Fictional narratives of the late twentieth century often cross boundaries. This study argues that the undoing of structure in postmodern art form demands a different way of thinking and represents a commentary on the material and social conditions of the late twentieth century and beyond.
Format: Paperback / softback
CONTRIBUTORS: M. Hughes
EAN: 9781349456567
COUNTRY: United Kingdom
PAGES:
WEIGHT: 3212 g
HEIGHT: 216 cm
PUBLISHED BY: Palgrave Macmillan
DATE PUBLISHED: 2013-03-18
CITY:
GENRE: ART / General, ART / Criticism & Theory, LITERARY CRITICISM / Modern / 20th Century, PHILOSOPHY / General, PHILOSOPHY / Aesthetics
WIDTH: 140 cm
SPINE:
Book Themes:
The arts: general topics, The Arts: art forms, Literary studies: c 1900 to c 2000, Philosophy, Philosophy: aesthetics
'A sophisticated and engaging work that makes a significant contribution to the field of contemporary aesthetics and critical theory.' - Christopher A. Dustin, Professor of Philosophy, College of the Holy Cross
'In this book Mary-Joe Hughes shows how our post-sixties culture bears witness to a dramatic dissolution of boundaries between form and content, author and reader, text and world. Challenging the postmodern cult of Theory the author lets works of art - music, film, painting and literature - speak for themselves, while remaining critically conversant with the philosophies of Derrida and Levinas. The book makes a powerful plea for creative interconnection over cynical conflation, for inventive hybridity over consumerist confusion, citing contemporary works from Coetzee and Calvino to Peter Weir and Yo-Yo Ma. The author convinces by a combination of intellectual audacity, critical integrity and deep imagination.' - Richard Kearney, Charles Seelig Chair of Philosophy, Boston College
Mary Jo Hughes is the assistant director of the Arts and Sciences Honors Program at Boston College.