The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard’s analysis shows how these early artists had to work out for themselves—and for readers—what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football’s dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.
Format: CONTRIBUTORS: Michael OriardEAN: 9780803290693COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 178 cm
PUBLISHED BY: University of Nebraska PressDATE PUBLISHED: 2017-08-01CITY: GENRE: ART / History / Modern (late 19th Century to 1945), SPORTS & RECREATION / Football, SPORTS & RECREATION / HistoryWIDTH: 254 cmSPINE:
Book Themes:
Modernism, History of art, History of sport, American football
"A gorgeous and thoughtful overview of the visual record of the early years of the game."—John Maxymuk, Library Journal starred review, "Michael Oriard returns to the themes of culture and media interpretations of football with this lavishly illustrated book that focuses on the early years of football art in the media."—Katie Taylor, Journal of Sport History, "This is a handsome and imaginative book that will satisfy both readers of football and observers of popular art, and it further cements Oriard's reputation as a most thoughtful and creative interpreter of American football."—Rich Loosbrock, Sport in American History, “A gem of a book that traces the sport’s aesthetic side all the way back to its emergence from the primordial ooze 150 years ago. . . . Where NFL Films and ESPN now stand, there were Homer, Bellows, and Remington. Leave it to a typically cerebral old offensive lineman to appreciate the difference.”—John Schulian, editor of Football: Great Writing about the National Sport , “The Art of Football takes us deep into the sport’s golden age. Michael Oriard brings us these marvelous images of the early sport, when the amateur game dominated and some of America’s greatest artists took up pen and brush to capture the rough play on the gridiron. Equally important, he presents and discusses dozens and dozens of wonderful images that make early football come alive. That’s the key word: this is lively history.”—Elliott J. Gorn, author of The Manly Art: Bare-Knuckle Prize Fighting in America
Michael Oriard played football for the University of Notre Dame and the Kansas City Chiefs and is Distinguished Professor Emeritus in American literature and culture at Oregon State University. He is the author of four volumes on the cultural history of American football, including King Football: Sport and Spectacle in the Golden Age of Radio and Newsreels, Movies and Magazines, the Weekly, and the Daily Press. He has written about football for the New York Times, the Washington Post, and Sports Illustrated, and has appeared in numerous football documentaries produced by NFL Films, PBS’s Frontline, ESPN, and others.
The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard’s analysis shows how these early artists had to work out for themselves—and for readers—what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football’s dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.
Format: CONTRIBUTORS: Michael OriardEAN: 9780803290693COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 178 cm
PUBLISHED BY: University of Nebraska PressDATE PUBLISHED: 2017-08-01CITY: GENRE: ART / History / Modern (late 19th Century to 1945), SPORTS & RECREATION / Football, SPORTS & RECREATION / HistoryWIDTH: 254 cmSPINE:
Book Themes:
Modernism, History of art, History of sport, American football
Michael Oriard played football for the University of Notre Dame and the Kansas City Chiefs and is Distinguished Professor Emeritus in American literature and culture at Oregon State University. He is the author of four volumes on the cultural history of American football, including King Football: Sport and Spectacle in the Golden Age of Radio and Newsreels, Movies and Magazines, the Weekly, and the Daily Press. He has written about football for the New York Times, the Washington Post, and Sports Illustrated, and has appeared in numerous football documentaries produced by NFL Films, PBS’s Frontline, ESPN, and others.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.