Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap.Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works.
Format: HardbackCONTRIBUTORS: Emily BradyEAN: 9781786610751COUNTRY: United KingdomPAGES: WEIGHT: 395 gHEIGHT: 232 cm
A welcome collaborative effort that examines both mainstream and quirky instances of modified natural environments, proposes proper modes of aesthetic appreciation for such sites, and urges an ethical stewardship that foregrounds caring for the natural world we inhabit., Until recently, environmental aesthetics was preoccupied with wild or ‘unmodified’ nature. Since the environments we engage with most – like gardens and farmland – are decisively modified by cultural practices, a book on the aesthetics of such environments is especially welcome. The authors provide clear, informed and closely argued discussions of topics that range from topiary and monocultural farming to landscape restoration and environmental art. Their book will surely help to widen the horizons of environmental aesthetics., Between Nature and Culture: The Aesthetics of Modified Environments is a masterpiece. Clear and well-expressed, the book’s philosophy is optimistic and admirable, and reminds me of the early writings of transcendentalists such as Henry David Thoreau., This timely and carefully-argued book addresses the various ways that aesthetic value can be created by working with nature. In so doing, it sheds new light on the aesthetic and ethical significance of a wide range of practices, from topiary to stonewalling and from land art to the restoration of post-industrial landscapes. I highly recommend it., In contrast to much of the major work in environmental aesthetics, Between Nature and Culture focuses on the aesthetic potential of modified environments, such as gardens and agricultural landscapes, where the land is intentionally modified to suit human needs and purposes. The book is an excellent introduction to this important area of research as well as a deep discussion of its major themes. It will be an essential source for scholars and a fascinating read for anyone interested in the aesthetic appreciation of the environments in which, as the authors note, most of us spend most of our lives.
Emily Brady is Professor of Philosophy and Director of Glasscock Center for Humanities Research at Texas A&M University. She works in the areas of aesthetics and philosophy of art, environmental ethics, environmental humanities, and animal studies. She has published widely in aesthetics and environmental philosophy, and her most recent book is The Sublime in Modern Philosophy: Aesthetics, Ethics and Nature (Cambridge University Press, 2013).Dr Isis Brook is Head of Faculty and Senior Lecturer at Crossfields Institute International. She has held philosophy lectureships at Lancaster University, where she also served as a Faculty Teaching Dean, and the University of Central Lancashire. Her research and publications range across aesthetics, environmental ethics, and phenomenology. She is especially interested in responses to gardens and landscapes, and how these responses can be made more sensitive and ultimately shape who we are.Dr Jonathan Prior is Lecturer in Human Geography at Cardiff University. His research and publications take an interdisciplinary approach, spanning environmental philosophy, sound studies, and landscape research. He is interested in the relationship between environmental values and the production of environmental policies, as a means to understand what motivates and underpins different ways of conceptualising the more-than-human world when humans seek to implement conservation, ecological restoration, or environmental management strategies.
Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap.Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works.
Format: HardbackCONTRIBUTORS: Emily BradyEAN: 9781786610751COUNTRY: United KingdomPAGES: WEIGHT: 395 gHEIGHT: 232 cm
Emily Brady is Professor of Philosophy and Director of Glasscock Center for Humanities Research at Texas A&M University. She works in the areas of aesthetics and philosophy of art, environmental ethics, environmental humanities, and animal studies. She has published widely in aesthetics and environmental philosophy, and her most recent book is The Sublime in Modern Philosophy: Aesthetics, Ethics and Nature (Cambridge University Press, 2013).Dr Isis Brook is Head of Faculty and Senior Lecturer at Crossfields Institute International. She has held philosophy lectureships at Lancaster University, where she also served as a Faculty Teaching Dean, and the University of Central Lancashire. Her research and publications range across aesthetics, environmental ethics, and phenomenology. She is especially interested in responses to gardens and landscapes, and how these responses can be made more sensitive and ultimately shape who we are.Dr Jonathan Prior is Lecturer in Human Geography at Cardiff University. His research and publications take an interdisciplinary approach, spanning environmental philosophy, sound studies, and landscape research. He is interested in the relationship between environmental values and the production of environmental policies, as a means to understand what motivates and underpins different ways of conceptualising the more-than-human world when humans seek to implement conservation, ecological restoration, or environmental management strategies.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.