Nightwalking

"Cities, like cats, will reveal themselves at night," wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today - home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun's down. If nightwalking is a matter of "going astray" in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city.In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets.With a foreword and afterword by Will Self, Nightwalking is a captivating literary portrait of the writers who explore the city at night and the people they meet.

Part literary criticism, part social history, part polemic, this is a haunting addition to the canon of psychogeography., A wonderful book, that has many fascinating things to say about the night-time life of our capital down the ages. Rarely has a book on the subject of darkness been so illuminating; all insomniacs should read it.?, He releases an ancient, urban miasma that rises from the page, untroubled by electric illumination, allowing us to inhale what Shakespeare's contemporary Thomas Dekker called "that thick tobacco-breath which the rheumaticke night throws abroad, An important and lively book., Magnificent

Matthew Beaumont is a Senior Lecturer in the Department of English at University College London. He is the author of Utopia Ltd.: Ideologies of Social Dreaming in England 1870-1900 (2005), and the co-author, with Terry Eagleton, of The Task of the Critic: Terry Eagleton in Dialogue (2009). He has edited or co-edited several collections of essays: As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century; The Railway and Modernity: Time, Space, and the Machine Ensemble; Adventures in Realism; and Restless Cities.