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A Publishers Weekly Bestseller When a severed hand washes ashore in the wealthy enclave of Palm Beach, Florida, the lives of two women—a lonely writer obsessed with the unsolved murder of her mother’s best friend and a panicked wife whose husband has disappeared with their children—collide as the world shutters in the pandemic lockdown of 2020.“Reef Road is magnificent. It feels utterly real, a novel of deeply personal context. It swerves between truth and lies—the lies that lead to an even deeper—and more devastating—truth. Though pure fiction, it reads as compellingly as a mixture of memoir and exposé. It has left me shaken to the core. Deborah Goodrich Royce writes with brilliant understanding of the mystery and occasional grace of trauma.” —Luanne Rice, New York Times bestselling author A young woman’s life seems perfect until her family goes missing. A writer lives alone with her dog and collects arcane murder statistics. What each of them stands to lose as they sneak around the do-not-enter tape blocking Reef Road beach is exposed by the steady tightening of the cincture encircling them. In a nod to the true crime that inspired it, Deborah Goodrich Royce’s Reef Road probes unhealed generational scars in a wrenching and original work of fiction. It is both stunning and sexy and, like a bystander surprised by a curtain left open, you won’t be able to look away.
Format: HardbackCONTRIBUTORS: Deborah Goodrich RoyceEAN: 9781637584965COUNTRY: United StatesPAGES: WEIGHT: 560 gHEIGHT: 229 cm
“Royce keeps the plot twists coming as she vividly depicts the uncertainty and mistrust generated by the pandemic, which drives both Linda and Noelle inexorably toward madness... This is an expertly paced thrill ride.”, “Royce’s murder mystery, involving generational vengeance in the time of Covid-19, would make the ancient Greeks proud. Royce is a wicked good writer…the gears of this clever plot mesh like those of a Swiss watch. A truly absorbing mystery by a writer at the top of her game.”, “Reef Road is magnificent. It feels utterly real, a novel of deeply personal context. It swerves between truth and lies—the lies that lead to an even deeper—and more devastating—truth. Though pure fiction, it reads as compellingly as a mixture of memoir and exposé. It has left me shaken to the core. Deborah Goodrich Royce writes with brilliant understanding of the mystery and occasional grace of trauma.”, “Reading Reef Road feels like bingeing a particularly addictive true crime series. Mysteries intersect in this haunting page-turner as Deborah Goodrich Royce explores the ripple effect of violence, generational trauma, and the emotional weight of a case gone cold.”, “Superbly written and elegantly structured, the oh-so-talented Deborah Goodrich Royce brings her unique voice and mesmerizing style to an altogether original novel of suspense. Instantly immersive and deeply felt, Reef Road is both intensely personal and powerfully universal. Royce creates a haunting (and surprising!) portrait of a troubled wife—and the relentless writer on the trail of her past. I could not put it down.”
Deborah Goodrich Royce’s thrillers examine puzzles of identity. Reef Road hit Publishers Weekly’s Bestseller list, Good Morning America’s Top 15 list, and was an Indie Next pick by the American Booksellers Association for January 2023. Ruby Falls won the Zibby Award for Best Plot Twist in 2021 and Finding Mrs. Ford was hailed by Forbes, Book Riot, and Good Morning America’s “best of” lists in 2019. She began as an actress on All My Children and in multiple films, before transitioning to the role of story editor at Miramax Films, developing Emma and early versions of Chicago and A Wrinkle in Time. With her husband, Chuck, Deborah restored the Avon Theatre, Ocean House Hotel, Deer Mountain Inn, United Theatre, Savoy Bookstore, and numerous Main Street revitalization projects in Rhode Island and the Catskills. She serves on the governing and advisory boards of the American Film Institute, Greenwich International Film Festival, New York Botanical Garden, Greenwich Historical Society, and the PRASAD Project. Deborah holds a bachelor’s degree in modern foreign languages and an honorary doctorate of humane letters from Lake Erie College.
A Publishers Weekly Bestseller When a severed hand washes ashore in the wealthy enclave of Palm Beach, Florida, the lives of two women—a lonely writer obsessed with the unsolved murder of her mother’s best friend and a panicked wife whose husband has disappeared with their children—collide as the world shutters in the pandemic lockdown of 2020.“Reef Road is magnificent. It feels utterly real, a novel of deeply personal context. It swerves between truth and lies—the lies that lead to an even deeper—and more devastating—truth. Though pure fiction, it reads as compellingly as a mixture of memoir and exposé. It has left me shaken to the core. Deborah Goodrich Royce writes with brilliant understanding of the mystery and occasional grace of trauma.” —Luanne Rice, New York Times bestselling author A young woman’s life seems perfect until her family goes missing. A writer lives alone with her dog and collects arcane murder statistics. What each of them stands to lose as they sneak around the do-not-enter tape blocking Reef Road beach is exposed by the steady tightening of the cincture encircling them. In a nod to the true crime that inspired it, Deborah Goodrich Royce’s Reef Road probes unhealed generational scars in a wrenching and original work of fiction. It is both stunning and sexy and, like a bystander surprised by a curtain left open, you won’t be able to look away.
Format: HardbackCONTRIBUTORS: Deborah Goodrich RoyceEAN: 9781637584965COUNTRY: United StatesPAGES: WEIGHT: 560 gHEIGHT: 229 cm
Deborah Goodrich Royce’s thrillers examine puzzles of identity. Reef Road hit Publishers Weekly’s Bestseller list, Good Morning America’s Top 15 list, and was an Indie Next pick by the American Booksellers Association for January 2023. Ruby Falls won the Zibby Award for Best Plot Twist in 2021 and Finding Mrs. Ford was hailed by Forbes, Book Riot, and Good Morning America’s “best of” lists in 2019. She began as an actress on All My Children and in multiple films, before transitioning to the role of story editor at Miramax Films, developing Emma and early versions of Chicago and A Wrinkle in Time. With her husband, Chuck, Deborah restored the Avon Theatre, Ocean House Hotel, Deer Mountain Inn, United Theatre, Savoy Bookstore, and numerous Main Street revitalization projects in Rhode Island and the Catskills. She serves on the governing and advisory boards of the American Film Institute, Greenwich International Film Festival, New York Botanical Garden, Greenwich Historical Society, and the PRASAD Project. Deborah holds a bachelor’s degree in modern foreign languages and an honorary doctorate of humane letters from Lake Erie College.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
