FREE delivery to all EXCLUSIVE BOOKS stores nationwide. FREE delivery to your door on all orders over R450. Excludes all international deliveries.

Shakespearean Futures

Amy Cook
    Product form
      FORMAT: Paperback / softback

      R 924.22 Price and availability exclusive to website

      YOU COULD EARN 924.22 FUTURE RETAIL DISCOUNTS.
      ESTIMATED DELIVERY: Approx. 10 - 15 Business Days
      BUY NOW PAY LATER
      From R 154.03 per month!
      3x monthly payments of R 308.07 with
      4x fortnightly payments of R 231.05 with
      Casting is the process by which directors assign parts to actors, creating the idea of the character for the audience. Casting is how we rehearse change, as we come to see an expanded repertoire of the kinds of bodies that are selected to play the lead, the hero, and the villain. This Element focuses on the casting in productions of Shakespeare from 2017–2020 to demonstrate how casting functions affectively and cognitively to reimagine who can be what. The central argument is that directors are using casting as the central mode of meaning-making in productions of Shakespeare.
      Format: CONTRIBUTORS: Amy Cook EAN: 9781108749558 COUNTRY: United Kingdom PAGES: WEIGHT: 80 g HEIGHT: 175 cm
      PUBLISHED BY: Cambridge University Press DATE PUBLISHED: 2020-11-19 CITY: GENRE: LITERARY CRITICISM / Drama WIDTH: 125 cm SPINE:

      Book Themes:

      English, Relating to Shakespeare / Shakespearean, Literary studies: c 1600 to c 1800, Literary studies: plays and playwrights

      Customer Reviews

      Be the first to write a review
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      Casting is the process by which directors assign parts to actors, creating the idea of the character for the audience. Casting is how we rehearse change, as we come to see an expanded repertoire of the kinds of bodies that are selected to play the lead, the hero, and the villain. This Element focuses on the casting in productions of Shakespeare from 2017–2020 to demonstrate how casting functions affectively and cognitively to reimagine who can be what. The central argument is that directors are using casting as the central mode of meaning-making in productions of Shakespeare.
      Format: CONTRIBUTORS: Amy Cook EAN: 9781108749558 COUNTRY: United Kingdom PAGES: WEIGHT: 80 g HEIGHT: 175 cm
      PUBLISHED BY: Cambridge University Press DATE PUBLISHED: 2020-11-19 CITY: GENRE: LITERARY CRITICISM / Drama WIDTH: 125 cm SPINE:

      Book Themes:

      English, Relating to Shakespeare / Shakespearean, Literary studies: c 1600 to c 1800, Literary studies: plays and playwrights

      Customer Reviews

      Be the first to write a review
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)
      0%
      (0)

      Recently viewed products

      Login

      Forgot your password?

      Don't have an account yet?
      Create account