lecturer in the School of the Arts and Media, University of New South Wales; and Honorary Research Fellow at Birkbeck Law, University of London. He is an award-winning lecturer, researcher and community advocate, combining philosophy with interests in citizen media, popular culture, displacement and discrimination. He is the translator of Behrouz Boochani's multi-award winning book No Friend but the Mountains: Writing From Manus Prison (2018).Moones Mansoubi is a community, arts and cultural development worker based in Sydney. Her work is dedicated mainly to supporting and collaborating with migrants and people seeking asylum in Australia. She has managed numerous community and cultural projects and the first translator of Behrouz Boochani’s work when he began writing from Manus Island. She was translation consultant for Boochani’s book No Friend but the Mountains: Writing from Manus Prison (Picador Australia 2018). Her translation of the article “An Island Off Manus” (Saturday Paper 6 May, 2017) was included in Boochani’s winning nomination for the Amnesty Media Award in 2017. Moones has a Masters Degree in International Relations and is passionate about social justice and social cohesion. She is currently coordinator of the Community Refugee Welcome Centre in Inner West Sydney and a content producer for SBS Radio, Persian program.
'n Erfplaas met 'n befoeterde bestuurder is 'n uitdaging
Ek kom soms aan die einde van ’n boek sonder om die titel werklik te verstaan binne die konteks van die storielyn. Die teenoorgestelde is waar van Zinèt Oosthuizen se nuutste Romanza. Reeds op bladsy 16 lees ek van Karoo-koors, “die Karoomense se vriendelikheid, die liefde vir die area en hulle bereidwilligheid om te help.”
Dariyah verloor haar geliefde oom en haar ma tesame in ’n voertuigongeluk. Sy erf die plaas, Addersholte, in die Noord-Kaap. Daar loop sy haar vas in ’n ongeskikte plaasbestuurder wat ’n vyfjaarkontrak het en geen vriendelikheid teenoor haar openbaar nie. Sou ek een van die elemente van romanses, naamlik konflik, in isolasie moes beoordeel, sou hierdie twee karakters beslis volpunte kry.
Tekens van jaloesie by beide partye, en ’n soen in ’n welkome reënbui, is aanduidend van gevoelens wat vir hulle nuut is. Dit gee ook die versekering dat die konflik uiteindelik bygelê gaan word en die liefde gaan seëvier.
Karoo-koors is in Augustus vanjaar deur Lapa Uitgewers gepubliseer
Daar word dikwels bespiegel oor treffende openingsinne, maar hier lees ek nou vandag ’n slotsin wat vir my besonder treffend is en goeie lig werp op die pad waarlangs die heldin moes loop om heling en liefde te vind. “En vir die eerste keer glo sy werklik dat haar toekoms sterker as haar verlede is.” (p.187)
Isobel Raadt het ’n stem soos die spreekwoordelike engel, en ’n ewe mooi geaardheid, ’n traumatiese gebeurtenis ten spyt. Musiekvervaardiger, Markus Meyer, worstel om te aanvaar dat daar meer steek in sy belangstelling in Isobel as net ’n potensiële kontrak om te skryf en ’n nuwe sanger om te bestuur.
Wanneer jy sing is ’n Romanza in die Inspirasie subgenre. Die uitstaande geestelike boodskap is dat alles wat gebeur deel uitmaak van God se perfekte plan, hoe moeilik dit ook al mag wees. Ook dat dit nodig is om te vergewe en die verlede agter te laat.
Wat ook beïndruk het is hoe skrywer, Louise van der Merwe, die verhoog aan die karakters en hulle gevoelens, eerder as byvoorbeeld die omgewing, oorlaat. Die storie pas gemaklik in die gleuf van geestelike fiksie, hoewel dit natuurlik meer bondig is as ’n vollengte roman.
Emily knows how to capture her audience. Her writing style is a bit different but you enjoy it as you read along further. I do wish there was more to read about Miles’ and Daphne’s love story but I understand that the premise of the book was the story of how they met.
Overall, it was a great book.
'n Erflating neem die vier Calitz-vroue na Maanschijnbaai
Daar is ’n hele rits baie geldige redes waarom ek gesukkel het om my tande te kry in Jo & Sue, en daarna aanvanklik gespook het om ’n duik te begin maak in 635 bladsye. Chanette Paul se vermoë boeiend te skryf is allermins een van daardie redes. Dink eerder: fisio-assistent speel, voltydse versorger, onderbreekte slaap, en algemene onvermoë om te konsentreer. Die Calitz-slette met hulle kru taalgebruik was ook nie ’n goeie aanmoediging nie onder sulke omstandighede nie.
Enkele dae gelede was daar egter ’n deurbraak en daarná was daar nie keer aan nie. Vier uiteenlopende vroue, twee met losse sedes, ’n matriarg wat die spulletjie aanmekaar moet hou, die jongste so lelieblank (letterlik) dat sy ten prooi val van ’n gevaarlike sekte. Dan is daar die manne wat elkeen op sy beurt ’n belangrike rol te spele het in die storielyn.
Casper Calitz, die familiehoof, is vir jare vervreemd van sy nasate, maar laat sy boedel na aan die vier vroue. Dit klink op die oog af na uitkoms vir Jo, wat in groot finansiële verknorsing is, en vir Nan, wat gevra is om voortydig met pensioen te gaan. Totdat hulle Maanschijnbaai toe gaan en die erfposie gade slaan. “’n Kasarm. Uitgestrek. Grotesk. Verwaarloos. En verskriklik turkoois. Dis nou behalwe vir die pers en pienk en lemmetjiegroen deure en vensterrame.” (p.51)
Voeg daarby ’n pienk Cadillac, Hiërofant, Casper se winkel wat kristalle verkoop, ’n uitgebreide boekery en ’n drie-jaar klousule in die testament, en die intrige is groot. Selfs die eksentrieke Gaudi-boustyl word bygesleep om nog verdere kleur te gee. Daar is soveel elemente aan die verhaal, onder andere liefde, erfskandes, bedrog, geweld, en godsdienstige verleiding,
Die Maanschijnbaai-tweeluik is vyftien jaar gelede geskryf en nou hersien. Die nuwe buiteblaaie is besonder treffend en ’n waardevolle toevoeging tot my groeiende versameling van Chanette Paul se boeke.