In a series of lively essays that tell us much not only about the phenomenon that was Franz Liszt but also about the musical and cultural life of nineteenth-century Europe, Alan Walker muses on aspects of Liszt's life and work that he was unable to explore in his acclaimed three-volume biography of the great composer and pianist. Topics include Liszt's contributions to the Lied, the lifelong impact of his encounter with Beethoven, his influence on students who became famous in their own right, his accomplishments in transcribing and editing the works of other composers, and his innovative piano technique. One chapter is devoted to the Sonata in B Minor, perhaps Liszt's single most celebrated composition.Walker draws heavily on Liszt's astonishingly large personal correspondence with other composers, critics, pianists, and prominent public figures. All the essays reveal Walker's broad and deep knowledge of Liszt and Romantic music generally and, in some cases, his impatience with contemporary performance practice.
Format: CONTRIBUTORS: Alan WalkerEAN: 9780801477584COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 235 cm
PUBLISHED BY: Cornell University PressDATE PUBLISHED: 2011-07-07CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Music, MUSIC / Genres & Styles / Classical, MUSIC / Individual Composer & MusicianWIDTH: 155 cmSPINE:
Book Themes:
Classical style, Art music, orchestral and formal music, Composers and songwriters, Musicians, singers, bands and groups, Biography: general, Biography: arts and entertainment
The collection of essays is a sort of appendix to Alan Walker's three-volume biography of Liszt. That was not a study of the music, though it commented selectively on the music as part of the composer's life, but it was—is—one of the most readable and engrossing biographies of any subject ever written., Walker is unashamedly a Lisztian, of course, but his advocacy is never fanatical. Rather, it is mantled in terse, accomplished prose, supported by faultless research, and buttressed by copious musical examples and musicological argument. In this indispensable book, Walker has strengthened his case for a reevaluation of the composer's accomplishments with care, detail, and—the word is not too strong—virtuosity., No one knows more about Franz Liszt than Alan Walker.
Alan Walker is Professor Emeritus of Music at McMaster University, Canada, and author of numerous books, including The Death of Franz Liszt Based on the Unpublished Diary of His Pupil Lina Schmalhausen; Franz Liszt: The Virtuoso Years, 1811–1847 (volume 1); The Weimar Years, 1848–1861 (volume 2); and The Final Years, 1861–1886 (volume 3), all from Cornell, and Hans Von Bülow: A Life and Times. He has been awarded the Music Teachers National Association 2010 Achievement Award, the Royal Philharmonic Society Prize, and the medal Pro Cultura Hungarica, presented by the President of Hungary.
In a series of lively essays that tell us much not only about the phenomenon that was Franz Liszt but also about the musical and cultural life of nineteenth-century Europe, Alan Walker muses on aspects of Liszt's life and work that he was unable to explore in his acclaimed three-volume biography of the great composer and pianist. Topics include Liszt's contributions to the Lied, the lifelong impact of his encounter with Beethoven, his influence on students who became famous in their own right, his accomplishments in transcribing and editing the works of other composers, and his innovative piano technique. One chapter is devoted to the Sonata in B Minor, perhaps Liszt's single most celebrated composition.Walker draws heavily on Liszt's astonishingly large personal correspondence with other composers, critics, pianists, and prominent public figures. All the essays reveal Walker's broad and deep knowledge of Liszt and Romantic music generally and, in some cases, his impatience with contemporary performance practice.
Format: CONTRIBUTORS: Alan WalkerEAN: 9780801477584COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 235 cm
PUBLISHED BY: Cornell University PressDATE PUBLISHED: 2011-07-07CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Music, MUSIC / Genres & Styles / Classical, MUSIC / Individual Composer & MusicianWIDTH: 155 cmSPINE:
Book Themes:
Classical style, Art music, orchestral and formal music, Composers and songwriters, Musicians, singers, bands and groups, Biography: general, Biography: arts and entertainment
Alan Walker is Professor Emeritus of Music at McMaster University, Canada, and author of numerous books, including The Death of Franz Liszt Based on the Unpublished Diary of His Pupil Lina Schmalhausen; Franz Liszt: The Virtuoso Years, 1811–1847 (volume 1); The Weimar Years, 1848–1861 (volume 2); and The Final Years, 1861–1886 (volume 3), all from Cornell, and Hans Von Bülow: A Life and Times. He has been awarded the Music Teachers National Association 2010 Achievement Award, the Royal Philharmonic Society Prize, and the medal Pro Cultura Hungarica, presented by the President of Hungary.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.