Search results for "Barbara McMahon"
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to cleave
Full of sensory detail and written with astute observation, to cleave searches for and lays bare the mythic moments one finds even in the most ordinary life. In this stunning collection Rockman explores the themes of aging; our relationships to our bodies; marriage; and the surprises, griefs, and joys of motherhood. Each of the seven sections urges readers to view their daily lives with renewed curiosity and wonder.
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Royal Baker's Daughter
These poems, at once elegant and earthy, reveal the inner workings of the human psyche and show us that sometimes the best defense against terror is making mischief. The Royal Baker's Daughter was raised on a diet of stone soup and the occasional leftover royal treat. This leaves her with an appetite for authenticity. With nothing but her two deft hands to guide her, she embarks on a journey into the dark forest, ""where sticks and stones and absolutes reign and nothing, even sin, is original.""""Fated to be fickle in food as in love. Not one flavor that she craves but a lick of this, of that. Sauerkraut and caraway, pickled beets, mutton, and leeks. This does not even touch upon the subject of sweets, for her nonnegotiable, as for others, faith. She takes her lumps of sugar straight. Or with crushed poppy seed to make a paste. Dusted over dumplings, powdered over cake. Never having swilled mother's milk, nutmeg in her coffee, black."" - excerpt from ""Fortune's Darling"" [copyright] The Board of Regents of the University of Wisconsin System. All rights are reserved.
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Babel
Babel features more of the rhetorical acrobatics that fueled Barbara Hamby's earlier work. These whirlwinds of words and sounds form vistas, images, and scenes that are at once unique and immediately recognizable.In poems such as “Six, Sex, Say,” she displays a linguistic bravado that moves effortlessly through translations, cognates, and homonyms. This love of words permeates the poems, from the husband wooing his future wife “with a barrage of words so cunningly fluent, / so linguistically adroit” in “Flesh, Bone, and Red,” to the alphabetic sampler woven from memory and love in “Ode on My Mother's Handwriting.”Hamby's poems drift across histories and continents, from early writing and culture in Mesopotamia through the motion-picture heaven that seems so much like Paris, to odes on such thoroughly American subjects as hardware stores, bubblegum, barbecue, and sharp-tongued cocktail waitresses giving mandatory pre-date quizzes to lawyers and “orangutans in the guise of men.” As Booklist noted in reviewing her previous collection, Hamby's poems “are tsunamis carrying you far out to sea and then back to shore giddy and glad to be alive.”
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On the Street of Divine Love
Perhaps Paul Kareem Taylor said it best in his piece called On the Road Again: Barbara Hamby's American Odyssey: "Reading Barbara Hamby's poetry is like going on a road trip, one where the woman behind the wheel lets you ride shotgun as she speeds across the open highways of an America where drive-in movie theaters still show Janet Leigh films on Friday nights, hardware stores have not been driven out of business by soulless corporate titans, and where long poetic lines first introduced by Walt Whitman and resurrected by Ginsberg are pregnant with a thousand reasons to marvel at the world we inhabit."
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Bite Every Sorrow
This is a splendid book, morally serious, poetically authentic, spiritually discerning. - C. K. Williams, from his judge's citation for the 1997 Walt Whitman Award Barbara Ras, a poet exquisitely heedful of nuance both physical and visceral, cinches deserved renown with this prize-winning debut collection. Bite Every Sorrow invites the reader to embrace beauty, loss, outrage, and the world in all its particular heartbreaks and hilarities, because, as Ras asks, ""What's life without the details?""Her ability to tap the ordinary and draw forth profundity is brilliantly displayed in ""You Can't Have It All:""But you can have the fig tree and its fat leaves like clown handsgloved with green. You can have the touch of a single eleven-year-old fingeron your cheek, waking you at one a.m. to say the hamster is back. You can have the purr of the cat and the soulful lookof the black dog, the look that says, If I could I would biteevery sorrow until it fledWhether honoring a dead friend or reveling in the lustful music of insects, Ras's poems poke into unlikely nooks and invented crannies, uncovering questions that matter to everyone - how to laugh, how to hope, how to love.
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Delirium
Winner of the Vassar Miller Prize in Poetry, 1994. Barbara Hamby makes her poems out of jokes, Italian phrases, quotes from saints and philosophers, references to meals eaten and wines drunk. In a fluid, compelling voice, she sets a stage, peoples it with real and imagined characters, spins them into dizzying motion, and then makes everything disappear as with a wave of a conjurer's wand, leaving the reader to wonder, "Did that happen, or did I dream it?" One leaves her poetry the way one leaves a dark theater on a July afternoon, convinced that the ordinary passions really won't do--they need to be larger, as large as they are in these poems.
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