Winner of the 2018 Ontario Museum Association Award of Excellence Creating Exhibits that Engage: A Manual for Museums and Historical Organizations is a concise, useful guide to developing effective and memorable museum exhibits. The book is full of information, guidelines, tips, and concrete examples drawn from the author’s years of experience as a curator and exhibit developer in the United States and Canada. Is this your first exhibit project? You will find step-by-step instructions, useful advice and plenty of examples. Are you a small museum or local historical society looking to improve your exhibits? This book will take you through how to define your audience, develop a big idea, write the text, manage the budget, design the graphics, arrange the gallery, select artifacts, and fabricate, install and evaluate the exhibit. Are you a museum studies student wanting to learn about the theory and practice of exhibit development? This book combines both and includes references to works by noted authors in the field. Written in a clear and accessible style, Creating Exhibits that Engage offers checklists of key points at the end of each chapter, a glossary of specialized terms, and photographs, drawings and charts illustrating key concepts and techniques.
Format: Paperback / softbackCONTRIBUTORS: John SummersEAN: 9781442279360COUNTRY: United StatesPAGES: WEIGHT: 449 gHEIGHT: 254 cm
PUBLISHED BY: Rowman & LittlefieldDATE PUBLISHED: 2018-03-02CITY: GENRE: BUSINESS & ECONOMICS / Museum Administration & MuseologyWIDTH: 176 cmSPINE:
Book Themes:
Museology and heritage studies
Creating Exhibits that Engage: A Manual for Museums and Historical Organizations is a ‘nuts-and-bolts guide to how to do it step-by-step,’ suited to the resources of small to medium-sized museums. But the book is much more than that. It gives the people who work in small to medium-sized museums the confidence to experiment and innovate., Summers provides a comprehensive guide to creating exhibits useful to the novice and emerging professional. He explores all aspects of the process, from idea through fabrication, utilizing recent research and drawing on the most current trends in the field, all in a very readable volume., Creating Exhibits that Engage is a publication to be celebrated because it starts with the idea that exhibitions should be visitor-focused and relevant all the while adhering to best practices in museum standards as well as project management principles. This manual is useful for both beginners and ‘experts’ because it is complete in its scope, practical in its examples and conversational in its tone. John Summers has accomplished something that very few museum professionals have a chance to do in their careers; he has taken his considerable learning, expertise and experience and captured it for the benefit of the entire field – and for that we are all extremely fortunate., Creating Exhibits that Engage is a complete do-it-yourself guide for students and seasoned museum professionals. John Summer compiled a career’s worth of exhibition experience into an enjoyably readable volume. It’s all there: conceptualization, communication, content, contracts, construction, and community engagement.
John Summers is manager of Heritage Services and Curator for the Regional Municipality of Halton in Ontario, Canada, where he leads, develops, designs and fabricates exhibit projects. He has taught students about museology, material culture, museums and technology, and exhibition design and planning for the Ontario Museum Association, the Fleming College Museum Management and Curatorship Program, the University of Victoria’s Cultural Resource Management Program and the University of Toronto’s Faculty of Information, where he is an adjunct lecturer of Museum Studies. He is course director for Exhibit Planning & Design in the Ontario Museum Association’s Certificate in Museum Studies program. His experience spans more than three decades of work at cultural institutions in Canada and the United States.
Winner of the 2018 Ontario Museum Association Award of Excellence Creating Exhibits that Engage: A Manual for Museums and Historical Organizations is a concise, useful guide to developing effective and memorable museum exhibits. The book is full of information, guidelines, tips, and concrete examples drawn from the author’s years of experience as a curator and exhibit developer in the United States and Canada. Is this your first exhibit project? You will find step-by-step instructions, useful advice and plenty of examples. Are you a small museum or local historical society looking to improve your exhibits? This book will take you through how to define your audience, develop a big idea, write the text, manage the budget, design the graphics, arrange the gallery, select artifacts, and fabricate, install and evaluate the exhibit. Are you a museum studies student wanting to learn about the theory and practice of exhibit development? This book combines both and includes references to works by noted authors in the field. Written in a clear and accessible style, Creating Exhibits that Engage offers checklists of key points at the end of each chapter, a glossary of specialized terms, and photographs, drawings and charts illustrating key concepts and techniques.
Format: Paperback / softbackCONTRIBUTORS: John SummersEAN: 9781442279360COUNTRY: United StatesPAGES: WEIGHT: 449 gHEIGHT: 254 cm
PUBLISHED BY: Rowman & LittlefieldDATE PUBLISHED: 2018-03-02CITY: GENRE: BUSINESS & ECONOMICS / Museum Administration & MuseologyWIDTH: 176 cmSPINE:
John Summers is manager of Heritage Services and Curator for the Regional Municipality of Halton in Ontario, Canada, where he leads, develops, designs and fabricates exhibit projects. He has taught students about museology, material culture, museums and technology, and exhibition design and planning for the Ontario Museum Association, the Fleming College Museum Management and Curatorship Program, the University of Victoria’s Cultural Resource Management Program and the University of Toronto’s Faculty of Information, where he is an adjunct lecturer of Museum Studies. He is course director for Exhibit Planning & Design in the Ontario Museum Association’s Certificate in Museum Studies program. His experience spans more than three decades of work at cultural institutions in Canada and the United States.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.