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Persistent Images
Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike.
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From IBM to MGM
Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld.
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From IBM to MGM
Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld.
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Vile, Sinister, and Most Utterly Diabolical Account of Latrina Emerson
What would Latrina Emerson, unassuming librarian and church organist, have in common with an agnostic physicist and a bunch of occultists over 2000 miles away? Absolutely nothing if she could help it. Some not-so-benevolent "Forces of Light", alas, won't let her help it. She's part of their plan save their credibility after some recent embarrassments (Y2K failing to end the world on prophetic schedule, increasing distrust of authority, etc) and shut up those smart alecks in the Forces of Darkness. But the Forces of Darkness have never followed the Light's rules-like the ones that say they have to be totally evil or always lose in the end-and they're not about to start now. A faction of Hell, in fact, has decided that despite religious and philosophical differences, Latrina is too decent a person to be martyred "for the greater good". Warning her, however, gets a bit tricky. And the real wild card may be Latrina herself, who may not be as "manageable" as the Powers-That-Only-Think-They-Be would like.
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Utter Chaos
Published in Germany in 1920, Sammy Gronemann's satirical novel set in 1903 at the time of the Sixth Zionist Congress follows the life of a baptized Jew, Heinz Lehnsen, as he negotiates legal entanglements, German culture, religious differences, and Zionist aspirations. A chance encounter with a long-lost cousin from a shtetl in Russia further complicates the plot and challenges the characters' notions of Jewish identity and their belief in the claims of the Zionist movement. Gronemann's humor and compassion slyly expose the foibles and contradictions of human behavior. With deep insight into German society, German-Jewish culture, and antisemitism, Utter Chaos paints a highly entertaining portrait of German Jews at the beginning of the twentieth century.
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Utter Disloyalist
Tadhg Barry was the last high-profile victim of the crown forces during the Irish War of Independence. A veteran republican, trade unionist, journalist, poet, GAA official and alderman on Cork Corporation, he was shot dead in Ballykinlar internment camp on 15 November 1921.Barry’s tragic death was a huge, but subsequently largely forgotten, event in Ireland. Dublin came to a standstill as a quarter of a million people lined the streets and the IRA had its last full mobilisation before the Treaty split. The funeral in Cork echoed those of Barry’s comrades, the martyred lord mayors Tomás MacCurtain and Terence MacSwiney. The Anglo-Irish Treaty was signed three weeks later, all internees were released and the movement that elevated him to hero/martyr status was ripped asunder in the ensuing civil war. The name of Tadhg Barry became lost in the smoke.This is the first biography of a fascinating activist described by his British enemies as an ‘Utter disloyalist’ and by a comrade as ‘a characteristic product of Rebel Cork – courageous, kindly, generous to a fault, bold and daring, and independent in speech and action’. It offers fascinating new perspectives on the dynamics of Ireland’s long revolution, including glimpses of the roads not taken.
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Tales of the Dead: Selections from Fantasmagoriana, the Classic German Book of Ghost Stories
These six classic tales of ghosts and hauntings, culled from Fantasmagoriana (1818), a German book that reputedly helped inspire Mary Shelley to pen her immortal novel Frankenstein while staying with Percy Shelley and the mad, vampiric Lord Byron on that haunted summer at Villa Diodati, in Switzerland, two hundred years ago. That night saw the birth of monsters such as the vampire Lord Ruthven, made famous by John Polidori's story The Vampire, as well a vampire tale by Byron himself, one left never finished. But the hideous visage of Frankenstein's monster was born from the nightmares of Mary, to stalk the earth and the dark, troubling dreams of man, forever. These six German classics of supernatural terror gave birth to the inspiration for such ghastly horrors. For, Fear, just as much as Love, is a universal language.
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Utterly Monkey
A very funny, energetic, wonderfully engaging novel about where we’re from and where we’d like to get to… Danny Williams is talented, upwardly mobile and has left his Northern Irish small town roots well behind him. In his mid-twenties he lives in a stylish London flat and has a job in a top London law firm. However, one innocuous Wednesday night his old mucker from home, Geordie Wilson, arrives at the door. On the run from a loyalist militia, whose operational funds he has taken, he manages to bring everything that Danny has been fleeing from right to his smart London doorstep. Taking place over an intense and gripping five-day period–set in both London and the fictional Irish town of Ballyglass–Nick Laird has written an hilarious, touching and ultimately redemptive novel about friendship.
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After Emerson
John T. Lysaker works between and weaves together questions and replies in philosophical psychology, Emerson studies, and ethics in this book of deep existential questioning. Each essay in this atypical, philosophical book employs recurring terms, phrases, and questions that characterize our contemporary age. Setting out from the idea of where we are in an almost literal sense, Lysaker takes readers on an intellectual journey into thematic concerns and commitments of broad interest, such as the nature of self and self-experience, ethical life, poetry and philosophy, and history and race. In the manner of Emerson, Cavell, and Rorty, Lysaker's vibrant writing is certain to have a transformative effect on American philosophy today.
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