From the Sunday Times bestselling author of The Goodbye Man, discover Jeffery Deaver's gripping series that inspired the film starring Angelina Jolie and Denzel Washington, and is now a major NBC TV series. Lincoln Rhyme and Amelia Sachs will do anything to uncover the truth, so they must enter The Kill Room.A sniper shot from a near-impossible distance. Evidence that the order came from the highest levels of US government. A New York DA who won't let it go.Lincoln Rhyme and Amelia Sachs will risk everything to uncover the truth. But there is no crime scene investigation, no evidence, and no co-operation from the local Bahamian police.No strangers to controversy, their reputation for seeing what others miss is unparalleled, and ambitious attorney Nance Laurel knows they will risk everything - even their lives - to seek the truth . . .But first, they must enter The Kill Room.'THE KILL ROOM is full of his trademark twists, breathless suspense and ironic humour. It is a thriller of 'bits, scraps, observations (and) 180 degree changes in direction' which never cheats the reader, so that the only response can be sighs of satisfaction and admiration' The Evening Standard
CONTRIBUTORS: Jeffery DeaverEAN: 9781444757361COUNTRY: United KingdomPAGES: WEIGHT: 380 gHEIGHT: 196 cm
Crime and mystery fiction, Thriller / suspense fiction
This is Deaver at his very best and not to be missed by any thriller fan., There's no danger of this 10th Lincoln Rhyme outing collecting anything but enthusiastic praise . . . This is Deaver back on his most comfortable territory and the battle with a ruthless killer is delivered with the accumulating menace that has long been Deaver's trademark. Rhyme and Amelisa remain one of the most distinctive duos in crime fiction and Deaver is somehow able to come up with something fresh and unusual for them, even though familiar elements are utilised. What the author is particularly good at is the tense set-piece, as in the police siege at the end of THE KILL ROOM, delivered with panache. As ever he plays fair with the reader. We're given all the relevant information but are nevertheless still jolted by the successive revelations., If you want the best crime, try Jeff Deaver, Deaver might well be expected to rest on his laurels at this point in his career, but his 30th novel is refreshingly ambitious, as his labyrinthine twists lead the reader ever further into a fog of ambiguity about misdirected patriotism, drone warfare, whistle-blowing and free speech, An exciting and thoughtful examination of how far government can go . . . Deaver doesn't disappoint. Against a grave and complex legal backstory, he unwinds an elaborate narrative with believable, intriguing characters and fascinating CSI-like investigative aplomb . . . compelling and provocative
Jeffery Deaver is an international number-one bestselling author. His novels have appeared on bestseller lists around the world. His books are sold in 150 countries and translated into twenty-five languages. He has served two terms as president of Mystery Writers of America, and was recently named a Grand Master of MWA, whose ranks include Agatha Christie, Ellery Queen, Mary Higgins Clark and Walter Mosely.The author of more than forty novels, three collections of short stories and a nonfiction law book, and a lyricist of a country-western album, he's received or been shortlisted for dozens of awards.His The Bodies Left Behind was named Novel of the Year by the International Thriller Writers association, and his Lincoln Rhyme thriller The Broken Window and a stand-alone, Edge, were also nominated for that prize. The Garden of Beasts won the Steel Dagger from the Crime Writers Association in England. He's also been nominated for eight Edgar Awards by the MWA.Deaver has been honoured with the Lifetime Achievement Award by the Bouchercon World Mystery Convention, the Strand Magazine's Lifetime Achievement Award and the Raymond Chandler Lifetime Achievement Award in Italy.His book A Maiden's Grave was made into an HBO movie starring James Garner and Marlee Matlin, and his novel The Bone Collector was a feature release from Universal Pictures, starring Denzel Washington and Angelina Jolie. Lifetime aired an adaptation of his The Devil's Teardrop. NBC television recently aired the nine-episode prime-time series, Lincoln Rhyme: Hunt for the Bone Collector. Visit his website, www.jefferydeaver.com, Facebook page, www.facebook.com/JefferyDeaver, and follow him on Twitter at twitter.com/JefferyDeaver.
