This book furthers the discussion concerning critical pedagogy and its practical applications for urban contexts. It addresses two looming, yet under-explored questions that have emerged with the ascendancy of critical pedagogy in the educational discourse: (1) What does critical pedagogy look like in work with urban youth? and (2) How can a systematic investigation of critical work enacted in urban contexts simultaneously draw upon and push the core tenets of critical pedagogy? Addressing the tensions inherent in enacting critical pedagogy – between working to disrupt and to successfully navigate oppressive institutionalized structures, and between the practice of critical pedagogy and the current standards-driven climate – The Art of Critical Pedagogy seeks to generate authentic internal and external dialogues among educators in search of texts that offer guidance for teaching for a more socially just world.
Format: CONTRIBUTORS: Ernest Morrell, Ernest MorrellEAN: 9780820474151COUNTRY: United StatesPAGES: WEIGHT: 350 gHEIGHT: 230 cm
PUBLISHED BY: Peter Lang Publishing IncDATE PUBLISHED: 2008-02-13CITY: GENRE: EDUCATION / General, EDUCATION / Adult & Continuing Education, EDUCATION / Elementary, EDUCATION / Special Education / Behavioral, Emotional & Social Disabilities, EDUCATION / Philosophy, Theory & Social AspectsWIDTH: 160 cmSPINE:
Book Themes:
Cultural studies, Philosophy and theory of education, Moral and social purpose of education, Curriculum planning and development, Teacher training, Teaching of students with physical impairments or disabilities, Advice on education
«Firmly grounded upon critical educational practices with youth, ‘The Art of Critical Pedagogy’ systematically examines the power of an emancipatory approach to urban schooling in the United States. In so doing, the authors eloquently challenge conservative policies and practices tied to standardized testing and curriculum, calling forth a bold and rigorous critical pedagogy that affirms life, nurtures intellect, and embraces our humanity in the service of a more just world. For those critically committed to a new era of social justice in education, this book represents a significant contribution to this endeavor.» (Antonia Darder, Professor, Educational Policy Studies, University of Illinois-Urbana Champaign) «Despite the pessimism, cynicism, and despair surrounding urban education, this book offers us the kind of public scholarship that gives us what we need most – a hope grounded in the reality that activism and social movements still matter and the people who matter most are those we serve the least.» (Gloria Ladson-Billings, Professor, Kellner Family Chair in Urban Education, University of Wisconsin-Madison) «This is a book for our times. It brings to the fore critical voices that have for too long been neglected in the field of critical pedagogy. ‘The Art of Critical Pedagogy’ is a powerful new contribution to social justice education, written by two emerging leaders in the field whose work is destined to transform the landscape of critical education. Developing critical navigational strategies for urban teachers while advocating a critical pan-ethnic framework for education and a grounded theory of praxis, ‘The Art of Critical Pedagogy’ becomes an engine that drives the transformation of teachers into critical public historians. This book should be at the top of every critical educator’s reading list.» (Peter McLaren, Professor, Graduate School of Education and Information Studies, UCLA) «At a time when the nation is searching for ways to close the achievement gap, reduce the drop-out rate, and improve our urban schools, Duncan-Andrade and Morrell have produced a powerful book that provides insights into how these goals can be achieved. Drawing on years of direct experience teaching and studying urban schools, they show us what it takes to transform classrooms and schools into learning environments that respond to the needs of students and make it possible to use education as a source of hope and empowerment.» (Pedro Noguera, Professor of Sociology, New York University)
The Authors: Jeffrey M.R. Duncan-Andrade is Assistant Professor of Raza Studies and Education Administration and Interdisciplinary Studies, and Co-Director of the Educational Equity Initiative at San Francisco State University’s Cesar Chavez Institute (http://cci.sfsu.edu/taxonomy/term/28). In addition to these duties, he teaches a 12th grade English Literature class at Oasis Community High School in Oakland, CA, where he continues his research into the uses of critical pedagogy in urban schools. Before joining the faculty at SFSU, Duncan-Andrade taught English and coached in the Oakland public schools for ten years, and completed his doctoral studies at the University of California, Berkeley. Duncan-Andrade’s research interests and publications span the areas of urban schooling and curriculum change, urban teacher development and retention, critical pedagogy, and cultural and ethnic studies. He has authored numerous journal articles and book chapters on the conditions of urban education, urban teacher support and development, and effective pedagogy in urban settings. He is currently completing a second book on the core competencies of highly effective urban educators. Ernest Morrell is Associate Professor in Urban Schooling and Associate Director for Youth Research at the Institute for Democracy, Education, and Access (IDEA) at the University of California at Los Angeles. For more than a decade he has worked with adolescents, drawing on their involvement with popular culture to promote academic literacy development. Morrell is also interested in the applications of critical pedagogy in urban education and working with teens as critical researchers. The author of three other books, Linking Literacy and Popular Culture: Finding Connections for Lifelong Learning (2004), Becoming Critical-Researchers: Literacy and Empowerment for Urban Youth (Peter Lang, 2004), and Critical Literacy and Urban Youth: Pedagogies of Access, Dissent, and Liberation (2007), Morrell received his Ph.D. in language, literacy, and culture from the University of California at Berkeley.
