Use your imagination! The demand is as important as it is confusing. What is the imagination? What is its value? Where does it come from? And where is it going in a time when even the obscene seems overdone and passé?This book takes up these questions and argues for the centrality of imagination in human cognition. It traces the development of the imagination in Kant’s critical philosophy (particularly the Critique of Aesthetic Judgment) and claims that the insights of Kantian aesthetic theory, especially concerning the nature of creativity, common sense, and genius, influenced the development of nineteenth-century American philosophy.The book identifies the central role of the imagination in the philosophy of Peirce, a role often overlooked in analytic treatments of his thought. The final chapters pursue the observation made by Kant and Peirce that imaginative genius is a type of natural gift (ingenium) and must in some way be continuous with the creative force of nature. It makes this final turn by way of contemporary studies of metaphor, embodied cognition, and cognitive neuroscience.
Format: Paperback / softbackCONTRIBUTORS: John KaagEAN: 9781531501846COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 229 cm
PUBLISHED BY: Fordham University PressDATE PUBLISHED: 2023-02-21CITY: GENRE: PHILOSOPHY / Aesthetics, SCIENCE / Philosophy & Social AspectsWIDTH: 152 cmSPINE:
Book Themes:
Impact of science and technology on society, Philosophy: aesthetics
"John Kaag's Thinking through the Imagination is a uniquely important contribution to the philosophy of imagination in at least five ways. First, it is the most comprehensive and detailed study ever of Charles S. Peirce's theory of imagination, although scholars have long recognized the importance of Peirce on this topic; this book is state of the art in Peirce scholarship. Second, it resets the philosophic discussion of imagination to a new default position, that of the American pragmatic tradition rather than the Kantian tradition, both of which Kaag discusses in detail. Third, although Kaag is primarily a philosopher setting forth his own position on imagination, he is also a careful historian of philosophy, working with letters and unpublished material as well as standard texts, and therefore speaks with full authority on the historical material of pragmatism and its relation to European philosophy. Fourth, he shows why Peirce is the pragmatist to watch on the subject of imagination, despite the greater fame of William James and John Dewey on the subject. Fifth, he is exactly right to place all this discussion in close connection with the studies of imagination in contemporary cognitive science, showing on the one hand that philosophers should have been following this science as Peirce would have done all along and on the other that cognitive scientists should have been learning from Peirce and the other pragmatists. This is a splendid contribution, not to be ignored by cognitive scientists, scholars of American philosophy, and philosophers and critics interested in imagination."---Robert Neville, Boston University, "Most impressive is the author's detailed and insightful presentation of Peirce's thoughts on the nature of imagination and the connection between imagination and inquiry. This alone is worth the price of admission."---F. A. Grabowski, Roger State University, Choice, "This book is a giant step forward in understanding the interplay between imagination and inquiry in Peirce. Kaag brilliantly illuminates the influence of Kant's aesthetics and imagination for Peirce through Schiller with a discussion that ranges over literary analysis and cognitive and neural science as ways of explicating Peirce's logic and existential graphing. This is one of the best examples I know of handling Peirce's texts with both historical perspicuity and speculative insight."---Roger A. Ward, Georgetown College, "This important book deserves a wide audience, and should be of interest to scholars working on a variety of topics. Kaag effectively exposes the Kantian roots of pragmatism, especially the link between Kant and Peirce. Against that background he articulates a pragmatic theory of the imagination that underscores its character both as fully embodied and as vitally central to human cognition and inquiry. Kaag's own insightful account plays out in a conceptual space far removed from the dangerous extremes of either biological reductionism or what he himself labels a 'naive panpsychism.' The result is really quite impressive, a virtuoso philosophical performance."---Michael L. Raposa, Lehigh University
John Kaag is Professor and Chair of Philosophy at the University of Massachusetts, Lowell. He is the author of Sick Souls, Healthy Minds: How William James Can Save Your Life (Princeton, 2020, Finalist, 2021 PROSE Award), Hiking with Nietzsche: On Becoming Who You Are (Farrar, Straus & Giroux, 2018, pbk Picador, 2019, NPR Book of the Year), American Philosophy: A Love Story (Farrar, Straus & Giroux, 2016, NPR Book of the Year, New York Times Editors’ Choice), and Idealism, Pragmatism, and Feminism: The Philosophy of Ella Lyman Cabot (Lexington, 2013), and coauthor with Sarah Kreps of Drone Warfare (Polity, 2015, Choice Outstanding Title).