Format: Paperback / softback
From the Sunday Times bestselling author of The Goodbye Man, discover Jeffery Deaver's gripping series that inspired the film starring Angelina Jolie and Denzel Washington, and is now a major NBC TV series. Lincoln Rhyme and Amelia Sachs will do anything to uncover the truth, so they must enter The Kill Room.A sniper shot from a near-impossible distance. Evidence that the order came from the highest levels of US government. A New York DA who won't let it go.Lincoln Rhyme and Amelia Sachs will risk everything to uncover the truth. But there is no crime scene investigation, no evidence, and no co-operation from the local Bahamian police.No strangers to controversy, their reputation for seeing what others miss is unparalleled, and ambitious attorney Nance Laurel knows they will risk everything - even their lives - to seek the truth . . .But first, they must enter The Kill Room.'THE KILL ROOM is full of his trademark twists, breathless suspense and ironic humour. It is a thriller of 'bits, scraps, observations (and) 180 degree changes in direction' which never cheats the reader, so that the only response can be sighs of satisfaction and admiration' The Evening Standard
CONTRIBUTORS: Jeffery DeaverEAN: 9781444757361COUNTRY: United KingdomPAGES: WEIGHT: 380 gHEIGHT: 196 cm
Jeffery Deaver is an international number-one bestselling author. His novels have appeared on bestseller lists around the world. His books are sold in 150 countries and translated into twenty-five languages. He has served two terms as president of Mystery Writers of America, and was recently named a Grand Master of MWA, whose ranks include Agatha Christie, Ellery Queen, Mary Higgins Clark and Walter Mosely.The author of more than forty novels, three collections of short stories and a nonfiction law book, and a lyricist of a country-western album, he's received or been shortlisted for dozens of awards.His The Bodies Left Behind was named Novel of the Year by the International Thriller Writers association, and his Lincoln Rhyme thriller The Broken Window and a stand-alone, Edge, were also nominated for that prize. The Garden of Beasts won the Steel Dagger from the Crime Writers Association in England. He's also been nominated for eight Edgar Awards by the MWA.Deaver has been honoured with the Lifetime Achievement Award by the Bouchercon World Mystery Convention, the Strand Magazine's Lifetime Achievement Award and the Raymond Chandler Lifetime Achievement Award in Italy.His book A Maiden's Grave was made into an HBO movie starring James Garner and Marlee Matlin, and his novel The Bone Collector was a feature release from Universal Pictures, starring Denzel Washington and Angelina Jolie. Lifetime aired an adaptation of his The Devil's Teardrop. NBC television recently aired the nine-episode prime-time series, Lincoln Rhyme: Hunt for the Bone Collector. Visit his website, www.jefferydeaver.com, Facebook page, www.facebook.com/JefferyDeaver, and follow him on Twitter at twitter.com/JefferyDeaver.
Lani en Elliot balanseer nie en die vonke spat uit die staanspoor
Elliot tree totaal buite karakter op toe hy langs die hoofpad stop om ’n ryloper op te laai. Hy neem haar boonop na sy ouerhuis toe en vind aanhoudend redes om haar binne sy sfeer te hou. Mens sou dit liefde met die eerste opslag wou noem, maar gewilde skrywer, Madelie Human, noem dit Kortpadliefde.
Moenie verwag dat alles glad gaan verloop nie. “Hy en Lani is beslis nie die twee kante van ’n wiskundige vergelyking nie. Hulle balanseer nie. Kyk maar net hoe die vonke tussen hulle van die eerste oomblik af gespat het.” (p.50)
Moet verder nie verwag dat dit die standaard romanse is nie. Daar is baie diepgaande kwessies wat oopgeskryf word, soos ouer-kind verhoudings, beroepsbedrewendheid, soeke na sosiale aansien, selfs ’n cougar wat skaamteloos die mooi verhouding tussen Lani en Elliot verontagsaam. Dwelmsmokkelary, verdagmaking en vooroordeel is dinge wat negatief inwerk op die ontwikkelende verhouding, maar gelukkig gee die skrywer dit in kleinerige porsies deur aan die leser.
Kortpadliefde is die nuutste in ’n lang lys van suksesvolle Romanzas deur Madelie Human, wat uitgegee is deur Lapa.
