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What is it like to be old? Written in her nineties, when she was free from any inhibitions she may have once had, Diana Athill reflects frankly on the losses and occasionally the gains that old age can bring, and on the wisdom and fortitude required to face death.Lively, fearless and humorous, Somewhere Towards the End encapsulates the vibrant final decades of Athill's life. Filled with events, love and friendships, this is a memoir about maintaining hope, joy and vigour in later life, resisting regret, and questioning the beliefs and customs of your own generation.
Format: Paperback / softbackCONTRIBUTORS: Diana AthillEAN: 9781783787456COUNTRY: United KingdomPAGES: WEIGHT: 138 gHEIGHT: 198 cm
There is a sense throughout Athill's work that you are making a new friend as much as reading a new story ... a delight to read, The book is a moving and humorous account of old age, unsparing about its indignities, unflinching from the inevitability that the end can not be many years away, but full of joy at the way life keeps on, at the most unexpected moments, renewing itself, Part exposé, part treatise on old age, the book is a ruminative read, Her brilliant book is entirely lacking in the usual regrets, nostalgia and Hovis-ad
recollections of old-timers. It is a little literary gem, penned by a marvellous, feisty
old character ... What a treasure, What sets her apart is the flagrancy and wit of her writing ... her memoirs display a
vivacious appreciation of the life she has lived and what is still to come
Diana Athill was born in 1917. She helped André Deutsch establish the publishing company that bore his name and worked as an editor for Deutsch for four decades. Athill's distinguished career as an editor is the subject of her acclaimed memoir Stet. She is the author of seven further volumes of memoirs, Instead of a Letter, After a Funeral, Yesterday Morning, Make Believe, Somewhere Towards the End, Alive, Alive Oh!, A Florence Diary, and a collection of letters, Instead of a Book, all published by Granta. Her only novel, Don't Look At Me Like That, was first published in 1967. In January 2009, she won the Costa Biography Award for Somewhere Towards the End, and was presented with an OBE. She died in January 2019.
What is it like to be old? Written in her nineties, when she was free from any inhibitions she may have once had, Diana Athill reflects frankly on the losses and occasionally the gains that old age can bring, and on the wisdom and fortitude required to face death.Lively, fearless and humorous, Somewhere Towards the End encapsulates the vibrant final decades of Athill's life. Filled with events, love and friendships, this is a memoir about maintaining hope, joy and vigour in later life, resisting regret, and questioning the beliefs and customs of your own generation.
Format: Paperback / softbackCONTRIBUTORS: Diana AthillEAN: 9781783787456COUNTRY: United KingdomPAGES: WEIGHT: 138 gHEIGHT: 198 cm
Diana Athill was born in 1917. She helped André Deutsch establish the publishing company that bore his name and worked as an editor for Deutsch for four decades. Athill's distinguished career as an editor is the subject of her acclaimed memoir Stet. She is the author of seven further volumes of memoirs, Instead of a Letter, After a Funeral, Yesterday Morning, Make Believe, Somewhere Towards the End, Alive, Alive Oh!, A Florence Diary, and a collection of letters, Instead of a Book, all published by Granta. Her only novel, Don't Look At Me Like That, was first published in 1967. In January 2009, she won the Costa Biography Award for Somewhere Towards the End, and was presented with an OBE. She died in January 2019.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