This book furthers the discussion concerning critical pedagogy and its practical applications for urban contexts. It addresses two looming, yet under-explored questions that have emerged with the ascendancy of critical pedagogy in the educational discourse: (1) What does critical pedagogy look like in work with urban youth? and (2) How can a systematic investigation of critical work enacted in urban contexts simultaneously draw upon and push the core tenets of critical pedagogy? Addressing the tensions inherent in enacting critical pedagogy – between working to disrupt and to successfully navigate oppressive institutionalized structures, and between the practice of critical pedagogy and the current standards-driven climate – The Art of Critical Pedagogy seeks to generate authentic internal and external dialogues among educators in search of texts that offer guidance for teaching for a more socially just world.
Format: CONTRIBUTORS: Ernest Morrell, Ernest MorrellEAN: 9780820474151COUNTRY: United StatesPAGES: WEIGHT: 350 gHEIGHT: 230 cm
PUBLISHED BY: Peter Lang Publishing IncDATE PUBLISHED: 2008-02-13CITY: GENRE: EDUCATION / General, EDUCATION / Adult & Continuing Education, EDUCATION / Elementary, EDUCATION / Special Education / Behavioral, Emotional & Social Disabilities, EDUCATION / Philosophy, Theory & Social AspectsWIDTH: 160 cmSPINE:
Book Themes:
Cultural studies, Philosophy and theory of education, Moral and social purpose of education, Curriculum planning and development, Teacher training, Teaching of students with physical impairments or disabilities, Advice on education
The Authors: Jeffrey M.R. Duncan-Andrade is Assistant Professor of Raza Studies and Education Administration and Interdisciplinary Studies, and Co-Director of the Educational Equity Initiative at San Francisco State University’s Cesar Chavez Institute (http://cci.sfsu.edu/taxonomy/term/28). In addition to these duties, he teaches a 12th grade English Literature class at Oasis Community High School in Oakland, CA, where he continues his research into the uses of critical pedagogy in urban schools. Before joining the faculty at SFSU, Duncan-Andrade taught English and coached in the Oakland public schools for ten years, and completed his doctoral studies at the University of California, Berkeley. Duncan-Andrade’s research interests and publications span the areas of urban schooling and curriculum change, urban teacher development and retention, critical pedagogy, and cultural and ethnic studies. He has authored numerous journal articles and book chapters on the conditions of urban education, urban teacher support and development, and effective pedagogy in urban settings. He is currently completing a second book on the core competencies of highly effective urban educators. Ernest Morrell is Associate Professor in Urban Schooling and Associate Director for Youth Research at the Institute for Democracy, Education, and Access (IDEA) at the University of California at Los Angeles. For more than a decade he has worked with adolescents, drawing on their involvement with popular culture to promote academic literacy development. Morrell is also interested in the applications of critical pedagogy in urban education and working with teens as critical researchers. The author of three other books, Linking Literacy and Popular Culture: Finding Connections for Lifelong Learning (2004), Becoming Critical-Researchers: Literacy and Empowerment for Urban Youth (Peter Lang, 2004), and Critical Literacy and Urban Youth: Pedagogies of Access, Dissent, and Liberation (2007), Morrell received his Ph.D. in language, literacy, and culture from the University of California at Berkeley.
'n Erfplaas met 'n befoeterde bestuurder is 'n uitdaging
Ek kom soms aan die einde van ’n boek sonder om die titel werklik te verstaan binne die konteks van die storielyn. Die teenoorgestelde is waar van Zinèt Oosthuizen se nuutste Romanza. Reeds op bladsy 16 lees ek van Karoo-koors, “die Karoomense se vriendelikheid, die liefde vir die area en hulle bereidwilligheid om te help.”