As ’n gesoute leser van romanses, mag jy dalk dink dat jy ’n goeie idee het oor romantiese liefde. Lees jy egter René van Zyl se nuutste Romanza, Sigeunerliefde, gaan jy ’n nuwe definisie raaklees wat die skrywer gaan leen het uit die opera, Carmen. “Liefde is ’n sigeuner se kind wat hom nie aan wette steur nie en nie gedwing kan word om lief te hê nie.” (p.182)
Karmen se verhaal het my skoon nostalgies gehad. Ek het self die voorreg gehad om Spanje te besoek en goeie herinneringe het kom aanklop: Flamenco-dansers, Gaudi, die Sagrada Familia-basilika, metrotreinritte deur Barcelona, sangria by ‘n kafee, stap met La Rambla langs. Jy hoef egter nie te vrees dat dit gaan lees soos ’n reisbrosjure nie. Die agtergrond is presies dit, die verhoog waarop ’n hartroerende verhaal afspeel van ’n jong vrou wat geteister word deur verwyte, gemis van haar ouers en veroordeling deur haar ouma.
Die straatmusikant wat haar hart kom steel, leer haar ook dat sy nie mag het oor lewe en dood nie. Sy moet die skuldlas laat vaar wat haar dryf om soos ’n sigeuner rond te swerf en nêrens rus te vind nie.
Die skrywer gee subtiele wenke oor sekere elemente van die storie, net genoeg om nie die oomblik te bederf wanneer die kloutjie en die oortjie mekaar vind nie. Hierdie is ’n heel oorspronklike storielyn wat ek geweldig baie geniet het, selfs ’n traan afgevee het.
This is one of the best books I've ever read.
At first, it seems like a simple story about farm animals who rebel against their owner in search of a better life. However, as the story progresses it becomes clear that Orwell is making a much deeper point about politics, corruption and power.
What I found most interesting was how the pigs slowly become just as bad as the humans they replaced. Napoleon’s rise to power feels frustrating to watch, especially because the other animals trust him so easily. Characters like Boxer are particularly memorable because they show how loyalty and hard work can be taken advantage of by those in authority.
Although Animal Farm is based on historical events, its message still feels relevant today. The book highlights how propaganda, misinformation, and blind trust in leaders can allow people to gain and abuse power. Orwell presents these ideas in a way that is easy to understand without making the story feel like a history lesson.
Overall, I really enjoyed Animal Farm. Its simple writing style makes it accessible, but the themes are complex and thought-provoking. I would recommend it to anyone who enjoys books that make you think about society and human nature or just people that really enjoy political satire.
Met die pragtige Helene de Kock Inspirasie-omnibus in my hand, het ek vrymoedigheid geneem om by die skrywer aan te klop met ’n paar vrae, wat sy goedgunstiglik beantwoord het.
Ek wou in die eerste plek weet of sy sulke romans wat vir herpublikasie oorweeg word, moet redigeer. Haar antwoord was baie duidelik en goed gemotiveer: sy skaaf nooit aan heruitgawes nie omdat dit goed is dat lesers ’n boek binne sy tydvak lees. “Al beweeg die karakters teen die tydsgees in”, het sy gesê.
Verder wou ek weet of sy, as skrywer, insae het in die keuse van boeke vir ‘n omnibus, waarop sy positief geantwoord het dat sy wel insae het en dit moet goedkeur.
Die produk van hierdie proses is die kombinasie van Kruispad vir Kara, oorspronklik uitgegee in 2018, en Engel op die drumpel, uitgegee in 1999. Daar is nogal heelwat raakpunte tussen hierdie twee romans in die geestelike fiksie genre. Die hoofkarakters in albei is studente aan Tukkies en albei is pratige meisies wat die aandag trek van mansstudente wat sosiale en akademiese aansien geniet. Jannes Conradie en Hein Leroux deel egter ’n swakte: hulle is nie ouens wat erns maak met verhoudings nie.
Liriese taalgebruik en goeie kennis van die Woord asook die gawe om dit toepaslik in die storielyn te verweef, maak van Helene de Kock se boeke iets besonders, sonder om prekerig oor te kom. Haar karakters ly verlies, hulle voer ’n geloofstryd, het baie wroeging, en hulle moet indringend selfondersoek doen alvorens daar uiteindelik oorwinning kom. Vir die romantiese siele is daar ook die belofte van liefde wat oorwin.
Die Inspirasie-omnibus is uitgegee deur Lux Verbi, die geestelike druknaam van Jonathan Ball Uitgewers. Jy sal dit oral in goeie boekwinkels kan opspoor.
