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A REESE'S BOOK CLUB JULY PICKA deeply satisfying and enjoyable novel about family, secrets, ghosts and homecoming'Entrancing ... filled with mystery' Reese Witherspoon, Reese's Book Club July Picks'I could not put this book down' Ann Napolitano, author of Hello Beautiful'Compulsively readable ... funny, heartbreaking' Oprah DailyOn a secluded cliff overlooking the ocean sits a Victorian house that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned - yet there are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards. The place is an irresistible mystery to Jane, and becomes a hideaway for her, a place to escape her troubled, volatile mother.Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a magazine. Convinced that the house is haunted, Genevieve hires Jane to research the history of the place and the women who lived there. The story Jane uncovers - of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artefacts stolen and sold, and the long shadow of colonialism - is even older than Maine itself ...
Format: PaperbackCONTRIBUTORS: J. Courtney SullivanEAN: 9780349994178COUNTRY: United KingdomPAGES: 384WEIGHT: HEIGHT: 198 cm
PUBLISHED BY: Little, Brown Book GroupDATE PUBLISHED: 2024-11-07CITY: GENRE: FICTION / GeneralWIDTH: 126 cmSPINE:
Book Themes:
Fiction: general and literary
The Cliffs is a stunning achievement, and J. Courtney Sullivan's best book yet. Sullivan weaves a narrative that's fascinating and thought-provoking. I literally could not put this book down, A dilapidated lavender mansion, perched high on a craggy bluff in Maine, turns out to be more than a home: It's the key to a century of hopes, misdeeds and family ghosts, Sullivan has found the perfect heroine for her compulsively readable novel. Funny, beleaguered, heartbreaking - Jane is a woman who just wants to pull together and will do anything to make that happen. Even if means following the cryptic clues of a possibly fraudulent psychic ..., J. Courtney Sullivan is so skilled at multi-threaded narratives, and this is her most ambitious book yet. Weaving together the stories of women in Maine over centuries, this novel is about maternal loss and trauma, the idea of home, and most affecting, the stories that remain untold, Sullivan writes with her usual compassion, insight, and sensitivity ... and poses powerful questions about how to right the wrongs of the past
J. Courtney Sullivan is the New York Times bestselling author of the novels Commencement, Maine, The Engagements, Saints For All Occasions, and Friends and Strangers. Courtney's writing has also appeared in The New York Times Book Review, The Chicago Tribune, New York Magazine, Elle, Glamour, Allure, Real Simple, and O: The Oprah Magazine, among many others. She is a co-editor, with Courtney Martin, of the essay anthology Click: When We Knew We Were Feminists. Courtney lives in Massachusetts with her husband and two children.
A REESE'S BOOK CLUB JULY PICKA deeply satisfying and enjoyable novel about family, secrets, ghosts and homecoming'Entrancing ... filled with mystery' Reese Witherspoon, Reese's Book Club July Picks'I could not put this book down' Ann Napolitano, author of Hello Beautiful'Compulsively readable ... funny, heartbreaking' Oprah DailyOn a secluded cliff overlooking the ocean sits a Victorian house that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned - yet there are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards. The place is an irresistible mystery to Jane, and becomes a hideaway for her, a place to escape her troubled, volatile mother.Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a magazine. Convinced that the house is haunted, Genevieve hires Jane to research the history of the place and the women who lived there. The story Jane uncovers - of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artefacts stolen and sold, and the long shadow of colonialism - is even older than Maine itself ...
Format: PaperbackCONTRIBUTORS: J. Courtney SullivanEAN: 9780349994178COUNTRY: United KingdomPAGES: 384WEIGHT: HEIGHT: 198 cm
PUBLISHED BY: Little, Brown Book GroupDATE PUBLISHED: 2024-11-07CITY: GENRE: FICTION / GeneralWIDTH: 126 cmSPINE:
J. Courtney Sullivan is the New York Times bestselling author of the novels Commencement, Maine, The Engagements, Saints For All Occasions, and Friends and Strangers. Courtney's writing has also appeared in The New York Times Book Review, The Chicago Tribune, New York Magazine, Elle, Glamour, Allure, Real Simple, and O: The Oprah Magazine, among many others. She is a co-editor, with Courtney Martin, of the essay anthology Click: When We Knew We Were Feminists. Courtney lives in Massachusetts with her husband and two children.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.