Compulsion for Antiquity

"If psychoanalysis is the return of repressed antiquity, distorted to be sure by modern desire, yet still bearing the telltale traces of the ancient archive, then would not our growing distance from the archive of antiquity also imply that we are in the process of losing our grip on psychoanalysis itself, as Freud conceived it?"—from Chapter 1As he developed his striking new science of the mind, Sigmund Freud had frequent recourse to ancient culture and the historical disciplines that draw on it. A Compulsion for Antiquity fully explores how Freud appropriated figures and themes from classical mythology and how the theory and practice of psychoanalysis paralleled contemporary developments in historiography, archaeology, philology, and the history of religions. Drawing extensively from Freud's private correspondence and other notes and documents, Richard H. Armstrong touches on Freud's indebtedness to Sophocles and the Oedipus complex, his interest in Moses and the Jewish religion, and his travels to Athens and Rome.Armstrong shows how Freud turned to the ancient world to deal with the challenges posed by his own scientific ambitions and how these lessons influenced the way he handled psychic "evidence" and formulated the universal application of what were initially isolated clinical truths. Freud's narrative reconstructions of the past also related to his sense of Jewishness, linking the historical trajectory of psychoanalysis with contemporary central European Jewish culture. Ranging across the breadth of Freud's work, A Compulsion for Antiquity offers fresh insights into the roots of psychoanalysis and fin de siècle European culture, and makes an important contribution to the burgeoning discipline of mnemohistory.

A most subtle, ingenious and sophisticated intervention into debates concerning Freud's legacy., It is surely no sign of neurosis to find the questions discussed in this book as compelling as they are timely. In an entirely non-clinical sense, everyone engaged in cultural history, cultural studies, and the history of ideas will be anxious to read it., This wonderfully reasoned, scholarly book eloquently addresses the many meanings to Freud of the ancient statuettes that he collected and cherished. Armstrong sees these statues as symbols of themes that fascinated Freud—for example, Greek and Egyptian culture as a way of understanding the underpinnings of world civilization. The author makes a case for Freud's narrative reconstructions of the past of individuals as related to his own Jewishness, a thorny point for some scholars, Peter Gay among them. Armstrong backs up ideas with close readings of Freud's voluminous correspondence, his formal writings, and the writing of his patients, H.D. among them; all comment on the statuary and Freud's use of them in analytic conversation. Contemplating Freud's education and his worldview in fresh ways, this book puts Freud in historical context. His notions about mythological figures such as Oedipus and his interpretations of Moses, or Leonardo, shed new light on his creation of psychoanalysis. A book for all who are interested in psychoanalysis. Summing Up: Essential., Altogether, a serious, profoundly scholarly, and provocative addition to the growing volume of interdisciplinary literature on psychoanalysis and its evolution., Intellectual historians will be grateful for this path-breaking humanistic exploration of a subject that has been unduly neglected until now.

Richard H. Armstrong is Associate Professor of Classical Studies at the University of Houston.