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Format: Paperback
A REESE'S BOOK CLUB JULY PICKA deeply satisfying and enjoyable novel about family, secrets, ghosts and homecoming'Entrancing ... filled with mystery' Reese Witherspoon, Reese's Book Club July Picks'I could not put this book down' Ann Napolitano, author of Hello Beautiful'Compulsively readable ... funny, heartbreaking' Oprah DailyOn a secluded cliff overlooking the ocean sits a Victorian house that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned - yet there are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards. The place is an irresistible mystery to Jane, and becomes a hideaway for her, a place to escape her troubled, volatile mother.Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a magazine. Convinced that the house is haunted, Genevieve hires Jane to research the history of the place and the women who lived there. The story Jane uncovers - of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artefacts stolen and sold, and the long shadow of colonialism - is even older than Maine itself ...
CONTRIBUTORS: J. Courtney SullivanEAN: 9780349994178COUNTRY: United KingdomPAGES: 384WEIGHT: HEIGHT: 198 cm
PUBLISHED BY: Little, Brown Book GroupDATE PUBLISHED: 2024-11-07CITY: GENRE: FICTION / GeneralWIDTH: 126 cmSPINE:
Book Themes:
Fiction: general and literary
The Cliffs is a stunning achievement, and J. Courtney Sullivan's best book yet. Sullivan weaves a narrative that's fascinating and thought-provoking. I literally could not put this book down, A dilapidated lavender mansion, perched high on a craggy bluff in Maine, turns out to be more than a home: It's the key to a century of hopes, misdeeds and family ghosts, Sullivan has found the perfect heroine for her compulsively readable novel. Funny, beleaguered, heartbreaking - Jane is a woman who just wants to pull together and will do anything to make that happen. Even if means following the cryptic clues of a possibly fraudulent psychic ..., J. Courtney Sullivan is so skilled at multi-threaded narratives, and this is her most ambitious book yet. Weaving together the stories of women in Maine over centuries, this novel is about maternal loss and trauma, the idea of home, and most affecting, the stories that remain untold, Sullivan writes with her usual compassion, insight, and sensitivity ... and poses powerful questions about how to right the wrongs of the past
J. Courtney Sullivan is the New York Times bestselling author of the novels Commencement, Maine, The Engagements, Saints For All Occasions, and Friends and Strangers. Courtney's writing has also appeared in The New York Times Book Review, The Chicago Tribune, New York Magazine, Elle, Glamour, Allure, Real Simple, and O: The Oprah Magazine, among many others. She is a co-editor, with Courtney Martin, of the essay anthology Click: When We Knew We Were Feminists. Courtney lives in Massachusetts with her husband and two children.
Format: Paperback
A REESE'S BOOK CLUB JULY PICKA deeply satisfying and enjoyable novel about family, secrets, ghosts and homecoming'Entrancing ... filled with mystery' Reese Witherspoon, Reese's Book Club July Picks'I could not put this book down' Ann Napolitano, author of Hello Beautiful'Compulsively readable ... funny, heartbreaking' Oprah DailyOn a secluded cliff overlooking the ocean sits a Victorian house that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned - yet there are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards. The place is an irresistible mystery to Jane, and becomes a hideaway for her, a place to escape her troubled, volatile mother.Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a magazine. Convinced that the house is haunted, Genevieve hires Jane to research the history of the place and the women who lived there. The story Jane uncovers - of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artefacts stolen and sold, and the long shadow of colonialism - is even older than Maine itself ...
CONTRIBUTORS: J. Courtney SullivanEAN: 9780349994178COUNTRY: United KingdomPAGES: 384WEIGHT: HEIGHT: 198 cm
PUBLISHED BY: Little, Brown Book GroupDATE PUBLISHED: 2024-11-07CITY: GENRE: FICTION / GeneralWIDTH: 126 cmSPINE:
J. Courtney Sullivan is the New York Times bestselling author of the novels Commencement, Maine, The Engagements, Saints For All Occasions, and Friends and Strangers. Courtney's writing has also appeared in The New York Times Book Review, The Chicago Tribune, New York Magazine, Elle, Glamour, Allure, Real Simple, and O: The Oprah Magazine, among many others. She is a co-editor, with Courtney Martin, of the essay anthology Click: When We Knew We Were Feminists. Courtney lives in Massachusetts with her husband and two children.
Lani en Elliot balanseer nie en die vonke spat uit die staanspoor
Elliot tree totaal buite karakter op toe hy langs die hoofpad stop om ’n ryloper op te laai. Hy neem haar boonop na sy ouerhuis toe en vind aanhoudend redes om haar binne sy sfeer te hou. Mens sou dit liefde met die eerste opslag wou noem, maar gewilde skrywer, Madelie Human, noem dit Kortpadliefde.
