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Winner of the National Book Critics Circle Award for AutobiographyXiaolu Guo is one of the most acclaimed Chinese-born writers of her generation, an iconoclastic and completely contemporary voice. Her vivid, poignant memoir, Nine Continents is the story of a curious mind coming of age in an inhospitable country, and her determination to seek a life beyond the limits of its borders. Xiaolu Guo has traveled further than most to become who she needed to be. Now, as she experiences the birth of her daughter in a London maternity ward surrounded by women from all over the world, she looks back on that journey. It begins in the fishing village shack on the East China Sea where her illiterate grandparents raised her, and brings her to a rapidly changing Beijing, full of contradictions: a thriving underground art scene amid mass censorship, curious Westerners who held out affection only to disappear back home. Eventually Xiaolu determined to see the world beyond China for herself, and now, after fifteen years in Europe, her words resonate with the insight of someone both an outsider and at home, in a world far beyond the country of her birth. Nine Continents presents a fascinating portrait of China in the eighties and nineties, how the Cultural Revolution shaped families, and how the country's economic ambitions gave rise to great change. It is also a moving testament to the birth of a creative spirit, and of a new generation being raised to become citizens of the world. It confirms Xiaolu Guo as one of world literature's most urgent voices.
Format: CONTRIBUTORS: Xiaolu GuoEAN: 9780802127136COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 0 cm
PUBLISHED BY: Black CatDATE PUBLISHED: 2017-10-03CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / Asian & Asian American, BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, BIOGRAPHY & AUTOBIOGRAPHY / Women, BIOGRAPHY & AUTOBIOGRAPHY / Personal MemoirsWIDTH: 0 cmSPINE:
Book Themes:
China, Biography: writers, Memoirs, Asian history, Social and cultural history
Praise for Nine Continents: Winner of the National Book Critics Circle Award for Autobiography Shortlisted for the Rathbones Folio Prize Shortlisted for the Costa Biography Award "Vivid--and funny . . . [Xiaolu Guo] has done far more than simply 'survive' the hardships and dislocations of her life. She has triumphed . . . Nine Continents shows the rewards of listening to an unleashed voice remembering and speaking with full freedom." --Wall Street Journal "It is the journey through heady, whiplash times that helps us understand where the nation is going . . . Perhaps [her elegy] for vanished homes in China required distance to write. . . A laojia [old home] exists not so much on a map but in the heart." --The New York Times "Guo is a bolder, angrier and more ambitious figure than her forebears . . . A subtle achievement of language . . . [with] a wry, matter-of-fact, bittersweet tone that accommodates the pathos and cruelty of her story without lapsing into self-pity."-- The Times (UK) "This is autobiography as Bildungsroman or indeed as Künstlerroman . . . Aside from the fast-paced plot, this is most interesting for its probing portrayal of Guo's ambivalent relationship with her homeland . . . Moving and often exhilarating." --Financial Times (UK) "The most compelling Chinese memoir since Jung Chang's Wild Swans . . . Guo's writing is more personal and poetic than Chang's crisp, scholarly prose--and more openly angry . . . She's refreshingly fierce and funny about the flaws she finds in British culture." --Telegraph (UK) (5 stars) "By turns raw, intelligent, compelling, sad, uncompromising and reticent . . . Guo's talent is to highlight all those things about China that make it so different while simultaneously making it somehow seem both familiar and comprehensible." --South China Morning Post (Hong Kong) "Guo is . . . rebellious, flamboyant and fundamentally optimistic . . . Some of Guo's narratives of herself are staggering . . . Fascinating." --Scotland on Sunday (UK) "This autobiography is her account of fiery, artistic defiance and a testament to the act of storytelling . . . Guo writes in the audacious, restless and fragmented prose that has become her imprint: a feverish style that can be as merciless as the world she portrays . . . [A] penetrating writer." --New Statesman (UK)
Xiaolu Guo was born in south China. She studied film at the Beijing Film Academy and published six books in China before she moved to London in 2002. The English translation of Village of Stone was shortlisted for the Independent Foreign Fiction Prize and nominated for the International IMPAC Dublin Literary Award. Her first novel written in English, A Concise Chinese-English Dictionary for Lovers was shortlisted for the Orange Prize for Fiction, and Twenty Fragments of a Ravenous Youth, published in 2008, was longlisted for the Man Asian Literary Prize. Her most recent novel, I Am China, was longlisted for the Baileys Women's Prize for Fiction. In 2013 she was named one of Granta's Best of Young British Novelists. Xiaolu has also directed several award-winning films including She, A Chinese and a documentary about London, Late at Night. She lives in London and Berlin.
Winner of the National Book Critics Circle Award for AutobiographyXiaolu Guo is one of the most acclaimed Chinese-born writers of her generation, an iconoclastic and completely contemporary voice. Her vivid, poignant memoir, Nine Continents is the story of a curious mind coming of age in an inhospitable country, and her determination to seek a life beyond the limits of its borders. Xiaolu Guo has traveled further than most to become who she needed to be. Now, as she experiences the birth of her daughter in a London maternity ward surrounded by women from all over the world, she looks back on that journey. It begins in the fishing village shack on the East China Sea where her illiterate grandparents raised her, and brings her to a rapidly changing Beijing, full of contradictions: a thriving underground art scene amid mass censorship, curious Westerners who held out affection only to disappear back home. Eventually Xiaolu determined to see the world beyond China for herself, and now, after fifteen years in Europe, her words resonate with the insight of someone both an outsider and at home, in a world far beyond the country of her birth. Nine Continents presents a fascinating portrait of China in the eighties and nineties, how the Cultural Revolution shaped families, and how the country's economic ambitions gave rise to great change. It is also a moving testament to the birth of a creative spirit, and of a new generation being raised to become citizens of the world. It confirms Xiaolu Guo as one of world literature's most urgent voices.
Format: CONTRIBUTORS: Xiaolu GuoEAN: 9780802127136COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 0 cm
PUBLISHED BY: Black CatDATE PUBLISHED: 2017-10-03CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / Asian & Asian American, BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, BIOGRAPHY & AUTOBIOGRAPHY / Women, BIOGRAPHY & AUTOBIOGRAPHY / Personal MemoirsWIDTH: 0 cmSPINE:
Book Themes:
China, Biography: writers, Memoirs, Asian history, Social and cultural history
Xiaolu Guo was born in south China. She studied film at the Beijing Film Academy and published six books in China before she moved to London in 2002. The English translation of Village of Stone was shortlisted for the Independent Foreign Fiction Prize and nominated for the International IMPAC Dublin Literary Award. Her first novel written in English, A Concise Chinese-English Dictionary for Lovers was shortlisted for the Orange Prize for Fiction, and Twenty Fragments of a Ravenous Youth, published in 2008, was longlisted for the Man Asian Literary Prize. Her most recent novel, I Am China, was longlisted for the Baileys Women's Prize for Fiction. In 2013 she was named one of Granta's Best of Young British Novelists. Xiaolu has also directed several award-winning films including She, A Chinese and a documentary about London, Late at Night. She lives in London and Berlin.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.