Use your imagination! The demand is as important as it is confusing. What is the imagination? What is its value? Where does it come from? And where is it going in a time when even the obscene seems overdone and passé?This book takes up these questions and argues for the centrality of imagination in human cognition. It traces the development of the imagination in Kant’s critical philosophy (particularly the Critique of Aesthetic Judgment) and claims that the insights of Kantian aesthetic theory, especially concerning the nature of creativity, common sense, and genius, influenced the development of nineteenth-century American philosophy.The book identifies the central role of the imagination in the philosophy of Peirce, a role often overlooked in analytic treatments of his thought. The final chapters pursue the observation made by Kant and Peirce that imaginative genius is a type of natural gift (ingenium) and must in some way be continuous with the creative force of nature. It makes this final turn by way of contemporary studies of metaphor, embodied cognition, and cognitive neuroscience.
Format: Paperback / softbackCONTRIBUTORS: John KaagEAN: 9781531501846COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 229 cm
PUBLISHED BY: Fordham University PressDATE PUBLISHED: 2023-02-21CITY: GENRE: PHILOSOPHY / Aesthetics, SCIENCE / Philosophy & Social AspectsWIDTH: 152 cmSPINE:
Book Themes:
Impact of science and technology on society, Philosophy: aesthetics
John Kaag is Professor and Chair of Philosophy at the University of Massachusetts, Lowell. He is the author of Sick Souls, Healthy Minds: How William James Can Save Your Life (Princeton, 2020, Finalist, 2021 PROSE Award), Hiking with Nietzsche: On Becoming Who You Are (Farrar, Straus & Giroux, 2018, pbk Picador, 2019, NPR Book of the Year), American Philosophy: A Love Story (Farrar, Straus & Giroux, 2016, NPR Book of the Year, New York Times Editors’ Choice), and Idealism, Pragmatism, and Feminism: The Philosophy of Ella Lyman Cabot (Lexington, 2013), and coauthor with Sarah Kreps of Drone Warfare (Polity, 2015, Choice Outstanding Title).
'n Erfplaas met 'n befoeterde bestuurder is 'n uitdaging
Ek kom soms aan die einde van ’n boek sonder om die titel werklik te verstaan binne die konteks van die storielyn. Die teenoorgestelde is waar van Zinèt Oosthuizen se nuutste Romanza. Reeds op bladsy 16 lees ek van Karoo-koors, “die Karoomense se vriendelikheid, die liefde vir die area en hulle bereidwilligheid om te help.”
Dariyah verloor haar geliefde oom en haar ma tesame in ’n voertuigongeluk. Sy erf die plaas, Addersholte, in die Noord-Kaap. Daar loop sy haar vas in ’n ongeskikte plaasbestuurder wat ’n vyfjaarkontrak het en geen vriendelikheid teenoor haar openbaar nie. Sou ek een van die elemente van romanses, naamlik konflik, in isolasie moes beoordeel, sou hierdie twee karakters beslis volpunte kry.
Tekens van jaloesie by beide partye, en ’n soen in ’n welkome reënbui, is aanduidend van gevoelens wat vir hulle nuut is. Dit gee ook die versekering dat die konflik uiteindelik bygelê gaan word en die liefde gaan seëvier.
