‘Brilliant . . . A deeply unsettling, excellent read’ - Daisy Johnson, author of Everything Under 'A potent contemporary fable . . . riveting' - Guardian‘Genuinely thrilling . . . one long beautiful scream’ - Evie WyldLucy lives with her husband Jake and their two boys. Her life is devoted to her children, her days mapped out by their finely tuned routine.Until a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband. He thought she should know.Lucy is distraught. She decides to stay with Jake, if only for the children’s sake, but in order to even the score, they agree that she will hurt him three times. Jake will not know when the hurt is coming, or what form it will take. And so begins a delicate game of crime and punishment, from which there is no return . . .Told in dazzling, musical prose, The Harpy by Megan Hunter is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power and revenge, of metamorphosis and renewal.‘Utterly compelling . . . precise and darkly truthful’ Esther Freud
Format: Paperback / softbackCONTRIBUTORS: Megan HunterEAN: 9781529010237COUNTRY: United KingdomPAGES: WEIGHT: 146 gHEIGHT: 197 cm
PUBLISHED BY: Pan MacmillanDATE PUBLISHED: 2021-05-13CITY: GENRE: FICTION / Literary, FICTION / Psychological, FICTION / Women, FICTION / Family Life / Marriage & Divorce, FICTION / FeministWIDTH: 130 cmSPINE:
Book Themes:
England, Fiction: general and literary, Family life fiction, Narrative theme: Love and relationships, Narrative theme: Interior life, Domestic abuse, Psychology of gender, Abnormal psychology, Dating, relationships, living together and marriage: advice and issues
The Harpy is brilliant. Hunter imbues the everyday with apocalyptic unease. A deeply unsettling, excellent read., In The Harpy, Hunter has articulated female rage in a way that lives on in your bones and in your gut. A genuinely thrilling read, one long beautiful scream., Megan Hunter’s potent contemporary fable about the enduring taboo of female fury becomes especially relevant. Every bit as riveting as her debut The End We Start From . . . the ensuing drama blends mythic motifs with pointed swipes at modern motherhood’s double binds., The Harpy is an almost perfect book. The premise is so simple, and the execution so flawless . . . I've talked about it more than anything else I've read so far this year: I love explaining the set-up to friends and watching their eyes widen. It's so dark and so much fun., Hunter writes viscerally and incisively about the taboos of female desire and rage . . . [a] striking, pared-down modern myth
Megan Hunter’s first novel, The End We Start From, was published in 2017 in the UK, US, and Canada, and has been translated into eight languages. It was shortlisted for Novel of the Year at the Books Are My Bag Awards, longlisted for the Aspen Words Prize, was a Barnes and Noble Discover Awards finalist and won the Foreword Reviews Editor’s Choice Award. Her writing has appeared in publications including the White Review, the TLS, Literary Hub, and BOMB magazine. She lives in Cambridgeshire with her husband, son and daughter.
‘Brilliant . . . A deeply unsettling, excellent read’ - Daisy Johnson, author of Everything Under 'A potent contemporary fable . . . riveting' - Guardian‘Genuinely thrilling . . . one long beautiful scream’ - Evie WyldLucy lives with her husband Jake and their two boys. Her life is devoted to her children, her days mapped out by their finely tuned routine.Until a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband. He thought she should know.Lucy is distraught. She decides to stay with Jake, if only for the children’s sake, but in order to even the score, they agree that she will hurt him three times. Jake will not know when the hurt is coming, or what form it will take. And so begins a delicate game of crime and punishment, from which there is no return . . .Told in dazzling, musical prose, The Harpy by Megan Hunter is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power and revenge, of metamorphosis and renewal.‘Utterly compelling . . . precise and darkly truthful’ Esther Freud
Format: Paperback / softbackCONTRIBUTORS: Megan HunterEAN: 9781529010237COUNTRY: United KingdomPAGES: WEIGHT: 146 gHEIGHT: 197 cm
PUBLISHED BY: Pan MacmillanDATE PUBLISHED: 2021-05-13CITY: GENRE: FICTION / Literary, FICTION / Psychological, FICTION / Women, FICTION / Family Life / Marriage & Divorce, FICTION / FeministWIDTH: 130 cmSPINE:
Book Themes:
England, Fiction: general and literary, Family life fiction, Narrative theme: Love and relationships, Narrative theme: Interior life, Domestic abuse, Psychology of gender, Abnormal psychology, Dating, relationships, living together and marriage: advice and issues
Megan Hunter’s first novel, The End We Start From, was published in 2017 in the UK, US, and Canada, and has been translated into eight languages. It was shortlisted for Novel of the Year at the Books Are My Bag Awards, longlisted for the Aspen Words Prize, was a Barnes and Noble Discover Awards finalist and won the Foreword Reviews Editor’s Choice Award. Her writing has appeared in publications including the White Review, the TLS, Literary Hub, and BOMB magazine. She lives in Cambridgeshire with her husband, son and daughter.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.