This product is either out of print or out of stock. Add it to your wishlist and we will automatically let you know if it comes back into stock. Add to Wishlist
This product is either out of print or out of stock. Add it to your wishlist and we will automatically let you know if it comes back into stock. Add to Wishlist
“Utterly unique storytelling…a tale that refuses to flinch.” — Chloe Gong, New York Times bestselling author of These Violent Delights From William C. Morris Finalist Nafiza Azad comes a thrilling, feminist fantasy about a group of teenage girls endowed with special powers who must band together to save the life of the boy whose magic saved them all.We are the Wild Ones, and we will not be silenced. We are girls who have tasted the worst this world can offer. Our story begins with Paheli, who was once betrayed by her mother, sold to a man in exchange for a favor. When Paheli escaped, she ran headlong into Taraana—a boy with stars in his eyes, a boy as battered as she was. He tossed Paheli a box of stars before disappearing. With the stars, Paheli gained access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like us, and we use our magic to travel the world, helping to save other girls from our pain, our scars. When Taraana reappears, he asks for our help. Dangerous magical forces are chasing him, and they will destroy him to get his powers. We will do everything to save him—if we can. For if Taraana is no longer safe and free, neither are the Wild Ones. And that is a fate that we refuse to accept. Ever again.
Format: Paperback / softbackCONTRIBUTORS: Nafiza AzadEAN: 9781534484979COUNTRY: United StatesPAGES: WEIGHT: 295 gHEIGHT: 210 cm
PUBLISHED BY: Simon & SchusterDATE PUBLISHED: 2022-12-08CITY: GENRE: YOUNG ADULT FICTION / Fantasy / General, YOUNG ADULT FICTION / Girls & Women, YOUNG ADULT FICTION / Romance / GeneralWIDTH: 140 cmSPINE:
Book Themes:
Children’s / Teenage fiction: General, modern and contemporary fiction
"This explicitly feminist contemporary YA fantasy is a haunting read. Switching between prose and poetry and between third person plural and Paheli’s perspective, the writing is as inventive as it is compelling.", "A powerful feminist account of sisterhood, the longevity of pain, and the reclamation of power.", "Part fairy-tale and part manifesto, this is a lyrical testament to sisterhood and the strength of survivors, filled with a diverse cast of complex characters and an intricate magic system.", “Utterly unique storytelling. The Wild Ones is just as magical as the girls and cities found within its pages, weaving together a tale that refuses to flinch.”, "Prose as lush and as beautiful as the world of the In Between, it's easy to get lost in Azad's feminist fantasy The Wild Ones, where diamonds exist as magic and every doorway leads to the oldest cities in the world."
Nafiza Azad is a self-identified island girl. She has hurricanes in her blood and dreams of a time she can exist solely on mangoes and pineapple. Born in Lautoka, Fiji, she currently resides in British Columbia, Canada, where she reads too many books, watches too many K-dramas, and writes stories about girls taking over the world. Nafiza is the coeditor of the young adult anthology Writing in Color and author of The Candle and the Flame, which was nominated for the William C. Morris Award, The Wild Ones, and Road of the Lost. Learn more at NafizaAzad.com.
“Utterly unique storytelling…a tale that refuses to flinch.” — Chloe Gong, New York Times bestselling author of These Violent Delights From William C. Morris Finalist Nafiza Azad comes a thrilling, feminist fantasy about a group of teenage girls endowed with special powers who must band together to save the life of the boy whose magic saved them all.We are the Wild Ones, and we will not be silenced. We are girls who have tasted the worst this world can offer. Our story begins with Paheli, who was once betrayed by her mother, sold to a man in exchange for a favor. When Paheli escaped, she ran headlong into Taraana—a boy with stars in his eyes, a boy as battered as she was. He tossed Paheli a box of stars before disappearing. With the stars, Paheli gained access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like us, and we use our magic to travel the world, helping to save other girls from our pain, our scars. When Taraana reappears, he asks for our help. Dangerous magical forces are chasing him, and they will destroy him to get his powers. We will do everything to save him—if we can. For if Taraana is no longer safe and free, neither are the Wild Ones. And that is a fate that we refuse to accept. Ever again.
Format: Paperback / softbackCONTRIBUTORS: Nafiza AzadEAN: 9781534484979COUNTRY: United StatesPAGES: WEIGHT: 295 gHEIGHT: 210 cm
PUBLISHED BY: Simon & SchusterDATE PUBLISHED: 2022-12-08CITY: GENRE: YOUNG ADULT FICTION / Fantasy / General, YOUNG ADULT FICTION / Girls & Women, YOUNG ADULT FICTION / Romance / GeneralWIDTH: 140 cmSPINE:
Book Themes:
Children’s / Teenage fiction: General, modern and contemporary fiction
Nafiza Azad is a self-identified island girl. She has hurricanes in her blood and dreams of a time she can exist solely on mangoes and pineapple. Born in Lautoka, Fiji, she currently resides in British Columbia, Canada, where she reads too many books, watches too many K-dramas, and writes stories about girls taking over the world. Nafiza is the coeditor of the young adult anthology Writing in Color and author of The Candle and the Flame, which was nominated for the William C. Morris Award, The Wild Ones, and Road of the Lost. Learn more at NafizaAzad.com.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.