Karoo-koors is in Augustus vanjaar deur Lapa Uitgewers gepubliseer
Daar word dikwels bespiegel oor treffende openingsinne, maar hier lees ek nou vandag ’n slotsin wat vir my besonder treffend is en goeie lig werp op die pad waarlangs die heldin moes loop om heling en liefde te vind. “En vir die eerste keer glo sy werklik dat haar toekoms sterker as haar verlede is.” (p.187)
Isobel Raadt het ’n stem soos die spreekwoordelike engel, en ’n ewe mooi geaardheid, ’n traumatiese gebeurtenis ten spyt. Musiekvervaardiger, Markus Meyer, worstel om te aanvaar dat daar meer steek in sy belangstelling in Isobel as net ’n potensiële kontrak om te skryf en ’n nuwe sanger om te bestuur.
Wanneer jy sing is ’n Romanza in die Inspirasie subgenre. Die uitstaande geestelike boodskap is dat alles wat gebeur deel uitmaak van God se perfekte plan, hoe moeilik dit ook al mag wees. Ook dat dit nodig is om te vergewe en die verlede agter te laat.
Wat ook beïndruk het is hoe skrywer, Louise van der Merwe, die verhoog aan die karakters en hulle gevoelens, eerder as byvoorbeeld die omgewing, oorlaat. Die storie pas gemaklik in die gleuf van geestelike fiksie, hoewel dit natuurlik meer bondig is as ’n vollengte roman.
Emily knows how to capture her audience. Her writing style is a bit different but you enjoy it as you read along further. I do wish there was more to read about Miles’ and Daphne’s love story but I understand that the premise of the book was the story of how they met.
Overall, it was a great book.
'n Erflating neem die vier Calitz-vroue na Maanschijnbaai
Daar is ’n hele rits baie geldige redes waarom ek gesukkel het om my tande te kry in Jo & Sue, en daarna aanvanklik gespook het om ’n duik te begin maak in 635 bladsye. Chanette Paul se vermoë boeiend te skryf is allermins een van daardie redes. Dink eerder: fisio-assistent speel, voltydse versorger, onderbreekte slaap, en algemene onvermoë om te konsentreer. Die Calitz-slette met hulle kru taalgebruik was ook nie ’n goeie aanmoediging nie onder sulke omstandighede nie.
Enkele dae gelede was daar egter ’n deurbraak en daarná was daar nie keer aan nie. Vier uiteenlopende vroue, twee met losse sedes, ’n matriarg wat die spulletjie aanmekaar moet hou, die jongste so lelieblank (letterlik) dat sy ten prooi val van ’n gevaarlike sekte. Dan is daar die manne wat elkeen op sy beurt ’n belangrike rol te spele het in die storielyn.
Casper Calitz, die familiehoof, is vir jare vervreemd van sy nasate, maar laat sy boedel na aan die vier vroue. Dit klink op die oog af na uitkoms vir Jo, wat in groot finansiële verknorsing is, en vir Nan, wat gevra is om voortydig met pensioen te gaan. Totdat hulle Maanschijnbaai toe gaan en die erfposie gade slaan. “’n Kasarm. Uitgestrek. Grotesk. Verwaarloos. En verskriklik turkoois. Dis nou behalwe vir die pers en pienk en lemmetjiegroen deure en vensterrame.” (p.51)
Voeg daarby ’n pienk Cadillac, Hiërofant, Casper se winkel wat kristalle verkoop, ’n uitgebreide boekery en ’n drie-jaar klousule in die testament, en die intrige is groot. Selfs die eksentrieke Gaudi-boustyl word bygesleep om nog verdere kleur te gee. Daar is soveel elemente aan die verhaal, onder andere liefde, erfskandes, bedrog, geweld, en godsdienstige verleiding,
Die Maanschijnbaai-tweeluik is vyftien jaar gelede geskryf en nou hersien. Die nuwe buiteblaaie is besonder treffend en ’n waardevolle toevoeging tot my groeiende versameling van Chanette Paul se boeke.