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Shortlisted, Independent Publishers Book Award, PoetryThe Qingming Shanghe Tu scroll, sometimes called "Spring Festival by the River," was thought to have been painted by Zhang Zeduan before 1127, when the Northern Song capital of Bian-Iiang was overrun by the invading Jin. Inspired by the figures in the scroll, Geddes found stories demanding to be told, tales of the droll, exacting, sometimes turbulent life of cities. In shimmering verse, Geddes captures the voice of the painter himself and those of the underprivileged, with their not-so-subtle forms of dissent. Cleverly illustrated to intertwine East and West in dialogue, this ingenious volume juxtaposes a reproduction of the scroll that reads from back to front (experienced as Chinese reads) with Geddes' poems, which read from front to back.
Format: CONTRIBUTORS: Gary GeddesEAN: 9780864926265COUNTRY: CanadaPAGES: WEIGHT: 174 gHEIGHT: 127 cm
PUBLISHED BY: Goose Lane EditionsDATE PUBLISHED: 2010-08-27CITY: GENRE: POETRY / American / General, POETRY / Canadian / GeneralWIDTH: 203 cmSPINE:
Book Themes:
United States of America, USA, Canada, Poetry
"Geddes's; accessible poetic style brings to life a rich array of characters inspired by a blend of history, culture, myth, and imagination. ... his two most recent collections offer the reader a point of entry into the inner workings of old China by bringing to life a thronging diversity of voices tinged with both creativity and lore. ... Swimming Ginger reanimates one of China's most iconic artifacts and infuses it with irreverence, gently poking fun at the fantasies of ancient Chinese culture that we might otherwise be wont to adopt. In answer to such fantasies, Geddes creates an earthy, vibrant, and altogether more pragmatic account of lives lived in twelfth-century China." - Louise Young - Canadian Literature - 20131114, "The book is, as Geddes himself puts it, 'rescue work, ' an attempt to recover, reconstruct and reawaken a lost time, fill it with so unique a blend of voices that it will emerge as something new. Each poem crackles with their thoughts and impressions, sometimes contradictory, always entertaining." - Glenn Kletke - Canadian Bookseller - 20130114, "Geddes rolls out his own richly hued tapestry of human passions and pastimes. His poems flow with a fluid, conversational ease, and encompass a wide range of personalities and tone." - Barbara Carey - Toronto Star - 20130114
Gary Geddes was born in Vancouver and raised mostly on the west coast, where he gill netted, loaded boxcars at BC Sugar Refinery, stocked shelves at Woodwards, worked as a fishing guide at Whytecliffe, taught on Texada Island, and drove a water-taxi. After doing graduate studies at Reading University in England and at the University of Toronto, he embarked on a varied career as a writer, teacher, editor, and publisher. Gary taught for twenty years at Concordia University in Montreal before returning to the west coast, where he was appointed Distinguished Professor of Canadian Culture at Western Washington University (1998-2001) and served as writer-in-residence at Green College, and the Vancouver Public Library. He has written and edited more than thirty-five books of poetry, fiction, drama, non-fiction, criticism, translation and anthologies, including 20th Century Poetry & Poetics and 15 Canadian Poets x 3. His literary awards include the E.J. Pratt Medal and Prize, the
Shortlisted, Independent Publishers Book Award, PoetryThe Qingming Shanghe Tu scroll, sometimes called "Spring Festival by the River," was thought to have been painted by Zhang Zeduan before 1127, when the Northern Song capital of Bian-Iiang was overrun by the invading Jin. Inspired by the figures in the scroll, Geddes found stories demanding to be told, tales of the droll, exacting, sometimes turbulent life of cities. In shimmering verse, Geddes captures the voice of the painter himself and those of the underprivileged, with their not-so-subtle forms of dissent. Cleverly illustrated to intertwine East and West in dialogue, this ingenious volume juxtaposes a reproduction of the scroll that reads from back to front (experienced as Chinese reads) with Geddes' poems, which read from front to back.
Format: CONTRIBUTORS: Gary GeddesEAN: 9780864926265COUNTRY: CanadaPAGES: WEIGHT: 174 gHEIGHT: 127 cm
PUBLISHED BY: Goose Lane EditionsDATE PUBLISHED: 2010-08-27CITY: GENRE: POETRY / American / General, POETRY / Canadian / GeneralWIDTH: 203 cmSPINE:
Gary Geddes was born in Vancouver and raised mostly on the west coast, where he gill netted, loaded boxcars at BC Sugar Refinery, stocked shelves at Woodwards, worked as a fishing guide at Whytecliffe, taught on Texada Island, and drove a water-taxi. After doing graduate studies at Reading University in England and at the University of Toronto, he embarked on a varied career as a writer, teacher, editor, and publisher. Gary taught for twenty years at Concordia University in Montreal before returning to the west coast, where he was appointed Distinguished Professor of Canadian Culture at Western Washington University (1998-2001) and served as writer-in-residence at Green College, and the Vancouver Public Library. He has written and edited more than thirty-five books of poetry, fiction, drama, non-fiction, criticism, translation and anthologies, including 20th Century Poetry & Poetics and 15 Canadian Poets x 3. His literary awards include the E.J. Pratt Medal and Prize, the
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.