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Beyond the Screenplay

Zachariah Rush
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      This work analyzes dramatic structures, from Sophocles to Orson Welles and the 21st century cinema, all from the viewpoint of Hegelian dialectic. Utilizing this dialectical process the author demonstrates its particular application to the writing of a screenplay, which should not be considered a simple schematic or formulaic blueprint but legitimate dramatic literature.
      Format: CONTRIBUTORS: Zachariah Rush EAN: 9780786466030 COUNTRY: United States PAGES: WEIGHT: 0 g HEIGHT: 0 cm
      PUBLISHED BY: McFarland & Co Inc DATE PUBLISHED: 2012-05-30 CITY: GENRE: DRAMA / Anthologies (multiple authors), LITERARY CRITICISM / General WIDTH: 0 cm SPINE:

      Book Themes:

      Literary studies: general

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      Zachariah Rush is a film critic and regular contributor to Film International magazine. He has written essays for seven volumes of the Directory of World Cinema, and has contributed scenic analyses to two volumes of World Film Locations. He is adapting Albert Camus’ novel L’Étranger into a libretto for operatic performance, and lives in San Jose, California.
      This work analyzes dramatic structures, from Sophocles to Orson Welles and the 21st century cinema, all from the viewpoint of Hegelian dialectic. Utilizing this dialectical process the author demonstrates its particular application to the writing of a screenplay, which should not be considered a simple schematic or formulaic blueprint but legitimate dramatic literature.
      Format: CONTRIBUTORS: Zachariah Rush EAN: 9780786466030 COUNTRY: United States PAGES: WEIGHT: 0 g HEIGHT: 0 cm
      PUBLISHED BY: McFarland & Co Inc DATE PUBLISHED: 2012-05-30 CITY: GENRE: DRAMA / Anthologies (multiple authors), LITERARY CRITICISM / General WIDTH: 0 cm SPINE:

      Book Themes:

      Literary studies: general

      Customer Reviews

      Be the first to write a review
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      Zachariah Rush is a film critic and regular contributor to Film International magazine. He has written essays for seven volumes of the Directory of World Cinema, and has contributed scenic analyses to two volumes of World Film Locations. He is adapting Albert Camus’ novel L’Étranger into a libretto for operatic performance, and lives in San Jose, California.

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