Dariyah verloor haar geliefde oom en haar ma tesame in ’n voertuigongeluk. Sy erf die plaas, Addersholte, in die Noord-Kaap. Daar loop sy haar vas in ’n ongeskikte plaasbestuurder wat ’n vyfjaarkontrak het en geen vriendelikheid teenoor haar openbaar nie. Sou ek een van die elemente van romanses, naamlik konflik, in isolasie moes beoordeel, sou hierdie twee karakters beslis volpunte kry.
Tekens van jaloesie by beide partye, en ’n soen in ’n welkome reënbui, is aanduidend van gevoelens wat vir hulle nuut is. Dit gee ook die versekering dat die konflik uiteindelik bygelê gaan word en die liefde gaan seëvier.
Karoo-koors is in Augustus vanjaar deur Lapa Uitgewers gepubliseer
Daar word dikwels bespiegel oor treffende openingsinne, maar hier lees ek nou vandag ’n slotsin wat vir my besonder treffend is en goeie lig werp op die pad waarlangs die heldin moes loop om heling en liefde te vind. “En vir die eerste keer glo sy werklik dat haar toekoms sterker as haar verlede is.” (p.187)
Isobel Raadt het ’n stem soos die spreekwoordelike engel, en ’n ewe mooi geaardheid, ’n traumatiese gebeurtenis ten spyt. Musiekvervaardiger, Markus Meyer, worstel om te aanvaar dat daar meer steek in sy belangstelling in Isobel as net ’n potensiële kontrak om te skryf en ’n nuwe sanger om te bestuur.
Wanneer jy sing is ’n Romanza in die Inspirasie subgenre. Die uitstaande geestelike boodskap is dat alles wat gebeur deel uitmaak van God se perfekte plan, hoe moeilik dit ook al mag wees. Ook dat dit nodig is om te vergewe en die verlede agter te laat.
Wat ook beïndruk het is hoe skrywer, Louise van der Merwe, die verhoog aan die karakters en hulle gevoelens, eerder as byvoorbeeld die omgewing, oorlaat. Die storie pas gemaklik in die gleuf van geestelike fiksie, hoewel dit natuurlik meer bondig is as ’n vollengte roman.
Emily knows how to capture her audience. Her writing style is a bit different but you enjoy it as you read along further. I do wish there was more to read about Miles’ and Daphne’s love story but I understand that the premise of the book was the story of how they met.
Overall, it was a great book.
'n Erflating neem die vier Calitz-vroue na Maanschijnbaai
Daar is ’n hele rits baie geldige redes waarom ek gesukkel het om my tande te kry in Jo & Sue, en daarna aanvanklik gespook het om ’n duik te begin maak in 635 bladsye. Chanette Paul se vermoë boeiend te skryf is allermins een van daardie redes. Dink eerder: fisio-assistent speel, voltydse versorger, onderbreekte slaap, en algemene onvermoë om te konsentreer. Die Calitz-slette met hulle kru taalgebruik was ook nie ’n goeie aanmoediging nie onder sulke omstandighede nie.
Enkele dae gelede was daar egter ’n deurbraak en daarná was daar nie keer aan nie. Vier uiteenlopende vroue, twee met losse sedes, ’n matriarg wat die spulletjie aanmekaar moet hou, die jongste so lelieblank (letterlik) dat sy ten prooi val van ’n gevaarlike sekte. Dan is daar die manne wat elkeen op sy beurt ’n belangrike rol te spele het in die storielyn.
Casper Calitz, die familiehoof, is vir jare vervreemd van sy nasate, maar laat sy boedel na aan die vier vroue. Dit klink op die oog af na uitkoms vir Jo, wat in groot finansiële verknorsing is, en vir Nan, wat gevra is om voortydig met pensioen te gaan. Totdat hulle Maanschijnbaai toe gaan en die erfposie gade slaan. “’n Kasarm. Uitgestrek. Grotesk. Verwaarloos. En verskriklik turkoois. Dis nou behalwe vir die pers en pienk en lemmetjiegroen deure en vensterrame.” (p.51)
Voeg daarby ’n pienk Cadillac, Hiërofant, Casper se winkel wat kristalle verkoop, ’n uitgebreide boekery en ’n drie-jaar klousule in die testament, en die intrige is groot. Selfs die eksentrieke Gaudi-boustyl word bygesleep om nog verdere kleur te gee. Daar is soveel elemente aan die verhaal, onder andere liefde, erfskandes, bedrog, geweld, en godsdienstige verleiding,
Die Maanschijnbaai-tweeluik is vyftien jaar gelede geskryf en nou hersien. Die nuwe buiteblaaie is besonder treffend en ’n waardevolle toevoeging tot my groeiende versameling van Chanette Paul se boeke.