THE TIMES BOOK OF THE MONTH | SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD | THE AUTHORS' CLUB BEST FIRST NOVEL AWARDThe Words in My Hand is the reimagined true story of Helena Jans, a Dutch maid in 17th century Amsterdam working for an English bookseller. One day a mysterious and reclusive lodger arrives - the Monsieur - who turns out to be René Descartes. At first encounter the maid and the philosopher seem to have little in common, yet Helena yearns for knowledge and literacy - wanting to write so badly that she uses beetroot for ink and her body as paper. And the philosopher, for all his learning, finds that it is Helena who reveals the surprise in the everyday world that surrounds him, as gradually their relationship deepens in a surprising story of love and learning.'Excellent . . . an entirely unsentimental love story with a memorable and engaging heroine. Clever and touching' The Times 'An accomplished first novel . . . Glasfurd brilliantly dissects the complex frustrations of a woman in love with a man consumed by intellectual obsessions. There is much to move us here' Guardian-------------------------------And Guinevere Glasfurd's new novel The Year Without Summer, the story of a world changed by one cataclysmic event, is out now.
Format: Paperback / softbackCONTRIBUTORS: Guinevere GlasfurdEAN: 9781473617872COUNTRY: United KingdomPAGES: WEIGHT: 300 gHEIGHT: 196 cm
PUBLISHED BY: John Murray PressDATE PUBLISHED: 2017-02-09CITY: GENRE: FICTION / Historical / General, FICTION / LiteraryWIDTH: 130 cmSPINE:
Book Themes:
Fiction: general and literary, Historical fiction
Excellent... The novel is based on enigmatic references to Helena and her illegitimate child in biographies of Descartes - she is the unseen woman behind the great man. Glasfurd has created an entirely unsentimental love story, with a memorable and engaging heroine. She takes the narrowness of Helena's life and her kicks against its confines, and spins them into an original tale., An accomplished first novel... A quietly passionate story of a young woman who burns to be allowed to write, to acquire knowledge, and to love her elusive Monsieur. In casting Helena as proto-feminist, artistic, courageous, Glasfurd gives her narrative a rather modern sensibility but it is this quality that makes it such a satisfying read. She brilliantly dissects the complex frustrations of a woman in love with a man consumed by intellectual obsessions. There is much to move us here., a striking debut... her portrait of love across barriers of class, and of Helena's yearning for education, is a touching one, An absorbing and moving read, Amsterdam in the 17th Century springs to life in The Words in My Hand...This first novel from Guinevere Glasfurd is wonderfully atmospheric
Guinevere Glasfurd is a critically acclaimed novelist. Her debut novel, The Words in my Hand, was shortlisted for the 2016 Costa First Novel Award and Authors' Club Best First Novel Award and was longlisted in France for the Prix du Roman FNAC. Her second novel, The Year Without Summer, was written with support from the MacDowell Foundation, longlisted for the Walter Scott Historical Fiction Prize 2021 and shortlisted for the HWA Gold Crown Award 2020. Awarded grants from the Arts Council England and the British Council for her work, her writing has also appeared in The Scotsman, Mslexia and in a collection published by the National Galleries of Scotland. Originally from Lancaster, she now lives near Cambridge with her husband and daughter.
THE TIMES BOOK OF THE MONTH | SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD | THE AUTHORS' CLUB BEST FIRST NOVEL AWARDThe Words in My Hand is the reimagined true story of Helena Jans, a Dutch maid in 17th century Amsterdam working for an English bookseller. One day a mysterious and reclusive lodger arrives - the Monsieur - who turns out to be René Descartes. At first encounter the maid and the philosopher seem to have little in common, yet Helena yearns for knowledge and literacy - wanting to write so badly that she uses beetroot for ink and her body as paper. And the philosopher, for all his learning, finds that it is Helena who reveals the surprise in the everyday world that surrounds him, as gradually their relationship deepens in a surprising story of love and learning.'Excellent . . . an entirely unsentimental love story with a memorable and engaging heroine. Clever and touching' The Times 'An accomplished first novel . . . Glasfurd brilliantly dissects the complex frustrations of a woman in love with a man consumed by intellectual obsessions. There is much to move us here' Guardian-------------------------------And Guinevere Glasfurd's new novel The Year Without Summer, the story of a world changed by one cataclysmic event, is out now.
Format: Paperback / softbackCONTRIBUTORS: Guinevere GlasfurdEAN: 9781473617872COUNTRY: United KingdomPAGES: WEIGHT: 300 gHEIGHT: 196 cm
PUBLISHED BY: John Murray PressDATE PUBLISHED: 2017-02-09CITY: GENRE: FICTION / Historical / General, FICTION / LiteraryWIDTH: 130 cmSPINE:
Guinevere Glasfurd is a critically acclaimed novelist. Her debut novel, The Words in my Hand, was shortlisted for the 2016 Costa First Novel Award and Authors' Club Best First Novel Award and was longlisted in France for the Prix du Roman FNAC. Her second novel, The Year Without Summer, was written with support from the MacDowell Foundation, longlisted for the Walter Scott Historical Fiction Prize 2021 and shortlisted for the HWA Gold Crown Award 2020. Awarded grants from the Arts Council England and the British Council for her work, her writing has also appeared in The Scotsman, Mslexia and in a collection published by the National Galleries of Scotland. Originally from Lancaster, she now lives near Cambridge with her husband and daughter.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.