In warfare, civil unrest, and political protest, chemicals have served as means of coercion, suppression, and manipulation. This book examines how chemical agents have been justified, utilised and resisted as means of control. Through attending to how, when, and for whom bodies become rendered as sites of intervention, Chemical Bodies demonstrates the inter-relations between geopolitical transformations and the technological, spatial and social components of local events.The chapters draw out some of the insidious ways in which chemical technologies are damaging, and re-open discussion regarding their justification, role and regulation. In doing so the contributors illustrate how certain instances of force gain prominence (or fade into obscurity), how some individuals speak and others get spoken for, how definitions of what counts as ‘success’ and ‘failure’ are advanced, and how the rights and wrongs of violence are contested.
Format: Paperback / softbackCONTRIBUTORS: Alex MankooEAN: 9781786616517COUNTRY: United KingdomPAGES: WEIGHT: 349 gHEIGHT: 231 cm
PUBLISHED BY: Rowman & Littlefield InternationalDATE PUBLISHED: 2020-06-01CITY: GENRE: POLITICAL SCIENCE / History & Theory, POLITICAL SCIENCE / GeopoliticsWIDTH: 155 cmSPINE:
Book Themes:
Political science and theory, Geopolitics, Chemical and biological weapons, Military history
Chemical Bodies gathers notable experts, using case studies across time and space, to examine how chemical agents have been framed as weapons (or not), by whom, for whom, and the political/policy stakes involved. The book is a critical read for academics, intelligence officials, and policymakers who wrestle with how to make sense of chemical and biological threats past and present., At a time of intense political scrutiny of chlorine and acid attacks, this book takes a deeper dive into historical framings of the chemical weapons taboo. The contextually rich body of work carefully teases out how chemical agents have been justified and resisted as instruments of control, coercion and warfare across time and space. Its portrayal of the dynamics and shifting notions of normative values makes the book indispensable reading to anyone who holds dear the ban on chemical weapons.
Alex Mankoo is a Lecturer in Public Policy at the University of Sussex. His research interests include the history of chemical and biological weapons, intersections between science and security, and the sociology of security technologies more generally. His PhD research was funded by the Economic and Social Research Council (ESRC) and focussed on the technological trajectory of teargas in mid-20th century Britain and the types of legitimacy it gained during this period.Brian Rappert is a Professor of Science, Technology and Public Affairs at the University of Exeter. His long-term interest has been the examination of the strategic management of information; particularly in the relation to armed conflict. His books include Controlling the Weapons of War: Politics, Persuasion, and the Prohibition of Inhumanity; Biotechnology, Security and the Search for Limits; and Education and Ethics in the Life Science. More recently he has been interested in the social, ethical, and political issues associated with researching and writing about secrets, as in his books Experimental Secrets (2009), How to Look Good in a War (2012) and Dis-eases of Secrecy (2017). For more information see http://brianrappert.net/
In warfare, civil unrest, and political protest, chemicals have served as means of coercion, suppression, and manipulation. This book examines how chemical agents have been justified, utilised and resisted as means of control. Through attending to how, when, and for whom bodies become rendered as sites of intervention, Chemical Bodies demonstrates the inter-relations between geopolitical transformations and the technological, spatial and social components of local events.The chapters draw out some of the insidious ways in which chemical technologies are damaging, and re-open discussion regarding their justification, role and regulation. In doing so the contributors illustrate how certain instances of force gain prominence (or fade into obscurity), how some individuals speak and others get spoken for, how definitions of what counts as ‘success’ and ‘failure’ are advanced, and how the rights and wrongs of violence are contested.
Format: Paperback / softbackCONTRIBUTORS: Alex MankooEAN: 9781786616517COUNTRY: United KingdomPAGES: WEIGHT: 349 gHEIGHT: 231 cm
PUBLISHED BY: Rowman & Littlefield InternationalDATE PUBLISHED: 2020-06-01CITY: GENRE: POLITICAL SCIENCE / History & Theory, POLITICAL SCIENCE / GeopoliticsWIDTH: 155 cmSPINE:
Book Themes:
Political science and theory, Geopolitics, Chemical and biological weapons, Military history
Alex Mankoo is a Lecturer in Public Policy at the University of Sussex. His research interests include the history of chemical and biological weapons, intersections between science and security, and the sociology of security technologies more generally. His PhD research was funded by the Economic and Social Research Council (ESRC) and focussed on the technological trajectory of teargas in mid-20th century Britain and the types of legitimacy it gained during this period.Brian Rappert is a Professor of Science, Technology and Public Affairs at the University of Exeter. His long-term interest has been the examination of the strategic management of information; particularly in the relation to armed conflict. His books include Controlling the Weapons of War: Politics, Persuasion, and the Prohibition of Inhumanity; Biotechnology, Security and the Search for Limits; and Education and Ethics in the Life Science. More recently he has been interested in the social, ethical, and political issues associated with researching and writing about secrets, as in his books Experimental Secrets (2009), How to Look Good in a War (2012) and Dis-eases of Secrecy (2017). For more information see http://brianrappert.net/
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.