Civil Rights Movement in American Memory

The movement for civil rights in America peaked in the 1950s and 1960s; however, a closely related struggle, this time over the movement's legacy, has been heatedly engaged over the past two decades. How the civil rights movement is currently being remembered in American politics and culture - and why it matters - is the common theme of the thirteen essays in this unprecedented collection. Memories of the movement are being created and maintained - in ways and for purposes we sometimes only vaguely perceive - through memorials, art exhibits, community celebrations, and even street names. At least fifteen civil rights movement museums have opened since 1990; ""Mississippi Burning"", ""Four Little Girls"", and ""The Long Walk Home"" only begin to suggest the range of film and television dramatizations of pivotal events; corporations increasingly employ movement images to sell fast food, telephones, and more; and groups from Christian conservatives to gay rights activists have claimed the civil rights mantle. Contests over the movement's meaning are a crucial part of the continuing fight against racism and inequality. These writings look at how civil rights memories become established as fact through museum exhibits, street naming, and courtroom decisions; how our visual culture transmits the memory of the movement; how certain aspects of the movement have come to be ignored in its 'official' narrative; and how other political struggles have appropriated the memory of the movement. Here is a book for anyone interested in how we collectively recall, claim, understand, and represent the past.

A timely and comprehensive exploration of Toni Morrison's novels to date as they relate to black masculinity, Mayberry's Can't I Love What I Criticize? is a major contribution to ongoing literary, historical, and social discussions regarding African American gender relations and the formation of community.--W. Fitzhugh Brundage "University of North Carolina, Chapel Hill", This challenging collection offers a fundamental reframing of the 'civil rights' struggle. By treating that struggle as the site of 'intense ideological struggle, ' as one author puts it, these essays provide the questions which will allow to better understand the current historical moment as well as the past.--Charles M. Payne "Duke University", This is a very impressive collection of essays that contributes in important ways to the already strong literature on the Civil Rights Movement, and its enduring legacy, meanings, and consequences.--Waldo E. Martin Jr. "University of California Berkeley", Above all, the essays in this collection seek to highlight the relevance to contemporary politics and culture of these struggles over a 'proper' telling of the civil rights story.--Journal of American History, Romano and Raiford have compiled a volume that deserves a wide readership by historians and especially the public. It is a timely volume, with original, interdisciplinary research (only three of the thirteen essays have been published before) that provokes further reflection on the meaning of the Civil Rights Movement. . . . The editors have done an admirable job of compiling essays from a variety of perspectives. . . . Classes on historical methods, public history, contemporary America, and the Civil Rights Movement would especially benefit from these essays, but historians will find uses for them in other classes as well. . . . This is an excellent book and all the contributors, the press, and especially the editors deserve congratulations for bringing this work together. It is a labor well worth the time and energy that produced it.--H-South

Renee C. Romano (Editor) RENEE C. ROMANO is an associate professor of history and African American studies at Wesleyan University and the author of Race Mixing. Leigh Raiford (Editor) LEIGH RAIFORD is an assistant professor of African American studies at the University of California, Berkeley.