Winner of the the British Academy Nayef Al-Rodhan Prize for Global Cultural Understanding 2018Winner of the Stanford Dolman Travel Book of the Year 2017Winner of the 2017 Highland Book PrizeWinner of the Saltire Society Book of the Year 2017Shortlisted for the RSL Ondaatje Prize 2018 Shortlisted for the Baillie Gifford Prize 2017 Shortlisted for the Duff Cooper Prize 2017 Shortlisted for the Bread and Roses Award 2018Shortlisted for the Gordon Burn Prize 2017Shortlisted for the National Circle of Critics Award 2017When Kapka Kassabova was a child, the borderzone between Bulgaria, Turkey and Greece was rumoured to be an easier crossing point into the West than the Berlin Wall so it swarmed with soldiers, spies and fugitives. On holidays close to the border on the Black Sea coast, she remembers playing on the beach, only miles from where an electrified fence bristled, its barbs pointing inwards toward the enemy: the holiday-makers, the potential escapees.Today, this densely forested landscape is no longer heavily militarised, but it is scarred by its past. In Border, Kapka Kassabova sets out on a journey to meet the people of this triple border - Bulgarians, Turks, Greeks, and the latest wave of refugees fleeing conflict further afield. She discovers a region that has been shaped by the successive forces of history: by its own past migration crises, by communism, by two World wars, by the Ottoman Empire, and - older still - by the ancient legacy of myths and legends. As Kapka Kassabova explores this enigmatic region in the company of border guards and treasure hunters, entrepreneurs and botanists, psychic healers and ritual fire-walkers, refugees and smugglers, she traces the physical and psychological borders that criss-cross its villages and mountains, and goes in search of the stories that will unlock its secrets.Border is a sharply observed portrait of a little-known corner of Europe, and a fascinating meditation on the borderlines that exist between countries, between cultures, between people, and within each of us.
Format: Paperback / softbackCONTRIBUTORS: Kapka KassabovaEAN: 9781783783205COUNTRY: United KingdomPAGES: WEIGHT: 279 gHEIGHT: 198 cm
PUBLISHED BY: Granta BooksDATE PUBLISHED: 2018-02-01CITY: GENRE: TRAVEL / General, TRAVEL / Europe / EasternWIDTH: 129 cmSPINE:
Book Themes:
Southeast Europe, Memoirs, Social and cultural history, Travel writing
In Kassabova's study these tragic borderlands are brought to life with poetic grace, and her interaction with their inhabitants confers a haunting power on her journey, The literature of place is crying out for a talent as magical, brilliant and original as Kapka Kassabova's. She writes with taut intelligence and poetic intensity, a shrewd and grown-up worldliness and a rapt sense of all that isn't in the world, a combination that I've been looking for this entire century. When Border arrived in my life, I felt as if I'd been struck by lightning, 'Kassabova writes with such energy and style that you feel she could visit the dullest place on earth and make it burst into life. But she has found somewhere extraordinary, full of dazzling human stories played out against a ceaseless round of brutal wars and shifting empires. A brilliant and hugely satisfying book', She has achieved something remarkable: a book about borders which makes the reader feel sumptuously free. An effect achieved by the way she moves between literary borders so gracefully: travelogue and existential drama; political history and poetry, Like the places it describes, this book holds you in a kind of mysterious electrical charge. It hums with the mystery, superstition, and terrible beauty of a place crushed between man-made borders but also defiantly announcing its sacred otherness. I can't stop thinking about it
KAPKA KASSABOVA was born in Sofia, Bulgaria, and now lives in the Scottish Highlands. She is the author of several poetry collections, numerous travel essays, the novel Villa Pacifica (2011), and the acclaimed memoirs Street Without a Name: Childhood and Other Misadventures in Bulgaria (2008) and Twelve Minutes of Love: A Tango Story (2011). She has written for the Sunday Times, the Guardian, Vogue, and 1843 magazine. kapka-kassabova.net
Winner of the the British Academy Nayef Al-Rodhan Prize for Global Cultural Understanding 2018Winner of the Stanford Dolman Travel Book of the Year 2017Winner of the 2017 Highland Book PrizeWinner of the Saltire Society Book of the Year 2017Shortlisted for the RSL Ondaatje Prize 2018 Shortlisted for the Baillie Gifford Prize 2017 Shortlisted for the Duff Cooper Prize 2017 Shortlisted for the Bread and Roses Award 2018Shortlisted for the Gordon Burn Prize 2017Shortlisted for the National Circle of Critics Award 2017When Kapka Kassabova was a child, the borderzone between Bulgaria, Turkey and Greece was rumoured to be an easier crossing point into the West than the Berlin Wall so it swarmed with soldiers, spies and fugitives. On holidays close to the border on the Black Sea coast, she remembers playing on the beach, only miles from where an electrified fence bristled, its barbs pointing inwards toward the enemy: the holiday-makers, the potential escapees.Today, this densely forested landscape is no longer heavily militarised, but it is scarred by its past. In Border, Kapka Kassabova sets out on a journey to meet the people of this triple border - Bulgarians, Turks, Greeks, and the latest wave of refugees fleeing conflict further afield. She discovers a region that has been shaped by the successive forces of history: by its own past migration crises, by communism, by two World wars, by the Ottoman Empire, and - older still - by the ancient legacy of myths and legends. As Kapka Kassabova explores this enigmatic region in the company of border guards and treasure hunters, entrepreneurs and botanists, psychic healers and ritual fire-walkers, refugees and smugglers, she traces the physical and psychological borders that criss-cross its villages and mountains, and goes in search of the stories that will unlock its secrets.Border is a sharply observed portrait of a little-known corner of Europe, and a fascinating meditation on the borderlines that exist between countries, between cultures, between people, and within each of us.
Format: Paperback / softbackCONTRIBUTORS: Kapka KassabovaEAN: 9781783783205COUNTRY: United KingdomPAGES: WEIGHT: 279 gHEIGHT: 198 cm
PUBLISHED BY: Granta BooksDATE PUBLISHED: 2018-02-01CITY: GENRE: TRAVEL / General, TRAVEL / Europe / EasternWIDTH: 129 cmSPINE:
Book Themes:
Southeast Europe, Memoirs, Social and cultural history, Travel writing
KAPKA KASSABOVA was born in Sofia, Bulgaria, and now lives in the Scottish Highlands. She is the author of several poetry collections, numerous travel essays, the novel Villa Pacifica (2011), and the acclaimed memoirs Street Without a Name: Childhood and Other Misadventures in Bulgaria (2008) and Twelve Minutes of Love: A Tango Story (2011). She has written for the Sunday Times, the Guardian, Vogue, and 1843 magazine. kapka-kassabova.net
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.