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Enclosed Garden and the Medieval Religious Imaginary
During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device.During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.
R 3,908.20

Medieval Anchoritisms
An examination of the importance of anchoritism to social, cultural and religious life in the middle ages.Originating in the deserts of northern Africa in the early years of Christianity, anchoritism, or the enclosed solitary life, gradually metamorphosed into a permanent characteristic of European religiosity; from the twelfth century onwards, and throughout the middle ages, it was embraced with increasing enthusiasm, by devoted laywomen in particular. This book investigates the wider cultural importance of medieval anchoritism within the different religious landscapes and climates of the period. Drawing upon a range of contemporary gender and spatial theories, it focuses on the gender dynamics of this remarkable way of life, and the material spaces which they generated and within which they operated. As such, it unites related - but too often discrete - areas of scholarship, including early Christian anchoritism, anchoritic guidance texts and associated works, fourteenth and fifteenth-century holy womenwith close anchoritic connections, and a range of other less known works dealing with or connected to the anchoritic life. Dr LIZ HERBERT MCAVOY is Senior Lecturer in Gender in English and Medieval Studies at Swansea University
R 2,753.66

A Revelation of Purgatory
Translation and facing text of an important female-authored work from the late middle ages.A Revelation of Purgatory was written by an unnamed woman, almost certainly an anchoress, in Winchester in 1422. It details from a first-person perspective a series of terrifying visions experienced by the author in which she witnesses the purgatorial sufferings of a former friend named Margaret who makes her way through the blazing fires of purgatory tormented by devils, the "worm of conscience", and - uniquely - her two former pets, a fierce little cat and dog. Through her prayer and the prayers she elicits from her own circle of influential priests, the anchoress is eventually able to deliver Margaret to the doors of the heavenly Jerusalem. Made available here in accessible parallel-text format with extended introduction and annotation, the Revelation is an important text: not only does it testify to popular and religious concerns with the afterlife in the late Middle Ages but also underscores the significant role played by women in mitigating the suffering of souls in purgatory by means of their personal interventions. The text also bears witness to female friendship, effective intergender dialogue, and the central role played by an anchoress in those communities with which she interacted, be they spiritual, institutional or personal. Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University.
R 2,751.90

Anchoritic Traditions of Medieval Europe
An examination of the growth and different varieties of anchoritism throughout medieval Europe.The practice of anchoritism - religious enclosure which was frequently solitary and voluntarily embraced, very often in a permanent capacity - was widespread in many areas of Europe throughout the middle ages. Originating in the desert withdrawal of the earliest Christians and prefiguring even the monastic life, anchoritism developed into an elite vocation which was popular amongst both men and women. Within this reclusive vocation, the anchorite would withdraw, either alone or with others like her or him, to a small cell or building, very frequently attached to a church or other religious institution, where she or he would - theoretically at least - remain locked up until death. In the later period it was a vocation which was particularly associated with pious laywomen who appear to have opted for this extreme way of life in their thousands throughout western Europe, often as an alternative to marriage orremarriage, allowing them, instead, to undertake the role of "living saint" within the community. This volume brings together for the first time in English much of the most important European scholarship on the subject to date. Tracing the vocation's origins from the Egyptian deserts of early Christian activity through to its multiple expressions in western Europe, it also identifies some of those regions - Wales and Scotland, for example - where thephenomenon does not appear to have been as widespread. As such, the volume provides an invaluable resource for those interested in the theories and practices of medieval anchoritism in particular, and the development of medieval religiosity more widely. Dr LIZ HERBERT MCAVOY is Professor of Medieval Literature at Swansea University. CONTRIBUTORS: Anneke B. Mulder-Bakker, Gabriela Signori, M. Sensi, G. Cavero Dominguez, P. L'Hermite-Leclercq, Mari Hughes-Edwards, Colman O Clabaigh, Anna McHugh, Liz Herbert McAvoy.
R 741.26

Companion to Julian of Norwich
One of the most important medieval writers studied in historical and literary context.Julian of Norwich, the fourteenth/early fifteenth-century anchoress and mystic, is one of the most important and best-known figures of the Middle Ages. Her Revelations, intense visions of the divine, have been widely studied and read; the first known writings of an English woman, their influence extends over theology and literature. However, many aspects of both her life and thought remain enigmatic. This exciting new collection offers a comprehensive, accessible coverage of the key aspects of debate surrounding Julian. It places the author within a wide range of contemporary literary, social, historical and religious contexts, and also provides a wealth of new insightsinto manuscript traditions, perspectives on her writing and ways of interpreting it, building on the work of many of the most active and influential researchers within Julian studies, and including the fruits of the most recent,ground-breaking findings. It will therefore be a vital companion for all of Julian's readers in the twenty-first century. Dr Liz Herbert McAvoy is Senior Lecturer in Gender in English and Medieval Studies at Swansea University. Contributors: Denise M. Baker, Alexandra Barratt, Marleen Cré, Elisabeth Dutton,Vincent Gillespie, Cate Gunn, Ena Jenkins, E.A. Jones, Liz Herbert McAvoy, Laura Saetveit Miles, Kim M. Philips, Elizabeth Robertson,Sarah Salih, Annie Sutherland, Diane Watt, Barry Windeatt.
R 899.01