Moenie verwag dat alles glad gaan verloop nie. “Hy en Lani is beslis nie die twee kante van ’n wiskundige vergelyking nie. Hulle balanseer nie. Kyk maar net hoe die vonke tussen hulle van die eerste oomblik af gespat het.” (p.50)
Moet verder nie verwag dat dit die standaard romanse is nie. Daar is baie diepgaande kwessies wat oopgeskryf word, soos ouer-kind verhoudings, beroepsbedrewendheid, soeke na sosiale aansien, selfs ’n cougar wat skaamteloos die mooi verhouding tussen Lani en Elliot verontagsaam. Dwelmsmokkelary, verdagmaking en vooroordeel is dinge wat negatief inwerk op die ontwikkelende verhouding, maar gelukkig gee die skrywer dit in kleinerige porsies deur aan die leser.
Kortpadliefde is die nuutste in ’n lang lys van suksesvolle Romanzas deur Madelie Human, wat uitgegee is deur Lapa.
As ’n gesoute leser van romanses, mag jy dalk dink dat jy ’n goeie idee het oor romantiese liefde. Lees jy egter René van Zyl se nuutste Romanza, Sigeunerliefde, gaan jy ’n nuwe definisie raaklees wat die skrywer gaan leen het uit die opera, Carmen. “Liefde is ’n sigeuner se kind wat hom nie aan wette steur nie en nie gedwing kan word om lief te hê nie.” (p.182)
Karmen se verhaal het my skoon nostalgies gehad. Ek het self die voorreg gehad om Spanje te besoek en goeie herinneringe het kom aanklop: Flamenco-dansers, Gaudi, die Sagrada Familia-basilika, metrotreinritte deur Barcelona, sangria by ‘n kafee, stap met La Rambla langs. Jy hoef egter nie te vrees dat dit gaan lees soos ’n reisbrosjure nie. Die agtergrond is presies dit, die verhoog waarop ’n hartroerende verhaal afspeel van ’n jong vrou wat geteister word deur verwyte, gemis van haar ouers en veroordeling deur haar ouma.
Die straatmusikant wat haar hart kom steel, leer haar ook dat sy nie mag het oor lewe en dood nie. Sy moet die skuldlas laat vaar wat haar dryf om soos ’n sigeuner rond te swerf en nêrens rus te vind nie.
Die skrywer gee subtiele wenke oor sekere elemente van die storie, net genoeg om nie die oomblik te bederf wanneer die kloutjie en die oortjie mekaar vind nie. Hierdie is ’n heel oorspronklike storielyn wat ek geweldig baie geniet het, selfs ’n traan afgevee het.
This is one of the best books I've ever read.
At first, it seems like a simple story about farm animals who rebel against their owner in search of a better life. However, as the story progresses it becomes clear that Orwell is making a much deeper point about politics, corruption and power.
What I found most interesting was how the pigs slowly become just as bad as the humans they replaced. Napoleon’s rise to power feels frustrating to watch, especially because the other animals trust him so easily. Characters like Boxer are particularly memorable because they show how loyalty and hard work can be taken advantage of by those in authority.
Although Animal Farm is based on historical events, its message still feels relevant today. The book highlights how propaganda, misinformation, and blind trust in leaders can allow people to gain and abuse power. Orwell presents these ideas in a way that is easy to understand without making the story feel like a history lesson.
Overall, I really enjoyed Animal Farm. Its simple writing style makes it accessible, but the themes are complex and thought-provoking. I would recommend it to anyone who enjoys books that make you think about society and human nature or just people that really enjoy political satire.
Met die pragtige Helene de Kock Inspirasie-omnibus in my hand, het ek vrymoedigheid geneem om by die skrywer aan te klop met ’n paar vrae, wat sy goedgunstiglik beantwoord het.
Ek wou in die eerste plek weet of sy sulke romans wat vir herpublikasie oorweeg word, moet redigeer. Haar antwoord was baie duidelik en goed gemotiveer: sy skaaf nooit aan heruitgawes nie omdat dit goed is dat lesers ’n boek binne sy tydvak lees. “Al beweeg die karakters teen die tydsgees in”, het sy gesê.
Verder wou ek weet of sy, as skrywer, insae het in die keuse van boeke vir ‘n omnibus, waarop sy positief geantwoord het dat sy wel insae het en dit moet goedkeur.
Die produk van hierdie proses is die kombinasie van Kruispad vir Kara, oorspronklik uitgegee in 2018, en Engel op die drumpel, uitgegee in 1999. Daar is nogal heelwat raakpunte tussen hierdie twee romans in die geestelike fiksie genre. Die hoofkarakters in albei is studente aan Tukkies en albei is pratige meisies wat die aandag trek van mansstudente wat sosiale en akademiese aansien geniet. Jannes Conradie en Hein Leroux deel egter ’n swakte: hulle is nie ouens wat erns maak met verhoudings nie.
Liriese taalgebruik en goeie kennis van die Woord asook die gawe om dit toepaslik in die storielyn te verweef, maak van Helene de Kock se boeke iets besonders, sonder om prekerig oor te kom. Haar karakters ly verlies, hulle voer ’n geloofstryd, het baie wroeging, en hulle moet indringend selfondersoek doen alvorens daar uiteindelik oorwinning kom. Vir die romantiese siele is daar ook die belofte van liefde wat oorwin.
Die Inspirasie-omnibus is uitgegee deur Lux Verbi, die geestelike druknaam van Jonathan Ball Uitgewers. Jy sal dit oral in goeie boekwinkels kan opspoor.